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I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

By the time the dramatic fireworks start popping off, each one feels earned.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Even in her lesser films ('It's a Pleasure', 'Katina', 'Everything Happens at Night' and 'One in a Million'), Sonja Henie was always watchable and there was a good deal to like about her weaker outings. The bright spots were often her, the ice skating sequences and the music, while the weak link was often typically the story.Along with 'Sun Valley Serenade', 'My Lucky Star', 'Second Fiddle' and 'Lovely to Look At', 'Happy Landing' generally is one of her better films. While it has been well established by now that one doesn't see a Sonja Henie film for the story, it will be quickly pointed out that it's particularly weak here, very daft, sometimes over-complicated and in some stretches with little to it.Despite wonderful singing by Ethel Merman and Leah Ray, the songs are of the pleasant kind but also the sort that won't stick in the head very long or make one want to listen to it over and over. "Hot and Happy" and "A Gypsy Told Me" fare best, while "You Appeal to Me" is clever once and if you get the references (that are very of their time here) and "Yonny and his Oompah" is too much of an acquired taste novelty act. If you dislike El Brendel (indifferent personally), you'll struggle to sit through it most likely though Henie's skating dazzles. Don Ameche is charming and amiable if perhaps a bit too subdued, while Jean Hersholt is wasted in a thankless role.So much can be recommended however. 'Happy Ending' is exquisitely photographed and sumptuously designed. The skating sequences are brilliantly choreographed and danced with so much energy and grace, while one may feel like Merman's talents are not fully lived up to Henie's talents are used to the hilt. The film is wittily scripted and is always easy to watch with energetic pacing and bags of charm.Henie is pert, spunky and charming, and the camera clearly loves her. Her ice skating is also out of this world. Cesar Romero is both dashing and zany, offering more enthusiasm than Ameche does, while Merman thrills with her big brassy voice even if worthier of better songs. Billy Gilbert is also a scene stealer, and Roy DelRuth directs more than competently.On the whole, entertaining film that doesn't have the happiest of landings but in no way can a thud be heard. 7/10 Bethany Cox

Playboy song writer/orchestra leader Cesar Romero has pretty much had a girl in every port, and now he wants to add Norway to that list. This creates a pickle for his agent, Don Ameche, who has gotten him out if scrape after scrape after scrape. His latest was blackmailing Ethel Merman who had proof of that on a record, but a record must be complete to be admissible in court. In Norway, he makes pretty skater Sonja Henie think he's proposed, but Ameche makes other plans for him. That doesn't stop Henie from following back to New York where by chance, Ameche makes her a skating star while Romero returns to the opportunistic Merman.Fast moving screwball musical comedy has a few bits of dated shtick, including one with greasy spoon waiter/cook Billy Gilbert that is half smirks/half groans. Merman has a few jazzy numbers, and if course, Henie skates. El Brendel, one of the most annoying comics in film history, shows up briefly (thank you God!) for a barely acceptable novelty number. Merman's character gets a bit violent in a few moments that are supposed to be comical bit land with a thud. She struck gold the same year with "Alexander's Ragtime Band" but you can see why she returned to the stage. Best taken as an entertainment for its time and not much else.

