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Simply A Masterpiece

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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

PACK UP YOUR TROUBLES (Hal Roach/Metro-Goldwyn-Mayer, 1932), directed by George Marshall and Raymond McCarey, marks the second starring feature film from comedy team, Stan Laurel and Oliver Hardy, and one of their finest efforts. Though categorized as a war comedy, the film in itself, divided into two parts, starts off with war related themed material while the second half concentrates more on the team's attempt in locating a little girl's grandparents while civilians after the Armitice.Opening title: "April 1917 – when the scratch of a pen on Capitol Hill caused crowns to rattle." After a brief montage of newspapers going to press with large headlines reading WAR DECLARED, Stan Laurel and Oliver Hardy are seen seated on a park bench reading the latest news. While Ollie declares that flat feet is all that's keeping him from enlisting, the two are soon approached by a tough recruiting sergeant (Tom Kennedy). Even while their attempts pretending to be unfit for active duty, Stan foils up their disqualification, finding them in the next scene at the U.S. Army Training Camp. "It didn't take Uncle Sam long to whip this raw material into real fighting machine." Causing their short-tempered drill sergeant (Frank Brownlee) to go out of his mind over their bumbling antics, Stan and Ollie create more trouble while on K.P. duty, taking foul odor garbage to the general's (James Finlayson) residence, ending up in the brig with a tough cook named Pierre (George Marshall) after naming him the one who told them to place the trash into the general's home in a sarcastic manner. Eddie Smith (Donald Dillaway), the boys' best pal, receives a letter written by his wife telling him she has left him for another man, resulting on Eddie to leave his little daughter (Jacquie Lyn) in the home of a bickering couple (Rychard Cramer and Adele Watson) for the time being. Eddie is killed in battle, while Stan and Ollie unwittingly becoming war heroes. With the war ending November 11, 1918, civilians Stan and Ollie locate Eddie's daughter, take her away from the unhappy environment. They make every effort finding her grandparents with the only clue that their last name is Smith, thus having them going through every Smith name in the New York City directory. More problems arise as they try getting a $12,000 loan from the bank on their lunch wagon, and face losing Eddie's child to a mean officer of the Welfare Association (Charles Middleton) with efforts on taking her to an orphanage.While the final print is somewhat handicapped by some rough cuts resulting to flimsy material, it's a wonder whether the original concept of the movie was initially longer longer than the theatrical 68 minute time frame, probably explaining after repeated viewing why certain characters, especially those part of the Laurel and Hardy stock company of James Finlayson, Billy Gilbert or Charlie Hall, have only brief bits. There is no plot development nor how Laurel and Hardy got to become such good friends with Eddie Smith. One would assume there's an edited account of first their meeting resulting to their friendship during their Army training segment. His dying in battle leads to the purpose of the story with Stan and Ollie doing a good turn by taking the responsibility for his little girl while spending months trying to locate her grandparents. The tight editing, obviously, keeps in the necessary scenes for plot development purposes while leaving more room for comedy material. Memorable scenes include Jacquie reciting a bedtime story to Uncle Stanley, struggling to keep awake; Stan and Ollie's individual attempts locating the many Smiths in the telephone directory; arriving at 311 Chester Drive where Stan and Ollie disturb a wedding ceremony addressing the child to be Eddie's baby, Eddie being the hapless groom (Grady Sutton); Stan going to Poughkeepsie to acquire if the Smith Brothers of cough drop fame to be the relatives, among others. Fine casting goes to Mary Carr as the baby's nanny; Mary Gordon as Mrs. McTavish, the baby sitter during the second half of the story; and Charles Middleton going with honorable re-mention as the one with a face mean and scary enough to "haunt a house." Jacquie Lynn, who sometimes speaks like future child star, Shirley Temple, gets in her finest moments mimicking Stan and Ollie both in mannerisms and famous line quotes, adding much to the fun during their troubles.While the title, PACK UP YOUR TROUBLES, was used again for a Ritz Brothers comedy for 20th Century-Fox (1939), this is where the similarity ends. Home video prints to the original Laurel and Hardy edition (black and white or colorized) often eliminate material involving unpleasantness between the bickering couple looking after little Jacquie. Restored prints have turned up on numerous cable channel networks over the years, from American Movie Classics (1996-97) to Turner Classic Movies (TCM premiere: April 1, 2003). Adding a touch of World War nostalgia with background music from that era, including the title song, "Where Do We Go From Here?" and so forth, PACK UP YOUR TROUBLES is one of those films that seems to get better and funnier after repeated viewings, especially for devotees of this most famous of comedy teams of all time, Laurel and Hardy. (***)

