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Excellent but underrated film

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Black Magic surprises on many levels. For a non-Hollywood film, it's suprisingly well produced. You have Welles, who, except for the louder moments of Citizen Kane, usually underplays, being big and bold and involved. He struggled with his weight, and here he is thin, wears tights, and engages in an extended Errol Flynn-like final swordfight. Some have noted here that those who want to extend Welles' body of directorial works include this film, even though Gregory Ratoff is credited as director. I recall that Welles said that he could have taken an associate producer credit on this film. But the final duel and fall does evoke memories of Welles' The Stranger and another film that Welles starred in and is said to have co-directed, Journey Into Fear.

Would like to see this film on TCL channel. As a Wells admirer, it will always be a classic. My husband was a stage hypnotist, in the 1950's, having studied psychology at The Detroit Institute of Technology in Detroit Michigan. (several stories in local papers) He appeared on stage along with the showing of Black Magic,(Vanity Theatre) in Windsor Ontario Canada while a student to demonstrate hypnosis. As a result, he traveled to several cities giving demonstrations. At one time he had his own by- line in a Michigan paper in which he discussed hypnosis, Father Stan Murphy (Asumption College Windsor, Ontario Canada) had him on The Christian Culture Series, and demonstrations for the Canadian Police. His picture and stories were carried along with the movies credits in the media. (Have clippings for anyone interested)

Orson Welles is mesmerizing and perfectly suited to the roll of Count Cagliostro. The Count has waited silently for over 20 years secretly planning revenge on the ruling class he holds responsible for the drunken public execution of his mother he witnessed as a boy.Is Cagliostro an ambitious Gypsy charlatan or a demonic master of the black arts? Is he really a Count? There are several entertaining scenes where Cagliostro gains the upper hand over odds stacked against him such as the "choking rope" switcheroo in the jail, and the "your legs are like wax" turnabout. Yet similarly to SVENGALI (John Barrymore) he will not be able to exert this will power forever over everyone.Welles seems to be thoroughly enjoying himself throughout.BLACK MAGIC has threads in common with "The Prisoner in the Mirror" Boris Karloff presents THRILLER teleplay, an updating of the evil magician known as Cagliostro. The real mystery is why such an enjoyable movie starring Orson Welles was so long overlooked, not released on DVD until 2016 (unfortunately the source print used by Hen's Teeth is not nearly as clear as the sharp print TCM aired in January 2017). Though considered by some as a costume melodrama with little more than Welles and the art direction going for it, ever since I watched a primitively colorized print of BLACK MAGIC (aired on a local San Francisco station KOFY-TV20 around 1990) it's been my favorite off- beat Welles movie, always a fun find to share with friends who hadn't seen it!

This is a little-known film but it is quite effective. Welles gives a wonderfully spooky performance as a con man with plenty of charm. So effective is he that he helps bring down the French monarchy. The movie has lots of good atmospheric music and settings plus solid performances from a great cast. Beware! You could easily be hypnotized by Welles.