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Good concept, poorly executed.

It's entirely possible that sending the audience out feeling lousy was intentional

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Found sitting in a bar drinking a beer with a ton of loose change in his pocket, the dour Henry Fonda is arrested and charged with a robbery in another bar where a pinball machine and pool table were emptied of its cash. He is not given an attorney and as a result, defends himself, quickly bringing in a guilty verdict. Incarcerated, Fonda spends every waking moment in the prison library studying the law, and every prisoner watches and waits as he handwrites a letter to the state supreme court to have the verdict overturned. What happens then is the turn around of laws, showing that on occasion, a man in a loosing situation can be the winner.Just a year before his spectacular Oscar Winning performance in "On Golden Pond", Fonda gave another bravura performance, showing that like many other great actors throughout history, giving a great performance can look extremely easy. While this television film looks liked a filmed stage play, it is certainly never stagey, and that is because you really are interested in seeing how justice is done, even if you are never sure of his guilt or innocence. Fonda is surrounded by a brilliant cast, including Jose Ferrer, Fay Wray, Dolph Sweet, Dolph Sweet, Sam Jaffe and Dean Jagger. Like other great trial dramas (most notably, Fonda's 1956 classic "The Wrong Man"), this is not about finding the guilty party, but simply seeing justice done as the American constitution has promised it would be.

The story of Clarence Earl Gideon illustrates the fact that even the humblest and least noble of people in the right circumstances can influence things far beyond their grasp. Gideon was certainly in humble circumstances and was not a noble character by any means.But what he was entitled to is to be represented by counsel when he was arrested for a robbery of a pool hall in a small town in Florida. Gideon was no stranger to the criminal justice system, he'd served time for numerous minor offenses before. But his efforts to defend himself without an attorney resulted in his conviction.What Gideon did was appeal directly to the US Supreme Court and they took his case and Gideon won the right to be retried with a court appointed lawyer. It was also a 9-0 decision, not something arrived at every day in important cases.Henry Fonda plays Gideon and the Seventies were not a good decade for him on screen. He sold the value of his box office name for the money and appeared in a lot of junk quite frankly. Until his final Oscar on the big screen for On Golden Pond, this Hallmark Hall of Fame television drama was probably Fonda's best work in the Seventies and might have been his epitaph, but for that. You can see this man clearly as someone who forty years earlier might well have been Tom Joad.Abe Fortas who represented Fonda at the Supreme Court is played by Jose Ferrer and Ferrer even looks like Fortas who was the consummate Washington insider. His later downfall doesn't change the fact that his was one of the most brilliant legal minds of the last century. On the local level Fonda as Gideon is represented finally in court by Lane Smith who plays his attorney in the folksy Ben Matlock style popularized by Andy Griffith.The Supreme Court who is nameless has such folks as Sam Jaffe and Dean Jagger on the bench and the Chief Justice is John Houseman. Of course the Chief Justice was Earl Warren and Houseman plays it more like his law professor Kingsley in The Paper Chase. Earl Warren was a far more down to earth individual than Houseman ever was on screen and in real life. Making her farewell appearance as Fonda's landlady is Fay Wray, she of the big ape. She gives testimony at his new trial she wasn't allowed to give at the first travesty. The right to counsel is a sacred one and the Supreme Court has made it so by the humble pleadings of one of the Creator/Deity's lesser creations in Clarence Earl Gideon. Greatness can and does exist in some strange places.

In another review, I stated that the "Hallmark Hall of Fame" series was never as good during the last twenty years or so as it had been during its glorious days in the 1950's and '60's. There was one brilliant exception, however, and this is it. "Gideon's Trumpet" can stand up proudly alongside all the other "Hall of Fame" episodes of the past as one of the finest made-for TV films ever made.It tells the true story of Clarence Earl Gideon, an ex-convict who, in the early 1960's, was accused of breaking into and robbing a convenience store in Florida. Claiming innocence, he was forced to serve as his own lawyer because states' laws at that time did not require an accused person to be automatically given a lawyer. Failing miserably at his own defense, he was sent to prison, where, as a model prisoner, he studied up on law and petitioned the U.S. Supreme Court for the right to be granted a lawyer.This phrase has already become a cliché from overuse, but Henry Fonda, in one of his last performances, does not play Clarence Gideon--he IS Clarence Gideon. He inhabits the role so completely that we never believe we are watching Henry Fonda; we believe we are seeing a poor, inarticulate, awkward, somewhat cranky, but basically kind man named Clarence Gideon. Fonda utterly lives the role in a way that he seldom does in his other films (although he was an excellent actor).The other actor who gives a memorable performance is José Ferrer, as Abe Fortas, who pleads Fonda's petition before the Supreme Court. As Fortas, Ferrer gets to do one of the things he does best, and which he had not done to my knowledge since playing "Cyrano de Bergerac"--deliver a long, impressive speech. I don't know how much of the speech was actually taken from the Court hearing and how much was written by the excellent screenwriters, but there are few things as satisfying as an actor who not only gives a great performance, but also delivers a long speech beautifully. The thrill of hearing Ferrer's rich, beautiful voice argue a case before the Supreme Court is enough reason for me to tune in to this film every time it is shown on TV.There is also a cameo from Fay Wray, as Fonda's longtime landlady, and the other Justices of the Court, all of whom are also excellent, consist of such familiar faces as John Houseman, Sam Jaffe, Dean Jagger, and other familiar character actors from television.This great production might strike some viewers brought up only on action films as boring--there is no action at all in it; it's like watching a filmed play--but, believe me, there is not a single boring moment in it, if you appreciate well-written characters and dialogue. And this film avoids all of the drippy sentiment that has plagued "Hallmark Hall of Fame" over the last six years or so. If only this anthology series had stayed on the level of "Gideon's Trumpet".

I wouldn't define this movie as being great. It was good, but not great. It was interesting though. I had to watch this for my criminal justice class, and I was riveted to it. I learned a lot about how our courts worked and how reforms in them were made so people who couldn't afford an attorney still had the right to have one. Based on a true story, Clarence Gideon was convicted of a crime he did not commit. But the movie centers around how he was deprived of his right to an attorney, and how he fought in prison to make clear that he did not have a fair trial. I thought it was well done, and Henry Fonda was very good in the role of Clarence Gideon. Only drawback, this should have been released in theaters. The camerawork of the courtroom and the long shots of Clarence Gideon confessing his history are great. The opening shot is the best scene of the film, which is seen in it's entireity later. Henry Fonda looks right into the camera, right at you, and as Clarence Gideon, he gives you his background. Ingenious. I wish there could be more movies with scenes as subtle and as profound as this. The other scene I liked was when Gideon is retried with an experienced lawyer, and when the first witness falsely claims Clarence Gideon is the culprit, the lawyer cuts him down with words and facts. This movie is good, but it's not a monumental achievement. I would highly recommend it to you though. It's got the qualities a good film should have: a good story and good acting. And lawyers or people involved in law alike will find it very interesting.