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Fantastic!

The film never slows down or bores, plunging from one harrowing sequence to the next.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

By the time the dramatic fireworks start popping off, each one feels earned.

A good all-star cast in a very cute comedy film about, who else, the great lover Casanova! Bob Hope was as cute as can be as Pippo Popolino (aka Casanova's double). Casanova is actually played by the late great Vincent Price who was uncredited. Casanova ended up spending to much of his money and couldn't pay what he owed, so talked Pippo into taking over as himself which leads into some comical moments.Casting is superb! Bob Hope, Raymond Burr, Vincent Price, Basil Rathbone, John Carradine & Lon Chaney are the real reasons to watch this film. Story is fun, nothing heavy here - just silly comedy. The film is eye-candy in sets and costuming with rich technicolor bringing this out! 7.5/10

This is a great film for all Bob Hope fans and lovers of vintage comedy everywhere. The colour, as in a lot of these old movies, is very rich and is a real treat for the eyes. As pointed out by other reviewers, the theme is quite similar to that of Bob's earlier black and white film "Monsieur Beaucaire", but none the worse for it.In order to save a group of merchants from bankruptcy, Bob, as Pippo Popolino, a miserable tailor's apprentice, agrees to impersonate the great lover "Casanova". As Casanova, he is engaged by a Duchess to test the love of her son's future bride and is promised a large sum of money if succeeding in the seduction. The jokes arrive thick and fast and as usual, Bob's delivery is masterful. Ironically though, for me, one of the funniest lines comes from Basil Rathbone who, playing Lucio, the former servant of Casanova sharing in the deception of the impersonation of his former master, declares to the hapless Pippo at a particularly frustrating moment "You'll never be anyone other than Pippo Popolino and I can't think of anything more insulting!". There are excellent supporting roles from the aforementioned Rathbone and Arnold Moss as the Doge, who our hero refers to as "a snake with a beard". There are some great visual jokes too with Bob remarking while dancing with his intended victim "I have a big following in Venice" at which point his sword drags a tablecloth loaded with crockery from a table, which he then trails behind him in the dance and tries to kick away nonchalantly. What really makes the film though is the pace and delivery of Bob's stream of one-liners.Mr Hope at his very best!

Although I haven't seen the film since the first run showing, I'll never forget the scene where Bob Hope (as Pippo Popolino aka Casanova) was in a gondola in Venice. He dips his finger in the water, sniffs it, and says "Canal Number 5."

Is Bob Hope's character here the model for Woody Allen's character of Boris Grushenko in "Love and Death"?Both characters travel to a distant city disguised as someone above their station.Woody's character is praised for his "inadvertent heroism", and so is Bob's. Bob's characters are always pretty craven, from "The Cat and the Canary" right on through, but Woody's are usually just neurotic and a little timid, rather than cowardly. There is a closer correspondence here than usual.Both films contain a mock duel which Bob/Woody manages to win. There is also an overlapping duel joke or two.Woody plays Casanova with the luscious Countess Alexandrovna.I only saw a portion of "Casanova's Big Night" so I can't make a fuller comparison between these two costume comedies, one set in the late 18th century, the other in the early 19th.In general, this film seemed to me to be one of the weakest Hope vehicles that I've seen, although I've always laughed at the film's ironic title.