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Ponette
After losing her mother in a car accident that leaves her with a broken arm, 4-year-old Ponette struggles with anguish and fear. Left by her father with a caring aunt and her children, Ponette grieves, secretly hoping her mother will somehow come back. Confused by the religious explanations provided by adults, and challenged by the cruel taunts of a few children at school, little Ponette must make her way through her emotional turmoil.
Release : | 1996 |
Rating : | 7.5 |
Studio : | Canal+, CNC, Les Films Alain Sarde, |
Crew : | Production Design, Assistant Camera, |
Cast : | Léopoldine Serre Marie Trintignant Xavier Beauvois Claire Nebout Antoine du Merle |
Genre : | Drama |
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Reviews
I love this movie so much
Nice effects though.
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Amazing realistic account of a girl who loses her mother but knows that she lives forever. Everyone has their own experiences with God and their own doubts, and she is passed back and forth a little, between believers and non-believers, most of which stand against her at some point. But her faith stays true to herself......and she eventually gets to get on with her life.Really realistic portrayal of how God communicates with different people and how some believers in God don't accept that and yet some non-believers can. From my own real life experiences I can confirm this to be possibly a completely true story, even the ending. And how believing it can leave you at odds with what the world might believe.Tried not to spoil the film for you, so watch it and be happy!
This movie is fantastic.What you can get from watching this movie cannot be described, which is a sort of power you can feel, which is something pure that grown-ups have lost.It's been ten years since its release. But it's still powerful when I watch it today. My hear is grabbed by the little girl. She is confused by her mother's death; she doesn't accept the reality; she believes she would see the mom again. She lives in pain which others are not able to understand. No one understands her; no one can help her; her father even thinks she's crazy. But what she feels and expects is precious, which has been lost by adults.Victoire Thivisol's acting is incredible. I never thought a 4-year-old could perform at such a level. She's great.
I do not believe I have ever seen a film that comes anywhere close to "Ponette" before. While I would not consider it my favorite film that I could watch over and over and over, it is easily one of the stronger movies I have seen. Rarely do I view a film that is so precise and cohesive even though it simultaneously plays off so many different themes, like sentimentallity, nostalgia (we all remember the strange social world of the playground though maybe some of us don't want to go back), the pain of loss, and (gasp) humor. Most directors and actors would get lost at one point or another, not knowing how to segue or shift from one tone to another, but here there is nary a problem with doing so, which is especially amazing considering the leading lady has been walking and talking for about as long as it takes to make a bowl of oatmeal. The best scenes for me were the trials that the older girl put Ponette through. The dumpster one was especially great. Considering that early on in the film I sympathized with Ponette when she cried during some scenes, I felt bad laughing at her suffering through the tests, especially when her hand got caught when the dumpster lid came down. I believe some of this movie was improv, so for all I know, the poor girl really got her hand hurt, but I remember those type of moments as a child; those tests of stamina, durability, agility, etc. I put my younger brother through some horrific ones. One time he broke his arm. How could I have been so cruel?A performance artist/singer named Suran Song recommended I watch this film. In Suran's performance, she actually uses slides of the scene where the mean little punk Antoine is playing with Ponette on the playground and begins to verbally abuse her about her mothers death. The context Suran used the scene in her act seemed to be making a statement about how people treat others in society, even when very young. Interesting how she sort of sampled an individual scene and made it into a story of her own, because it plays much differently in the film as a whole (obviously) since we know the characters.Probably not for everyone, but certainly for those who want to a see a piece of work very left-of-center yet not oddball in any way; simply a viewpoint that wouldn't normally seem worth making an entire feature film out of because it would be hard to pull off. Ponette is not only pulled off... it goes flying to the moon.
Nobody watching this film can failed to be touched, moved, transported and transformed by it. Others here have already expressed the enormous power of the movie, and particularly of its star, Victoire Thivisol. If you're reading this to see if you should watch it, I'd say, drop everything and go buy it so you can watch it over and over. But buy a case of Kleenex (TM) too, you're going to need them!As I watched the movie, I had the impression that director Jacques Doillon had simply found a real-life tragedy and somehow followed the participants through it with his camera. Nothing in this film gives you the impression of having been written, scripted, staged, produced. It is all so completely natural that you experience first hand the pain, the emotional agony of Ponette, as if she were your own daughter, your own sister, even your own self.