HAPPY LANDING (20th Century-Fox, 1938), directed by Roy Del Ruth, is an agreeable musical with an impressive cast headed by Olympic ice skating champion, Sonja Henie, in her third and longest (103 minutes) film in her career. It reunites her with ONE IN A MILLION (1936) co-stars, Don Ameche and Jean Hersholt, as well as pairing her for the first time opposite Cesar Romero. Romero, an icon of 20th-Fox, appears more on the level as Henie's co-star than Ameche, at least until later on where the actors team up equally as rivals of her affection.Plot summary: Benjamin Sargent (Cesar Romero), better known as "Duke," is scheduled to pilot his plane from New York to Paris, accompanied by Jimmy Hall (Don Ameche), his manager and best friend. A band-leader and songwriter by profession, Duke carries on a romance with Flo Kelly (Ethel Merman), a gold digging vocalist whose suspicious nature has her capturing his every word on a phonograph record for blackmail purposes. After Duke and Jimmy fly over the Atlantic, their plane makes a forced landing in Nordenscnolde, a Norwegian village where they meet up with an ice skater named Trudy Erickson (Sonja Henie). Being the only one of four daughters to not be married, Herr Erickson (Jean Hersholt) expects Trudy to marry Olaf (Louis Aldon, Jr.), a man she doesn't love. Trudy becomes immediately charmed with the arrival of a tall, dark handsome stranger in the manner of Duke, as told to her by a gypsy fortune teller (Marcelle Corday). When Jimmy learns of Trudy's interested in Duke as her future husband, especially after dancing with her twice, he takes Duke back to his airplane where they fly out to their destination in Paris. Trudy, on the other hand, comes to New York after Duke's return, only to learn through Jimmy that he's nothing but a cad. With no other place to go, Trudy, with Jimmy's help, turns her into an ice skating attraction at Madison Square Garden. By the time she's beginning to show interest in Jimmy, Duke comes back into her life only to complicate matters.HAPPY LANDING plays like a travelogue with surroundings from New York to Norway to Paris to Florida (Miami) and finally New York again. During this venture, the bright but forgettable score by Jack Yellen and Samuel Pokrass consist of: "You Are the Words to the Music in My Heart" (a slow song cut from final print, existing only with Ethel Merman's rendition through its brief conclusion); "Skating Number" (performed by Sonja Henie); "A Gypsy Told Me" (sung by Leah Ray); "Hot and Happy" (sung by Ethel Merman); "The War Dance of the Wooden Indian" (by Raymond Scott, tap dance performance by The Condos Brothers); "Yonny and the Oompah" (by Walter Bullock and Harold Spina/sung by El Brendel/skated by Henie); Skating Montage: "One in a Million," "We're Back in Circulation Again," "My Secret Love Affair" and Johann Strauss's "Tales of the Vienna Woods"; "A Gypsy Told Me" (sung by Don Ameche); "You Appeal to Me" (sung by Ethel Merman); Skating sequence: "You Appeal to Me," "A Gypsy Told Me" and "Hot and Happy" (all performed by Henie); and "Hot and Happy" (finale). Having two female vocalists in the cast, Leah Ray, who gives "A Gypsy Told Me" a nice rendition, Merman, best suited for belting out great Irving Berlin tunes, fails to make these new songs live up to such hits as "Blue Skies" or "Heat Wave." "You Appeal to Me" does have clever lyrics with dated references to Al Jolson, Greta Garbo, Franklin D. Roosevelt and Edgar Bergen, but in spite of her delivery, song overall works out better as an instrumental ice skating number than a Merman solo. Tunes aside, plot makes way for comedy bits by character types as Wally Vernon (who can easily be confused with Sid Silvers) as Al Mahoney, the third member of Duke's troupe who at one point performs a striptease to entertain reporters (one of them being Lon Chaney Jr.) while awaiting for an interview at the airport; Billy Gilbert playing the counterman in his amusing bit of confusion with "Pot roast vs. hamburger supreme" routine with Ameche; and finally El Brendel appearing briefly as a Central Park music conductor.  There's no question of HAPPY LANDING's overall success, through today seen as hampered by slow pacing in spots and overlong specialty acts. Highlights rank those being the well staged ice skating numbers along with Heinie's personality more than her acting ability. Technicolor would have been a big asset for this production. Distributed on home video in the 1990s about the same time American Movie Classics used to show it, HAPPY LANDING (not to be confused with the Don Ameche 1943 drama, HAPPY LAND), turns up occasionally on the "hot and happy" Fox Movie Channel. (*** cheap skates)

Sonja Henie who was the Olympic figure skating champion for three straight Olympics turned professional in 1936 and got thousands of offers. In addition to her own ice shows, movie offers came her way, all the studios wanted her. She signed with Darryl F. Zanuck.Beneath her sparkling personality was a shrewd businesswoman who knew her value. Because she was a star and had other venues she negotiated with Mr. Zanuck as an equal and 20th Century Fox paid dearly for her services. I saw an interview with co-star Cesar Romero who marveled at the way dealt with Zanuck as so few other players had the wherewithal to do the same.What also has to be remembered is that Ms. Henie was more than a star athlete. Norway had only been independent after several hundred years since 1905. Her exploits on the ice probably made her the most known Norwegian in the world. She was a national treasure.It got harder and harder to work her ice routines into film as the years went on. But Sonja herself knew when to quit.It was still fresh when Happy Landing was made. Egomaniacal band-leader Cesar Romero decided to fly a plane to Paris with his manager Don Ameche. Ameche's job in addition to managing Romero's business affairs is to keep bailing him out of trouble. During a storm they make a wrong turn and land in Norway. Guess who they find there?Romero handles it in his usual love 'em and leave 'em style, but Sonja follows him to America. Ameche has to fend her off for Romero and nature takes it's course.Sonja's skating routines are nicely handled, they would have been since she supervised her own choreography. Laughs are provided by three experienced scene stealing comics at various points of the film, Wally Vernon, El Brendel, and Billy Gilbert.Ethel Merman is on hand to sing a few forgettable tunes. By this time Merman was a major star on Broadway, but Hollywood never really knew what to do with her. She'd leave Hollywood shortly and wouldn't be back until the Fifties when she reprised her Call Me Madam triumph.Admittedly Ms. Henie was know actress, but she projected her personality well on the screen. And she sure puts to shame some of today's figure skaters.