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Pretty Good

Boring

A lot of fun.

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

This is the movie for you! We're talking mega-velveeta cheesy here, but soo much fun! Christopher McDonald stars as a tough cop with some control issues, granted he sees his wife gunned down in front of him and his young son, but kills the perp, so it goes unsolved. Flash forward seven years or so ahead and Mickey is still a tough cop, with some triggers waiting to be pulled. His son Jason, now sporting a mullet to make Billy Ray Cyrus swoon, is back to live with dad and his very hot girlfriend Vera, played by Dey Young of all people, but trust me total MILF! Poor Jason soon runs afoul of Gideon, played by Judd Nelson as a insane raccoon on an acid trip who dresses like a pirate. Seriously, not kidding, the man wears mascara and dresses in frilly lace! WTF! so over the top you just have to smile. Oh Gideon run a profitable car theft ring, but young Jason just digs the metal club he runs to cover it. Naturally Mickey tries to warn rebellious teen Jason to steer clear of Gideon, but heck what seventeen year old ever listened to their parent? Added eye candy is Alyssa Milano is a relatively small role as Eve, but her opening scene... WOWZA, what a hottie! I mean I seriously wanted to leap into my screen! Jason feels likewise, tho that doesn't stop him from bedding some seriously stacked babes Gideon throws at him. Totally trash, but done in the most enjoyable of fashions, with surprisingly good performances and some cool plot twists towards the end. "Conflict of Interest" is not a classic, but it's a great example of late 80's early 90's b-movie action and it delivers the goods!

I can't abide this movie's low rating here. a 6, maybe a 5, but a 3? Cmon, no way.Christopher McDonald, of memorable face, but unmemorable name, plays the boilerplate on-the-edge cop, Mickey Flannery (granted, cheesy Irish name for a cop) who is introduced as he loses his wife in a shooting related to a car-theft ring, which their child son, Jason, witnesses.McDonald, of Happy Gilmore fame as an insufferable dweeb, is likable, committed and tough here, the hero of the film. After the opening, the film moves forward in time to Jason being a young adult (at least 15 years older, though McDonald much at all, and is back on the force.Jason gets wrapped up with a criminal ring run by Judd Nelson's Gideon, the most compelling character of the movie. I'm not a big fan of Nelson in many other roles, but here, he's a real threat, and wears his mascara and LA-grunge post-hair-metal wear well. The film is almost a micro fashion document of 1993, with lots of grunge wear, with an LA angle. The pirate shirt does appear once, and it's stunning when it does, but Nelson is young and scary enough to make it work. Allysa Milano, is of course, ludicrously attractive in her apparel, which is a sequence of riot grrrl Gothic, and grunge outfits. She also acts well in her part. The club they habitate is also a good example of the raves/industrial parties that existed from the mid-80s into the mid-90s.McDonald is the other anchor to the film, constantly trying to maintain his composure while his son is increasingly drawn into a very personally threatening situation (while the son and dad are just trying to re-establish contact)and he's returned to the police force after a long absence. The audience knows McDonald/Flannery is right in his suspicions that Judd/Gideon is a lowlife murderer, but no one else believes him. It's a common plot device, but used very effectively over a long arc in this film. Then, at the end, we find that not only was McDonald right, but he was set up from the start, not just on one level, but multiple levels to the very start years earlier.My one biggest complaint with the plot would be why would a smart operator like Gideon attract so much police attention by killing two young women? Framing son and father is at least sort of a plausible explanation that the film stays true to and follows through on, in some surprising and visually exciting action scenes.It's not a masterpiece by any means, and it's title assures it remain in obscurity, but it's a totally competent cop yarn with strong family and dept corruption subtexts. Like many low budget films, it turns out to be an excellent period piece, shot from its current reality.

Not because I want to preserve the integrity of this masterwork, but because I stopped watching it about half-way through.First, the good: Alyssa Milano and Dey Young look beautiful in this film. Second, there are several hot heavy-metal-looking chicks in the movie, as well. Third, Zia Harris has the mullet for the ages -- he actually looks he could be the twin brother of Kim Richards from "Tuff Turf." I caught this movie on late-night cable just last week and my immediate thought was: Wow, "Happy Gilmore" aside, Christopher McDonald simply cannot act. Script was filled with any number of clichés: Mom killed in opening scene; boy estranged from his father, who hit the bottle hard after his wife's death. Cop who plays by his own rule but (I'm only guessing, not spoiling) is ultimately redeemed. Wacky, over-the-top evil villain (the always execrable Judd Nelson, rocking some impressive mutton-chop sideburns, like a twisted Elvis impersonator) ... you name it, it's in there. Zia Harris' rebel son character is given "depth" by having him spout a haiku to Alyssa Milano, so that's a bonus. Also, interminable opening credits showing the L.A. working waterfront. Yawn.Quite simply, one of the worst movies I've seen in recent memory, and I've seen both "Pieces" and "The Incredible Melting Man."

This is one movie for the ages! Why it was never released on a more global scale still astonishes me to no avail. The first ten minutes of the movie literally had me at the edge of my seat. I didn't see any of the rest of the film, but I know that it still probably delivers those same dramatic punches one right after the other.This movie is truly the crowning achievement of one of America's top young child celebrities, Joel Katz. Portraying the role of "Young Jason", he delivers his academy award dodging performance so well I literally burst into tears after hearing his cries after his mother was randomly shot in broad daylight with a .50 desert eagle, right in front of his eyes. This spectacular actor then skyrocketed to fame with other memorable roles, such as the role of a random child in "Cheers", the Mario Paint commerical, and most recently, a spokesman for Impontency International.