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Such a frustrating disappointment

Sorry, this movie sucks

Simply A Masterpiece

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

A tongue in cheek ,very funny "western" -although it features plenty of death-),not as tragic as Nelson's more famous "soldier blue" .A good chemistry between the three mates ,even though Mitchum is obviously the stand out.I did not go to confession for years ,but if I had a "priest " like him,well....His words are often Bunuelesque ,recalling "Nazarin"(1958) when he talks about the stranglehold the wealthy ones have on religion.In spite of the presence of a positive catholic character (Rita Hayworth's last part,her next-to-last was a strange French movie where she played the role (sadly premonitory)of a woman losing her mind "La Route De Salina" ),it is a very unfriendly look at the catholic Church,not exactly a Hollywoodian politically correct one.The scene of the execution when the screen becomes completely black ("and it has not taken three days !say one of the condemned persons)is memorable ;and the title is thoroughly justified in the last scene when God's hand punishes the heathen .

Adaptation of James Graham's western book plays like a leftover second-feature from the 1940's. Robert Mitchum is very likable playing a machine-gun toting "priest" who, along with two criminals, is cornered into an assassination plot in 1920's Central America. Curious combination of cheeky asides and formula bloodshed takes a good while to jell; director Ralph Nelson appears to be attempting a quirky approach, but he doesn't go far enough with his dark-humored take. However, the pacing does pick up after a draggy first hour, and the supporting players are interesting. Rita Hayworth, cast as a sympathetic Senora, makes her final screen appearance. ** from ****

Ralph Nelson proved himself to be a great director shooting some really great productions in black and white ("Requiem for a Heavyweight, Lilies of the Field) but his color efforts are clumsy and "TV movie-like" ("Duel at Diablo," "Embryo" and this, "The Wrath of God." Nelson captures not of the epic sweep and poignance available in this material. One could only dream of what director Sergio Leone might have accomplished, even given the awkwardly structured, exposition-laden storyline. Fortunately, Nelson had a wonderful cast (Mitchum, Buono, Hayworth and, most notably, Ken Hutchinson and John Colicos) with which to work. Only Frank Langella seems to indulge in overacting, and he arrives more than 45 minutes after the beginning of the film (my "45 minute" rule: if a two hour movie is still introducing major characters after 45 minutes, the movie is usually a dog. Fortunately, Nelson handles the humor better than the drama and there is an abundance of it, albeit irreverent.The theme of "The Wrath of God" is "redemption through sacrifice." Mitchum did this better in "Heaven Knows, Mr. Allison". Sam Peckinpah did it better with "The Wild Bunch". Richard Brooks did it better with "The Professionals". Heck, even Anthony Quin did it better in "Guns for San Sebastian," the movie this one most nearly resembles thematically. Still, there is much to enjoy in "The Wrath of God" to dismiss it entirely, even with the flat, disappointing ending. I give "The Wrath of God" a "5".

Very enjoyable. This is a very good Western. This movie is a must see for fans of the genre or of Robert Mitchum. I was never able to find this movie on video let alone DVD. My favorite aspect of the movie is the little boy who trails Robert Mitchum throughout the movie. I believe that the movie would have been even better if this relationship had been emphasized more. This is especially true when you consider the climax of the movie which is left a little wanting because of this lack of relationship. Nevertheless, I was still moved at the end. What a cute kid! Wise and unusual choice for Hollywood to pick a Mexican child actor for the part.