Watch A Soldier's Daughter Never Cries For Free

Good concept, poorly executed.

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Based on a true story, this one tugs at your heart strings. The acting was superb and the actors played their characters well. Kris was outstanding as the author/father. Leelee was easy to watch and Jesse played his part believably well. The story revolved around Channe, played by Leelee, as she grew from a child into a young woman. Bradford was the adopted brother, sullen and quite, but who had a deep love for his family and sister. It was a movie easy to follow, easy to watch and be caught up in. Family, Love, Friendship, and, in the end, the finality of death come across. A must see.

If you're into a nice, structured movie, with no plot holes, and plenty of character development, this movie should not be on your list! A lot of times, characters do things, and you just don't know why, and don't really care because of this. I'm not that big into watching movies that have the above criteria, if it makes up for it in other ways. Kris Kristofferson is nothing but his usual self(ugh), Leelee is good, the boy who plays her effeminate friend is VERY good, Barbara Hershey is kind of funny(only sometimes), but the one redeeming character in this "mess" of a movie (with a very anti-climactic ending) is Channe as a little girl, played by ---- Luisa Conlon ----. One question: WHY HASN'T THIS GIRL BEEN IN ANY OTHER MOVIES?!! If you rent this movie for no other reason, (except maybe for the effeminate American boy living in France w/a British mother) watch this actress. I truly call her an actress because this girl KNOWS how she looks on camera, and TRIES to make herself look a certain way when she's acting. She TRULY seduces the camera with her skills. Too bad she's only in the first half of the film. -Sep

I read the reviews that people gave of this movie and I don't understand why they wanted so much character development and resolution. I thought that the characters were fine. They were a little underdeveloped but they seemed alright. I think that people didn't like the slowness of the movie perhaps. I thought that the slowness of the movie was its strength. I didn't mind that things were left unresolved. I would rather have a movie that leaves some things unanswered than answers all the questions. I thought it was a great movie. It wasn't too flashy or anything, quite simple, well edited, and it allowed the characters to breathe and be themselves. I thought it was wonderful for that. The characters were very natural and just were themselves which I enjoyed. I'd recommend this to anyone who wants a movie which might provoke a little discussion about parents and the relationships within a family. I thought the relationships within the family were nice and appropriately complex while at the same time sometimes unexamined, which is a lot like life I think. Well, I would thoroughly recommend this movie to anyone. It is a sedate and quiet and really feels like a French movie.

I was disappointed in this movie, because I thought it had great potential: Merchant/Ivory, good cast and so on. The film suffers from dealing with too broad a sweep of time. Having to cover so many incidents in the life of one family, one gets a series of incomplete gesture drawings instead of a rich oil painting focussed on one or two subjects.I found that the characters never engaged me emotionally. The film never really let me into their world so that I really cared about them and what happened to them. So many plot threads were left undeveloped, and most of the emotionally engaging scenes of conflict were left out of the script. As an example, as Charlotte-Anne (Leelee Sobieski) develops into a young woman, she is frustrated as the family housekeeper/nanny continues to come into her room without knocking. The first time it happens, she yells at the nanny. Later in the film, she talks to her father about what is apparently a continuing problem. But we never get the logical scene where Charlotte-Anne confronts her nanny (which could have been played so many ways, and given such shading to Sobieski's character). Then, this thread with the nanny is simply left hanging. Emotions are stated as facts, they aren't really experienced in this film.