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Sorry, this movie sucks

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

As I recently watched a very good making of on the DVD for the fun Hammer Horror title The Mummy's Shroud,I was shocked to discover that actress Elizabeth Sellars holds the honour of starring in the last movie that Hammer filmed at Bray studios, (Shroud) and the first film that Hammer shot at the studio,which appeared to be a completely forgotten Film Noir. Mentioning the movie on IMDb,I was happily caught by surprise,when a very kind IMDb'er gave me the chance to take a look at the title,which led to me looking up at the sky,so that I could at last see the cloud burst.The plot:1946-Haunted by their memories of getting tortured by the Nazis, John and Carol Graham attempt to numb their pain by working as code breakers for the British government,whilst also saving up for a beautiful plot of land,which they can call their own.Attempting to find an enchanting route in their lives,Carol gives John the news that she is pregnant,which leads to John beginning to plan the family life which he has always desired.Visiting their future plot of land as they start to look forward to becoming a family,a car suddenly speeds past and runs over Carol,Gripping onto the car,John is able to catch a glimpse of the man and woman inside the car,before he is knocked out.Woken up by a police officer,John discovers that the car has killed Carol and their unborn child.Feeling his entire world breaking apart,John keeps the description of the man and the woman in the car close to his chest,as the officer attempts to interview him.Patiently waiting until the officer has disappeared from view,John begins to make plans on how he can track down Carol's killer's,so that he can show them the life that they have burst.View on the film:For the first half of the movie,writer's Leo Marks and Francis Searle smartly keep away from jumping 'straight to the action' by instead allowing the relationship between John and Carol to blossom across the screen,with the couple's dream patch of land giving the title a hauntingly melancholy mood.Wrapping the ghosts from the torture delivered by the Nazis with the soul-destroying death of Carol tightly around John,the writer's cast an unflinchingly brutal Film Noir backdrop,with John being unable to escape from his deadly survival instincts of the past,as he begins to step into a decaying gutter,on the search for Carol and their (unborn) child killer's.Perfectly expressing the melancholy and furious grief contained in the screenplay,director Francis Searle gives Carol and John's romance a sleek Gothic hue,with the low-lit lighting used for the couple taking a peak at their plot of land,showing the dream which they imagine,whilst also subtly hinting at the darkness which lays ahead for them.Sending John out into the Film Noir world,Searle brilliantly uses real cramp houses as locations to show how the pain & fury inside of John is consuming him,with Searle also giving the movie a harsh,gritty appearance,as John casts his first strikes of revenge.Despite featuring in only half of the movie, Elizabeth Sellars gives a tremendous shadow which cast a long shadow across the entire film,thanks to Sellars giving Carol a real sincerity in her hopes that she and John will be able to leave their Nazi horror behind.Frantically using all of his past skills as he searches for the driver & the passenger of the car, Robert Preston gives an excellent performance as John,with Preston showing John's soft eyes gradually transform into an unforgiving fire,as John sees the silver lining on his cloud burst.

Interesting post-war British revenge tragedy which, surprisingly, casts Robert Preston as a Canadian anti-hero. Fine acting throughout with Harold Lang, who was to become a charismatic acting coach at RADA, as the bad guy. The Scottish actress, Elizabeth Sellars, is doe-eyed and lovely as the lead actress and Thomas Heathcote excels in a cameo performance. It's also good to see some post-war British film industry stalwarts such as Noel Howlett and George Woodbidge turning in their usual robust performances. The black and white photography is quite magical although the film score is overly dramatic. It's sad to see that this film is quite forgotten: the performances demand greater consideration. An English film noir.

I found this movie disappointing. With a plot like that, in a British movie of this era, and Robert Preston to boot, I had very high hopes.The first half is an extremely sappy love story between the two principals, told against grainy dim backgrounds in night scenes. After the accident Preston all too quickly gets his revenge and even more quickly he is picked up in a super efficient police investigation (there is never another suspect, they latch on to him for no reason).I would have preferred a more abbreviated romance, a longer search for the killers, and at least somewhat realistic detective work.The other scenes of Preston's work as a cryptographer seem to consist of a room of eight nondescript people mumbling to themselves. Is that really how they broke codes in the 50's?? Definitely not a keeper.

It appears not many have seen this film as evidenced by the few reviews. I was surprised that it was as good as it was given it seems few have seen it.Produced by Hammer Films of England, this is fairly light fare for them as they became primarily producers of horror films. Even still, there are some macabre elements to this film (several characters being run over by cars).Preston, as John Graham, is quite believable in his portrayal of an ex-commando for the Resistance, who is indebted to his wife, played very genuinely by Elizabeth Sellars, who also worked alongside him in the Resistance. He credits her for saving his life for refusing to divulge secrets under torture. She limps visibly as a result. They are expecting their 1st child. Tragically one evening she is the victim of a hit and run by murder suspects fleeing from capture. Graham recalls his wife saying (upon hearing of a murder) that her anger would hound the murderer like a cloudburst until she could repay what they had done. So he begins a systematic plan to get revenge on the 2 people who killed his wife.I thought Sellars had quite a beautiful and interesting face - especially her cheekbones. Its a shame she was killed off so early in the film.I think the writers did a good job of evolving the story. They don't reveal all about the Graham's past together and how she got the limp, saved his life, etc. until later. It keeps you intrigued.This is a classic revenge tale. But in light of his past as commando in the Resistance it makes sense. I was surprised that you never really see him rage, but it could be his training in special forces to just "get the job done". I question the likelihood that he would be stupid enough to leave his coded note behind at one of the crime scenes, unless that is part of his "I have nothing to live for" mentality and he is hoping to get caught. Certainly his training should have otherwise prevented this so perhaps it was intentional.All in all, I found this to be very suspenseful, although a little dark in places.