Watch They Came to Cordura For Free

hyped garbage

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The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I first saw this film in 1959 at our local cinema in Sydney aged about 12. Even then I felt there was something odd about an officer accused of cowardice, Major Thomas Thorn played by a very serious Gary Cooper, who becomes the awards officer for the U.S. Punitive Expedition against Pancho Villa in Mexico in 1916. During a battle that is the reverse of the Alamo, Mexicans inside, Americans outside, Thorn observes acts of bravery (through binoculars from a distance) and recommends five men for the Medal of Honor. He is then detailed to take them to the town of Cordura. He also escorts an American woman accused of helping the enemy, Adelaide Geary, played by Rita Hayworth, still stunning at 40 with a glowing mane of red hair. As they journey, Thorn is obsessed with the true meaning of courage and questions the men endlessly about their actions. He begins to see another side to the five heroes who seem either weak or criminally inclined.John Wayne hated this movie, feeling that it had denigrated the Medal of Honor - he had a point. Other IMDb reviewers have pointed out historical inaccuracies including the fact that no Medal of Honor was awarded during the campaign.The last two thirds of the movie sees the group wandering in the wilderness with Thorn the most determined and heroic of the men.There were a lot of issues going on around this movie, which may have distracted director Robert Rossen from delivering a more appealing film. He had named names during the HUAC investigations, and questions about the true nature of courage and cowardice were no doubt playing on his mind.Then again, maybe his biggest mistake was to start the film with its most spectacular sequence. A lot of filmmakers would be wary of doing that.And it is spectacular. "They Came to Cordura" contains one of the best cavalry charges on film. Directed by second unit director James Curtis Havens with John Ford-like panache, it features a regiment of U.S. Cavalry emerging from the dust, followed by changes in formation before the remarkable scene as the horsemen form a "line of troopers boot to boot" and charge. Accompanied by Elie Siegmeister's forceful score, this is masterful cinema.Unfortunately, "They Came to Cordura" is ultimately mangled by its message, and it was Darryl Zanuck who once said, "If you want to send a message, use Western Union".

This film doesn't seem to garner much appreciation by other reviewers on this board but I thought it had an interesting concept. It reminded me of Eastwood's "Flags of Our Fathers", as the soldiers newly tapped for Congessional Medals of Honor were to then be used as a propaganda tool for the country's entrance into World War I. Even today, the idea of 'selling' a war seems like a foreign concept and not to be undertaken in a commercial manner.The film offers a lot of dichotomies to consider, chief among them the idea that a soldier attaining the rank of Major would have been chosen to operate as an Awards Officer even though he himself experienced cowardice in battle. That's Major Thorn's (Gary Cooper) task as he navigates his way through the situations and personalities that challenge his authority throughout the picture. I didn't get the sense that he was cowardly in any way and it required the story to play out in order to show his true colors.Interesting casting for this picture with the likes of Richard Conte, Dick York, Tab Hunter, and Van Heflin who looked like he packed on a few pounds since "Shane". I knew Rita Hayworth was in the cast but when she showed up a a blonde it didn't register. The resolution to the story didn't quite fit with everything that went before, leaving one to wonder what would happen once everyone finally set foot in Cordura. One of the reasons the picture merits it's weak reviews.

I always liked this movie, "They Came to Cordura". I've seen him several times and I have been following comments on it. Sometimes favorable, sometimes unfavorable (the majority), many of them criticizing the director Robert Rossen or the fact Gary Cooper be too old for the role. The film is about an unusual topic: the early twentieth century, in the times of Pancho Villa, U.S. military assigned to receive high honor Army, for bravery, form a squad under the command of Major Thorn (Gary Cooper) and will at desert, towards the base of Cordura. Along with them following the Mexican farmer, Adelaide Geary (Rita Hayworth), born American, to stand trial for treason, since it would collaborate with the enemy. Along the way discovers the fragility of Thorn, by knowing that he would have cowered in battle, causing mistrust of the group at his command, at the same time if the group shows, mostly, without character and capable of low and despicable acts. Here, then, it creates an interesting situation: the heroes reveal themselves men of bad character, unworthy, especially receiving a medal for bravery, while the coward becomes a hero, dignified, empathetic, courageous, generous. And the woman is a curious character: for she is dying as a mother; for decent still, a companion to the disqualified only object of desire, and Thorn, the woman he probably sought, able to understand it and understand the reasons that led him to be labeled a coward. Gary Cooper has a great performance. Would say that old for the role might even be true, but he plays with great skill. James Stewart also faced this problem in "The Man who shot Liberty Valance." They said it was old for the role, but spent so much time after shooting (1962), someone today would like to see another one in its place? Van Heflin has, with much certainty, the best performance of his career. The hero of "3: 10 to Yuma" and the bold and honest farmer "Shane" gave rise to negligible Chawk. Richard Conte (Trubee) and Dick York (Renziehausen) are great in their roles and Tab Hunter (Fowler), could have been better. An actor was booming at the time (1959) and I confess I expected more from him. Michael Callan (Hetherington) does little in the film, but has an understated performance, no compromises. Who stands undoubtedly is Rita Hayworth in late career. Still beautiful and huge screen presence, Rita, has a performance worthy of record. The story is rough, tough, as is the journey to Cordura, which reveals the hidden side of each, the true side of the supposed heroes, not as admirable as the moment of glory one lived. For Thorn, a sort of Christ, the journey is his redemption. When tying the rope "railroad handcar," the snared in her body and pulls, it's like finally carry his cross, even though it would only suffering. Gary Cooper does a great performance. They say that the film would be a reference source among homosexual characters of Gary Cooper and Tab Hunter. At least the copies I saw, never identified it. For me, a great movie. I want to see him still many other times.

In 1916, an army major leads a woman prisoner and a disagreeable group of soldiers through rugged terrain near the Mexican border. This is a standard Western that takes a while to get going and then goes on a bit too long, but is helped by a good cast. Cooper, who was ailing at the time and would make only two more films, is solid as a cowardly officer tasked with finding candidates for the Congressional Medal of Honor. Hayworth is quite alluring as an American accused of abetting Mexico against her country. The familiar cast includes Heflin and Conte as the villains, Keith as a colonel seeking glory, as well as future TV actors York and Platt. This was the only Western for Rossen, an uneven director.