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Blood Bath
A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.
Release : | 1966 |
Rating : | 5.1 |
Studio : | Avala Film, American International Pictures, Jack Hill Productions, |
Crew : | Director of Photography, Makeup Artist, |
Cast : | William Campbell Sandra Knight Karl Schanzer Lori Saunders Sid Haig |
Genre : | Horror |
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Rating: 4
Reviews
Wonderful Movie
People are voting emotionally.
I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
I must admit I enjoyed this movie when I recently saw it on Comet. The cobblestone roads, the medieval pillars and the clock tower all gave the film a creepy atmosphere.The Beatnik painters gave a touch of comic relief to the grim topic of a vampire artist. William Campbell did a great job as the prowling murderer. The attack on the female victims were very believable and exciting. Seeing the beautiful Sanders romp on the beach in a revealing bikini was also a bonus. I was surprised there were no police on the scene to question the painters or the artist. Not one cop in sight! I was also rather baffled that the vampire only went for the neck of one victim while the others were drowned, strangled or attacked with sharp instrument.
A crazed artist (William Campbell) who believes himself to be the reincarnation of a murderous vampire kills young women, then boils their bodies in a vat.Michael Weldon called Blood Bath "a confusing but interesting horror film with an even more confusing history." This is quite right, as the film actually started out as a spy thriller filmed in Yugoslavia with William Campbell, and Francis Ford Coppola somehow involved. But Roger Corman did not like the finished product -- which no one has ever seen -- and scrapped it.And then, wanting to revive it as a horror film, he brought in Jack Hill to cut out the spy parts and film new horror parts. Let me say, I love Jack Hill. Now, that is because I think "Spider Baby" might be the greatest horror film of the 1960s. But Hill is no slouch in this earlier outing, either (financially backed by B-movie god Roger Corman and with supporting actors Sid Haig and Patrick Magee).But then, after Hill completed his version of the film, Corman again did not like it... and a third director was hired to finish the job. That is the film we have today.With the three visions mixed, there is a something of a mystery to this film, almost like a bit of a dream to it. While it could be compared to "Color Me Blood Red" or "A Bucket of Blood" (many have pointed out the beatnik artist connection), there is more ambiguity here. Is the artist a vampire? A reincarnation of a vampire? Even connected at all? George Romero explored this theme again (albeit in a very different way) with "Martin", but I think Jack Hill did just as well in many respects.I would love to see what Hill's version looked like before the new additions and changes. Would it be better? Worse? Just different? I have no idea. But now, looking back on Hill's career, we see he is a far more important part of cinema history than he could have been known to be at the time. Preserving his work would be a good way to add to his legacy, and I would firmly support it.
This film really is a complete mess so it came as no surprise to me that it's actually made up of about three different films that were spliced together over a period of a few years. It's a shame really because there's several interesting plot elements on show and they could definitely have resulted in a decent movie as evidenced by Roger Corman's A Bucket of Blood which is an excellent movie based on similar ideas. The central plot line revolves around an artist who happens to be the descendant of a man who was put to death for witchcraft centuries earlier. Both men were painters the modern day one very successful. He paints pictures of beautiful women; before tossing them in a vat of acid when he's finished. He's apparently also a vampire. The film is shot in black and white and features some very interesting visuals, although it does look very cheap throughout. There are a few memorable faces; including those belonging to William Campbell and Sid Haig and the director's credit goes to Jack Hill, although Roger Corman had something to with it too apparently. It's a shame that the film couldn't have come together better because there are some good ideas here, but unfortunately it didn't and Blood Bath will be best be remembered as a bit of a mess. It's an interesting cult film...but I really wouldn't recommend going out of your way to find a copy!
Hilarious trash of a movie from Jack Hill blends elements of witchcraft, vampirism, wax murders, and beatniks(?!). Sid Haig, a Jack Hill regular and guest star in Quentin Tarantino's Jackie Brown, plays a beatnik. Weird story is about an artist who lures young girls into his studio, turns into a vampire, and dunks them into hot wax, creating his new figures.My favorite parts involve interpretive dance and the origin of quantum painting. This film offers the rare opportunity for a vampire to stalk his victim in broad daylight ( probably a film flaw, and abeit a cute one ). Recommended for trash fiends.