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Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Truth Out! Don Bendell didn't direct this film but he wrote it, at least as far as I know. The truth is nobody directed it. Here's the story; I was a Cleveland film producer/cinematographer when I was approached by Bendell a Used Car salesman at the time & a karate freak, to shoot The Instructor. Being a slow time, as it was mostly in Cleveland, I glanced at the script and agreed to do it. A side note, I hate Karate movies except perhaps for the Karate Kid. Anyway after agreeing on the $$$ which were peanuts, the whole budget was $100 K or there about, it was shot on Agfa 16mm, I went down to Akron for a meeting with cast & crew. These, mostly conned volunteers with stars in their eyes except for a few credible people like an Akron U Drama teacher, & Don Chaney who was a real nice guy.Bendell was a real classic used car salesman I'll give him that because he conned the whole town & even the Akron Police Dept. into trashing cop cars for this joke which you will note if you could sit through this POS! Well I knew from day one that Bendell who had never even been on a film shoot in his life was clueless which only made my job more difficult but as I said I'd nothing better to do then. Anyway to make a long story short, I worked my ass off trying to make something out of the project, at least visually, until Bendell started to try playing Director when we were about 7/8 done with shooting, at which point I quit. You see making film is a pretty tough job & when you have some clown who after 3 weeks on location thinks he's figured out how to put pieces & actor together to make sense, tries to take command for his lame ego, things go all to hell! Anyway after I left, they hired my assistant Ron Hughes to finish the project with his Bolex. You'll note a total different style of lighting happen in the film at about that point. Ron was into the dark "noir" dramatic style of lighting.What I found really funny and sad on this film was that most of the people involved in this project, relationships & marriages went down the tubes, even Bendells. It was just like you read about film people in Hollywood. Wonder where they got it from??

Obviously people here do not "understand" cinema. This is one of the most luminous pieces of celluloid (I mean VHS) master pieces to have ever graced my grocery store shopping cart. The 99 cents I spent on this movie was too cheap a price to pay. I payed 99 cents for poor martial arts action from a middle aged goon whose love of his students get's the better of his judgment. So that's like 90 cents for action, 5 cents for drama, 3 cents for making sense, and that leaves one cent left for Thumper. With names like, "Thumper" how can you go wrong. The opening sequence is wonderful and deliciously shot poorly. The chase scene was incredulously long and very anti-climactic. It involved, cars, bikes, and chainsaws, running through the woods and streams. Don't forget all of the poorly executed stunts. This movies charms it's way into your heart via the phrase "I don't see no anchor tied to your ass boy!" and all of the obligatory "crotch" grabbing sequences. I mean, The Instructor grabs so many testicles in the first fight alone! How can that not be awesome. He dodges bullets, fights goons with swords, and through poor editing seamlessly kicks a guy off a motorcycle (that's probably the best scene, aside from the ninja picking his nose). It is well worth a watch. It made me laugh harder than any other honest attempt to make a martial arts film, ever, from a guy that looks like the Instructor. Through it's poor acting and editing it makes me yearn for the days of America Ninja 4, when Micheal Dudekoff was way too "good" to be in any subsequent sequels since American Ninja 2. Oh, the glory of '83. Instructor, I say "Thank You!" for Instructing....me....how to....um....laugh...or something. that's a ten baby, for Jawsome!

Aside from concerns about artistic quality, The Instructor was quite fun. Bendell was creating, Chaney was acting, both were stepping outside their areas of expertise. Taken in context, the film was enjoyable. Having trained under Chaney, I understand the film. I may not quite understand why they made the film, but I'm glad they did. As for the film itself, it is classic: action, heroism, and the boy gets the girl in the end. A time-honored theme in a changing environment at the time. Of course, the memories most likely to stay with the viewer are the interminable running and the close-up hand action. Of them all, the hand-action was the least effective for the non-martial artist. Though a student of martial arts might enjoy the hand technique, the lay viewer would simply see flashing hands without understanding. As for the ninja who was not quite adept, he provided a lot of humor. I'd recommend the film for adult-like kids and kid-like adults.

You might suspect that the plot of this movie was written in the process of filming. It begins as a "punks versus vigilante" movie, but in the middle of the film, the plot changes abruptly when the vigilante turns to be an honest man with his honest girl and his honest gym and has to fight the corrupt "businessmen" who want to turn the gym down at any cost to build a mall or something. Then, the plot changes again, and we forget about the corrupt guys. The villain now is the friend of the leading man, who thinks he is a Ninja. The guy becomes "crazy evil" and wants at any cost to win a Martial Arts Contest. Seeing this movie is like having a nightmare with the television on.