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The House on Skull Mountain
When the relatives of a recently deceased voodoo priestess gather at her sinister house on Skull Mountain for the reading of the will, they discover a killer in their midst who wants to keep them from collecting their inheritance.
Release : | 1974 |
Rating : | 4.7 |
Studio : | 20th Century Fox, Chocolate Chip, Pinto, |
Crew : | Art Direction, Set Decoration, |
Cast : | Victor French Janee Michelle Mike Evans Xernona Clayton |
Genre : | Horror Thriller |
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Such a frustrating disappointment
One of my all time favorites.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
***Spoilers*** Very disjointed and confusing Blackspolitation horror movie with very few real scares but loads of unintentional laughs in it. The movie has to do with a quartet of relatives of the what looks like 100 plus year old lady of the house on Skull Mountain Pauline Christophe played by Mary J. Todd McKenzie in her both first and last film appearance who are called over to hear the reading of the will that Pauline left them before she passed away.The big joke or was it a mistake on the film makers part is that the will is never read! This made all the tension in the movie in who's to get what among Pauline last living relatives never fully realized or exploited. We do get to see a great, the by far best scene in the film, voodoo snake dance choreographed by the houses wild eyed butler Thomas, Jean Durand, with about two dozen voodoo worshipers that if you think about it has really nothing at all to do with the films already confusing storyline! Which has to do with who gets what in the will that's to be read by Payline's personal attorney Mr. Ledaux, Leroy Johnson, who's after his initial appearances in the movie just seemed to have disappeared off the face of the earth!The big hero in the movie happened to be the black or better yet white sheep in the Christophe family anthropology professor Andrew Cunningham,Victor French, who's been studying voodoo for years and has some idea of what's really going on in the movie. Cunningham is also looking for his roots in that he's not really sure who is his in that his birth records and whom his parents are have somehow been lost in the shuffle! This all has Cunningham not really knowing if he's either black or white or even,in the slight slant in his eyes, Oriental for that matter!***SPOILERS*** About the biggest surprise in the film has to do with Butler Thomas who's trying to take over the house on Skull Mountain and become the big man in the local voodoo cult that both he and the house chambermaid Louette, Ela Woods,founded! For some strange reason Thomas ends up sacrificing Louette in a wild voodoo snake charming ceremony and with that tries to resurrect the dead Pauline, a voodoo practitioner herself, back to life to consolidate his power! As it turned out there's only room for one voodoo leader on Skull Mountain which an grossly overconfident Thomas was to find out the hard way with Pauline finally putting an end to his deranged and crazed plans!
I enjoyed this maybe BECAUSE it is so lame. Victor French as Dr. Andrew Cunnigham and Janee Michelle as Lorena Christophe were actually pretty good in their roles. They seem like they are good at their craft, in spite of the silliness of the movie and it's implausible premise. The other folks in the movie had a lot to overcome with the trite lines they were given. At the beginning of the film there is a scene where two of the "heirs" are on a winding mountain road in separate cars on their way to the house (you know---the one on SKULL HILL!). The info about the movie says the house is located in mountains on the outskirts of Atlanta, GA. Right. It was obviously filmed on the Pacific Coast, which is even more "un-voodoo-like" than Atlanta. The terrain, trees and vegetation made the Atlanta location totally unbelievable. And the music! Over-dramatic and hysterical. It's a good movie to watch on a night when your boyfriend is out of town. You can watch it alone and still turn out the lights without being creeped out. I get tired of all the gore in movies today, so this movie at least seems kind of like less of an assault to the senses and kind of harmless. But it still leaves me wondering... How can a movie be so BAD and yet still kind of charming in its own way?
The House on Skull Mountain? Sounds like some 60's Hardy-Boy adventure to me. I have to say I caught glimpses of this film a couple weeks ago and it was very strange. Your typical 70's horror flick. I mean it wasn't that bad and Victor French does a good job, but it seemed like it was lacking a few things. Maybe I will have to watch it again some time. All I know is films like the infamous "ALIEN" ('79) changed the view of horror movies for ever and that may or may not be a good thing. Too many imitations these days. Take a look at this movie some time.
This movie seems to be in a time warp. At times, the plot seems to copy the gathering-of-the-relatives/read-the-will plot which was old even by the 1930s. At other times, it tries to blend in voodoo and blaxploitation themes and even hints at an inter-racial romance. None of these elements really works out and the film comes off as being a hodgepodge. Mike Evans (Lionel on the Jeffersons) only has a small part and a not very good one at that. The film also has a made-for-TV look about it due to the fact that there are really only about 10 or so people in the cast and not much in the way of special effects. The title itself is inappropriate. It sounds like a Hardy Boys Mystery. The servant dabbling in voodoo was kind of creepy though.