Watch Always in My Heart For Free

Overrated and overhyped

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Horrible screenplay hardly worthy of a great talent like Walter Huston, who plays a man apparently wrongly imprisoned for years. His wife, mediocre actress, Kay Francis, divorces him and tells the children their father died. Years later, when they're in their teens, Huston is inexplicably pardoned and hitchhikes to California to see his son and daughter. Could have been an interesting drama, but completely misses every opportunity for thoughtful character development.The better part of the movie is nothing more than musical "filler" with the caterwauling daughter played by ingenue, Gloria Warren, either endlessly practicing her scales or launching into some totally forgettable song. Also, much screen time is devoted to the bratty antics of what must be the most annoying child star in the history of movies, Patty Hale.

I hadn't seen this film for years, and then I only remembered parts of it. The parts I did remember were the dialogue scenes between Kay Francis and estranged hubby Walter Huston, and between Huston and the children who do not know him. This part of the film is very good and made me want to see it again.When I saw it again the other night for the first time in years on TCM I was horrified. Worse, I was somewhat bored. Either I never saw or my memory blocked out the musical portions. Obviously, Warner Bros. was trying to turn Gloria Warren into their own Deanna Durbin, but she just lacked the "star quality" Durbin had and was a completely uninteresting actress, at least in this film.The film could have been a great one if the music had been eliminated and the focus kept on the melodrama - a man (Walter Huston) getting out of prison and giving up a woman who loves him and his children so they can all have some security with a rather bland fellow who wants to marry the woman (Kay Francis). Instead, Huston paces from the "good" side of town where we are tormented by Warren's operatic screeching, to the bad side of town where a novelty harmonica band act torments us some more. Just goes to proves bad music has a home in both the low-brow and high-brow varieties.What gets five stars from me is the warm family story and the title song, "Always In My Heart" which is really quite beautiful and a bit of a theme song for the entire situation portrayed in the film. If you want to see what Kay Francis and Walter Huston can do for a film without all of this distraction thrown in, try to track down a copy of "Gentlemen of the Press". There they really sizzle.

This movie is enjoyable except for the singing. I don't understand what people were thinking in the forties. How anyone could find the high pitched screeching enjoyable is beyond me. TMC seems to play the screechers early in the morning. I think it may be a fiendish plot of some kind. A strange mix of humor, tragedy, opera and cornball situations. But like I said, it is enjoyable. Just block out the screeching. Keep your thumb at the ready by the mute button. By the way, there must be a hundred harmonica players in this film. The harmonicas/screeching is a bizarre mix. In the middle of it all, there is some decent acting. The little girl, I am not sure of the familial connection, is a real cutie.

Walter Huston and Kay Francis starred in this 1942 film.Ms. Francis plays a middle class woman with 2 children, who supposedly is widowed. Wealthy Sidney Blackmer wishes to marry her.It turns out that she is not widowed. She divorced her husband after he was sent to prison for killing a man. Both children have been told that their father is dead.As Huston is about to be pardoned, Francis arrives at the prison to tell him that she is remarrying. Thinking only of her happiness and security for their children, Huston does not tell Francis of the pardon but instead encourages the marriage.Huston, upon release, settles in a fishing area around San Francisco. Of course, he meets his children but says nothing.Naturally, the children find out what they are and the film ends where he saves his son from a drunk and daughter, when she goes out in a storm in a boat.There are some musical interludes in this as the daughter is training to be an opera singer. Huston does a little singing and there are several sequences where groups of fishermen turn to their harmonicas.