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Best movie of this year hands down!

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

This film kept getting pushed down to the bottom of my 'to watch' list, but I'm really glad that I got to it in the end.It was refreshing to see a teenage pregnancy story that took us out of grimy (sub)urban life, instead offering expansive views of country and coastline. So although many of the themes were difficult and at times harrowing, these extreme wide shots gave us a bit of room to breathe.This film also took us away from the female, or more accurately, the mother, which again is unusual for a story dealing with teenage pregnancy. Robbie's mum is always kept at a distance and behind a barrier, such as at the end of an unanswered phone. Subsequent to his rapid conception and birth, baby Elliot's mum is only seen walking in the background now and again. This allowed the film to effectively focus on father-son relationships spanning four generations.However, this focus on the father figure almost left me craving a little feminine input, if only for the sake of balance. Luckily, the film delivered on this through the initially mute character, Nia, who has a story to tell and eventually manages to tell it.Another interesting aspect to do with storytelling is the portrayal of the media. The newspaper headlines and TV snippets paint the picture of a dangerous, possibly armed menace. The film will then cut to young Robbie lovingly taking care of his child, thus undermining this face-of-evil built up by the media. We're reminded that this is about an individual on a journey.After recurring references to drowning and water, Robbie's journey unsurprisingly culminates in a cliff edge. As with all ambiguous endings, I have an ambiguous response. Half of me applauds the film for ending with such suspense. The other half just wants to know what happened...

This is a drama about the father/son relationship. It follows Robbie a new 14 year old father whose disappointment with his relationship with his father leads him to make some wrong decisions concerning his new born son. It is a well acted but bleak tale with an excellent performances from Kyle Ward as the young lad who wants to look after his son but is woefully under prepared for such a task. Ian Hart also does a good job as the stay away father that his son doesn't want to turn into. A Boy Called Dad maybe would have benefited by following a more traditional path like the strong start of the movie as the situations that occur later are pretty implausible. As a result it does feel like this was a missed opportunity to create something really special. The middle of the film feels contrived but the ending I thought was pretty thought provoking and pulled the film back from disappointment.This is a good small budget film and one I enjoyed and would recommend.

Director Brian Percival manages to maintain an even keel between the social relevance of teenage pregnancy and keeping the audience grounded in a young boy's innocence. Following this personal journey from boyhood to fatherhood is a captivating and precious experience that is sure to tug on your heartstrings. Julie Rutterford's dialogue is spot-on and the acting is brilliant. Ian Hart gives a great performance as Robbie's dead-beat dad and Kyle Ward (14-year old Robbie) brings a genuine honesty and reality to this film.This intimate drama is not to be missed and a story that should never to be forgotten.

Saw this film as part of the Best of the Fest in Edinburgh Film Festival. Whilst it has its flaws (particularly re the lack of representation of any real women characters) this is more than made up for by main story (which focuses on the Dads) which is moving and captivating and the performance of newcomer Kyle Ward (Robbie) alongside Ian Hart as his Dad. The film centres upon fatherhood and whether the chain of bad dads can be broken by Robbie. His interaction with his young baby son, inspired by his own treatment by his dad is especially moving, as is the reaction of the Welsh girl (Nia) he meets on the run with her own father. Definitely worth seeing especially if you have kids or intend to have them and fancy a cry!