I'm surprised this film came along so relatively early in Laurel & Hardy's career because, although it has a couple of stand-out moments, for the most part it falls below the usual high standard of their output with Hal Roach. In this one they find themselves enlisted in the army during WWI where by some fluke they manage to capture an entire German unit. Unfortunately, the friend they make in the army isn't so lucky and leaves an orphaned little girl at home that the boys decide to return to her grandparents.Laurel & Hardy were still predominantly making shorts when this feature-length movie was made in 1932, and you get the impression that an awful lot of padding was involved to reach the hour mark. Now, the boys can make trying to walk through a doorway funny, but even they struggle to maintain a decent level of consistency throughout. The best scenes are those involving the little girl, even though she goes a little overboard on the cute factor. At one point, there's a neat role reversal as Stan struggles to keep his eyes open while she recites her own version of Goldilocks and the Three Bears – in fact, thinking about it, the entire film could be seen as a remodelling of typical fairy-tale plots.As a meaningless aside, have you ever wondered who does the really dull jobs in the glamorous world of movies? In their quest for the grandparents of their young charge, Stan & Ollie phone every Smith in the phone book. To prove it, director Ray McCarey shows us a shot of four or five pages of the telephone directory with every entry crossed through, and I couldn't help wondering whether the poor dogsbody who did all that hand-numbing work even got a mention in the credits...

Stan and Ollie are called to fight in WWI and this portion of the film is among the funniest and most memorable. Oddly, the studio gave the plot some pathos, as their army buddy, Eddie, is killed--leaving his daughter an orphan. So it's up to the boys to take care of the child as they try to locate her grandparents--whose name, unfortunately, is Smith!This film is a very uneven film, as it tries to give quite a bit of plot to the comedy duo and it tries to inject a little bit of pathos--something I absolutely HATE in comedies. No, I would have preferred less plot and more stupid highjinks, but alas, some execs thought it would be nice for the boys to take care of a cute little girl following the segment on the war, and so a lot of the film is devoted to this. Ho, hum. This doesn't excite me, but considering the overall quality of the film, it still is worth watching. For me, movies without cute little ragamuffins in need are preferable. No, I wanted a little more violence and banter between Stan and Ollie and no kids, thank you.

A comedy that features The Great War as it`s back drop might be in very poor taste but since it features Stan and Ollie this can be forgiven . The trench scenes are probably the funniest parts of the film with Ollie getting blamed for Stan " Cleaning out a coffee pot " and Stan wishing Ollie luck as he`s forced over the top After the war scenes we`re transported a few years into the future where the boys are trying to track down their old comrade Eddie Smith who has a daughter and I failed to get a joke because social mores have changed so much in the meantime . The action takes place at a wedding of a man called Eddie Smith ( An entirely different Eddie Smith ) where Stan , Ollie and a young girl appear . The doorbell is pressed and answered by a butler " Does Eddie Smith live here ? " " Yes " " That`s swell because we brought his daughter " The butler`s eyes roll and the bride`s father picks up a shotgun to attack the bridegroom when he hears this news . I was puzzled for a moment as to why this reaction came about but then I realised that in the 1930s no one but no one had children before they were married . How times change