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Yawn. Poorly Filmed Snooze Fest.

This is a must-see and one of the best documentaries - and films - of this year.

Blistering performances.

The acting in this movie is really good.

Esther Williams plays a romantically unattached water-skiing secretary who longs to stop "walking on the water" and be some man's wife; Van Johnson and Tony Martin are her potential choices for a husband. Despite fine aquatic sequences filmed at Florida's Cypress Gardens, this romantic comedy is awfully stale. As helmed by plodding director Charles Walters, everything here is made to seem intentionally innocuous, which doesn't lend the picture much staying power. Even Esther's big moments in the water are not quite up to the mesmerizing leaps from her previous swimming vehicles, though they are preferable to the asides with the men, both of whom are colorless. Carroll Baker, in her film debut as Martin's disgruntled ex-girlfriend, is the liveliest of the bunch. Flimsy stuff, indeed. *1/2 from ****

Despite the fact that most films done with Esther Williams are just "Little Ditties" The cast in this movie is absolutely delightful. And the choreographed water scenes of water skiing and swimming by Busby Berkley are beautiful. So is the song Easy to Love, sang here by Tony Martin. The cast includes Van Johnson, who gives a touching performance. There is something about this actor that pierces through me in whatever part he plays. There is an appearance of beautiful Cyd Charisse at the end of the film together with her husband Tony Martin. Seeing this movie brings back memories of the time that TV was not available and Cinema was the most prevalent outing. There is nothing frightening or harmful in this kind of film it is pure entertainment.

Although critics constantly gripe that Esher Williams could not act this movie lore is absolutely nonsense. Most of her films were slight escapist fare that called for her to display her sparkling light comedic touch which she showed over and over in hit after hit throughout the forties and fifties. WHen allowed to play more dramatic roles like "Million Dollar Mermaid"(MGM,1952) and most superbly in the underrated "The Unguarded Moment"(Universal,1956) she was very fine indeed but the rumor persists. But I will say it is in delightful musical confections like "Easy TO Love"(MGM, 1953) that she remained a top box-office star. Her chemistry with Van Johnson was always there. This was their fifth film together: their first was in Victor Fleming's dramatic fantasy "A Guy Named Joe"(MGM,1943) in support of superstars Spencer Tracey and Irene Dunne but this film made both stars; the empty but hugely successful "Thrill of a Romance"(MGM, 1945); certainly holding their own opposite the marvelous Lucille Ball in the charming and extremely popular "Easy to Wed"(MGM, 1946); and finally the solid hit "Duchess of Idaho"(MGM,1950) which allows Esther and Van to sparkle. But it is their last film "Easy to Love" that captures Esther and Van at their most captivating. The story is the usual fluff about fighting ex-lovers and is topped off with spectacular Busby Berkeley production numbers but all this is wrapped up in a witty script and the superb comic performances of Miss Williams and Mr. Johnson who were never better. Sad to say both their careers declined after this success.

Release dates for this one indicate that M-G-M decorated the nation's movie screens with this tuneful treat on Christmas Day. It was a delightful concoction with Esther displaying just about everything that made her one of the studio's biggest box office favorites, including a frantic number where she's dressed as a clown and required, no doubt by Busby Berkeley, assisting director Charles Walters, to perform some exceedingly lively stunts in the course of an elaborate aquatic display of why she was still a champion when wet.Tony Martin croons the title tune, a Cole Porter standard, to Esther as she languidly swims for what seems like miles in a moonlit lagoon and there's an extremely sweet little song, entitled "That's What a Rainy Day Is For," tossed off, as they could afford to do in those melodious times, by Mr. Martin again, to a roomful of charming elderly ladies surrounding Miss Williams. The final extravaganza, set in Florida's Cypress Gardens, involves motorboats, dozens of swimmers, and Esther dangling and diving from a helicopter, no doubt the brainchild of Mr. Berkeley, the scourge of everyone assigned to execute the products of his fertile imagination (and, according to some reports, his alcohol-fueled tirades.)Of course the plot, with Esther pining for a remarkably disinterested Van Johnson, probably irritated even the tolerant audiences of the early Fifties, but it was scripted cleverly enough to display Esther's gift for light comedy, something that is not as appreciated as it should be. When that lengthy sequence of scenes from Esther Williams movies was put together for "That's Entertainment!" in 1974, a young acquaintance of mine, completely unfamiliar with Hollywood's one-and-only mermaid, exited the theater thoroughly besotted with her charms. He found himself literally at a loss for words to express his admiration. I don't know if he ever had the opportunity to see one of her pictures in its entirety, but this wouldn't have been a bad choice, were he limited to just one title.