Watch Quadrille For Free

Absolutely the worst movie.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Blistering performances.

No, it's not Les Règles du jeu or one of the great classics of the French cinema. But this movie is FUNNY!!! In a very Guitryesque, nasty sort of way. The humor of the dialogue is truly brilliant - though of course Guitry gives himself all the best lines. But there are a lot of them, and they are often devastatingly funny.There is not so much a plot as a situation, THE situation of French farce: Guitry plays what he is, an older man, whose mistress (Gaby Morlay) meets a young American movie star and falls in love with him. Guitry must come to terms with that, but it's not too painful, as he has just fallen in love with his lover's best friend, Delubec, who, quite frankly, is far more attractive than Morlay and far more interesting. So everyone wins.As do the viewers, because the situations provoke one devastatingly clever bon mot after the next, mostly from Guitry.This is not French for beginners. Guitry and Delubuc speak as fast as is humanly possible, though with a clarity of diction that speaks to their training in the theater. I don't know how funny this would be if you had to read the subtitles, as you would lose all the inflections, which are half the humor. But if you can follow it in French, you will have one very enjoyable hour and 40 some minutes.

Guitry's films are often relegated to the category of "filmed theater." While this is an inaccurate categorization of his films as a whole, it does apply to this very talky picture. Not only is it based on a play, it is also very clumsily "opened up" with cutaway "meanwhile" inserts, brief exterior shots showing characters entering buildings, etc., which break up the theatrical continuity and add little, if anything. A rather long 91 minutes (the running time of the Gaumont DVD in the "Guitry Coffret d'or" boxed set -- though two Guitry books and IMDb list it as 109), despite the exceptionally appealing presence of young star Georges Gray -- a very handsome man, who is seen in a (non full-frontal) nude scene. He's very chipper and genial (if not exactly funny -- he doesn't really have any good lines). Guitry gives a typical Guitry performance. He himself said he was no actor, and, indeed, Guitry is always Guitry (as John Wayne is always John Wayne). Sometimes that's fine -- when he plays historical characters it seems to work well -- but here one could use something more. The women are all fine, the decors and costumes are lovely. And it's a bit of a bore.

"Quadrille" was remade by Valerie Mercier in 1997,with some success.Although I like Sacha Guitry's works very much,"Quadrille" is not in my top ten of his works.I'd rather have his historical extravaganzas or "Ils Etaient Neuf Celibataires " or "La Vie D'un Honnête Homme" ,probably his neglected masterpiece ,any day.More than other Guitry efforts , it's mostly stage filmed production.It's very talky,particularly this interminable scene between the author and Gaby Morlay which occupies the center of the movie .Guitry has some good lines (I dig the one when the says to the American actor "you're not used to thinking" ) ,but not much ,compared to "Les Perles De La Couronne" in which almost all the lines are pure gold .There are only four characters (unless Pauline Carton ,cast as usual as the chamber maid ,counts : she is the only one to see the American male star completely naked!): the old beau (Guitry) his mistress ,a journalist and an American buck .Hence the title .

Some forty years ago there were two enormously talented French Writer-Directors who moved effortlessly between Stage and Screen, often adapting their own theatrical triumphs for film. If Marcel Pagnol is arguably still remembered outside France by virtue of his great Trilogy (Marius, Fanny, Cesar) of the early thirties and the late quartet (Jean de Florette, Manon des Sources, La Gloire de ma pere, La Château de ma mere) some fifty years later, then Sacha Guitry is no less celebrated still in France, or Paris at least, where retrospectives are a regular thing on the Art House/Revival circuit. Whilst there was little to choose between them in terms of talent and craftsmanship Pagnol tended to favor rural tradespeople - Bakers, Well-Diggers, Saloonkeepers - whilst Guitry was more inclined to write about urban sophisticates.This typical Guitry entry was remade by Valerie Lemercier, who also acted in it as did Guitry himself (an extra string that was lacking in the bow of Pagnol) and now, thanks to the generosity of the guy in Norway, I am the proud owner of the DVD of Quadrille. The Guitry 'touch' is evident throughout from his penchant for showing clips of not only actors but technicians in the opening credits to his polished take on contemporary mores and scintillating dialogue. On paper this is little more than mixed sexual doubles but on celluloid it's game, set and match to an old maestro.