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When a Killer Calls
A babysitter begins receiving threatening phone calls from a man who has just killed an entire family.
Release : | 2006 |
Rating : | 3.9 |
Studio : | The Asylum, |
Crew : | Production Design, Director of Photography, |
Cast : | Rebekah Kochan Robert Buckley Mark Irvingsen Sarah Hall Chriss Anglin |
Genre : | Horror Crime Mystery |
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Reviews
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
This story has more twists and turns than a second-rate soap opera.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Basically a sick and depraved version of Fred Walton's "When a Stranger Calls" (1979), but not as bad as you might think. It has the same basic plot to "When a Stranger Calls", such as a girl babysitting a child and then gets harassing phone calls from some mysterious guy which then turns threatening. Considering that it comes from Asylum a low budget studio who are known for their less than average movies. Compared to the other films that they have released from that studio, I would say that this is the best that you're going to get from them. Some of the scenes may offend and can be pretty intense and more violent than what you'd expect it to be, but If you got nothing better to do and you're bored, give it a shot, but don't expect it to be that great.
I've read most of the reviews on here and not one mentions these points, so here they are. Chick is on the cell, walking to a house to babysit, in the dark no less, and has to refer to directions to get there. Did she click her heels together to get to the neighborhood? She must have, because if she lived on the road she'd know where the house was. If someone dropped her off? Why not AT the house duh!?! She feels like someone is watching her walking, yet HANGS UP with her friend?!? Swiss cheese for brains?!? THE BIG ONE. She assumes it's her boyfriend calling her cell phone all the times it's really the killer? She looks at the phone screen a lot, yet doesn't know it's NOT him?!? YOU SHOW ME A CELL PHONE THAT DOESN'T HAVE CALLER ID. I'VE NEVER SEEN ONE. If you answer a cell phone call that comes up blocked? Dumber than dirt. If they don't leave voice mail, they don't know ya. THE PARENTS. They spot the killer to let the audience know that the killer is KNOWN the dad says to mom " is that who I think it is?" Really?!?! Why not " wonder if they need help. Mentally challenged writer. I like my plots to have common sense. Not a good movie without that. There's "Suspension of disbelief" used to further a plot, then there's WTF. GUESS which one this is.
By all means it is far from great, but compared to the usual schlock from The Asylum, along with I Am Omega When a Killer Calls was actually tolerable. It does have its flaws certainly, most acting is not good, often pretty bad, though Robert Buckley's eyes are gorgeous. They were disadvantaged by that the characters really got on my nerves, not because they were stereotypical but they were made to do irritating things and just weren't that likable. The script also is left wanting, a lot of it has a corny and senseless quality to it, and the story aside from being very derivative has one too many moments where it is predictable and unexciting particularly in the middle. The stalking sequences are on the silly side. However, it doesn't look too bad, you don't expect much from The Asylum in this regard but it does at least have a decently atmospheric feel to it. Even the effects were creepy. The killings are bloody with some suspense too and the finale is truly harrowing. The killer, played by Mark Irvingson in the best performance of the movie, is quite sadistic and exudes menace, if there was any character that was at least convincing it was certainly him. Rebekah Kochan was also believable as the babysitter. All in all, not that bad for The Asylum. 5/10 Bethany Cox
To sum it up in a nutshell, this film was disappointing and could have been shortened by twenty minutes.The acting was sub-par, the only decent actors of the bunch being Trisha, the killer and Molly. The music was slightly lame but fitting and the special effects were much too overused. The story/scriptwriting was poor, the unnecessary torture/romantic scenes being dragged on for way too long and a disappointing ending.The start of the film was rather slow, the fake-looking gore not much of interest. Trisha arrived at the house, and there was some premise for a good storyline.Trisha started to receive the threatening phone calls, which heightened the suspense. This momentary suspense, the best feature of the movie began to build, but then the friends crashed the place, wrecking all potential suspense/horror in the film.The plot then becomes obtuse from here on. Chemistry sparks between the two couples, and then the killer picks off Frank and the other girl. This scene was dragged on and unnecessary.The killer then makes her way for Trisha and ties her up. There is an overdone torture scene which goes on for at least ten minutes too long. As the gore is done badly this is not entertaining at all, and it bores more than shocks.In summary, the first thirty minutes of this film sound promising but then poorly written dialogue and general lack of plot ruins this film.3/10.