Watch Lansky For Free

Powerful

Good concept, poorly executed.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

For nearly six decades, Meyer Lansky was the brains behind the mafia, and is credited for their rise to power in Las Vegas. While being one of the more interesting criminals to ever live, his role was mainly behind the scenes and the film about his life turned out to be much less interesting than the man himself. Meyer Lansky (Richard Dreyfuss) was a Europen Jew, who fled to America in the early 20th century. Living on the streets of New York, he quickly fell in with the wrong people and started laundering money and bootlegging alcohol for some of New York's biggest gangsters. Lansky along with Lucky Luciano and Bugsy Siegel, formed one of the most profitable organizations in the history of the Mob, and are credited as the first group to officially be refereed to as organized crime. I've always loved mafia movies and did genuinely want to learn more about Meyer Lansky, but the truth is, what he did really wasn't that interesting. He wasn't a boss, he wasn't a hit-man, he was basically an accountant, trying to make money for all kinds of nasty people. The film was basically a behind the scenes look at the mob and I found it to be very long and boring. Reclusive veteran, Richard Dreyfuss, takes on the role of Lansky and fits the character like a glove. Dreyfuss even mirrored Lansky's mannerisms and was really very good. From an artistic stand point, Lansky was worth watching, as Dreyfuss wasn't the only one to turn in a powerhouse performance. I went into this film looking for an intense, fast-paced thriller, but what I got was more like some documentary on the mob, that put me to sleep. Everything was as it should be for an epic drama, but the truth is, the man they chose to feature, just wasn't the type of guy that needed to have a film made about his life.

This tells the story of Meyer Lansky, a big time crook or not depending on your viewpoint, the film shows lansky as a guy in his old age looking back on his life in short clip flashbacks, it tells us the major events and the development of his crime empire, the script is poor the acting stilted, despite some major acting talent in the film, at no point is there any dramatic tension or blood stirring action, it meanders towards a totally unstartling conclusion, it turns out the lights, puts itself to bed, and goes to sleep with anyone watching having already got there an hour beforehand, really don't watch it, it should have been attention grabbing and entertaining, its a 1 out of ten for me.

If done well, this would be a very interesting movie, but as it is, it's very marginal. The shift from his youth days, to his 30's and 1978 gets very confusing. There are times the issue of Meyer Lansky being Jewish is brought up in the film, but later it's simply forgotten. That's the scenes during his childhood and the 1978 scenes. Between that, nothing. All we see in the film is only about Lansky, but it would have been interesting to see what his friends and enemies think and mean about him. I'm losing faith in HBO movies.The verdict: 1.5 of 5 stars.

Made for HBO movies (particularly the ones with only one-word titles) have become the ‘in' thing these days. They carry a lot of prestige, and certain EMMY nomination for the lead (think Gary Sinise/Truman, Ving Rhames/Don King, Angelina Jolie/Gia). In fact, I'd venture a guess that most stars with a little forethought ask their agents ‘why can't I get one of those deals?'They can be career builders, or a career jump-start, and suffice it to say there is incentive by many in the creative community to continue this lineage of quality programs.But perhaps now the guild is off the rose. I mean, Meyer Lansky? The guy was boring in real life and even more so in the reincarnate. At least Gia was a lesbian drug addict.Gangsters from Al Capone to Don Corleone have been romanticized quite successfully in films-but we know all that stuff. The made-for-HBO GOTTI should have foreshadowed to most that this genre has been overused, and abused.Probably everything we need to know about Meyer Lansky we found out in fifteen minutes of BUGSY anyway.Mamet's script is derivative and plodding, Richard Dreyfuss is not only unconvincing but over-the-top in his portrayal of Meyer Lansky. And the musical score is so retro-Godfather it's laughable.Don't waste your time.