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The Year That Trembled
The Year That Trembled is a coming-of-age story set in 1970 in the shadow of Kent State that focuses on a group of young people facing the Vietnam Draft Lottery.
Release : | 2002 |
Rating : | 5.1 |
Studio : | Novel City Pictures, Evans Printing Co., Gamekeepers Taverns, Lodges and Inns, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Jonathan Brandis Charlie Finn Jay R. Ferguson Meredith Monroe Marin Hinkle |
Genre : | Drama Romance War |
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Reviews
Waste of time
The film never slows down or bores, plunging from one harrowing sequence to the next.
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
"The Year that Trembled" tells the tense story of young writer Casey Pedersen (former child actor Jonathan Brandis, who committed suicide one year after the movie was released) and his friends, who have to face the Vietnam Draft Lottery in the early 1970's.Based on a Scott Lax novel, "The Year that Trembled" has a compelling premise; however, the predominantly young cast isn't as convincing as in other Jay Craven's movies (veterans Henry Gibson and Fred Willard are always a pleasure to watch, though). Meredith Monroe, of "Dawson's Creek" fame, makes the best impression; she was pretty good in a brief appearance in the made-for-TV flick "Fathers and Sons" and has proved she's got talent. It's curious to see Danica McKellar (the cute girl from "The Wonder Years") in a small part. Although not the best Jay Craven film, "The Year that Trembled" has some inspired, sensitive moments and is worth a visit. My vote: 6.5/10.
Important depiction of a time arguably as turbulent as our current. However, links (or even intimations of them) from past to present are lacking in this film. A faded standalone snapshot, the mood unimpassioned, (ironic given the manic, "trembling" tenor of those times). No room is made or left over for extrapolation or lessons learned--a great opportunity missed. Instead we're dished up startlingly superficial and hackneyed treatment of the era, ineffective character development, and lackluster performances from most of the cast. Further, the film is riddled with anachronisms and suffers from romanticism and historical revisionism--so it comes off as shallow and clichéd. Perhaps this film was made by people too young to understand the flavor of those times. If not, perhaps the filmmakers are part of a well-meaning but removed elite, who took their very best shot at depicting the lives and dramas of their characters, but the closest they could come was creating an approximated, somewhat patronizing, overly polite, "as-if" characterization--which naturally lacks passion, flow, human depth and complexity, and realism. In sum, it's like watching back to back episodes of the mundane NBC drama "American Dreams" (albeit, with a more liberal lean, fortunately), without the energy level. Just about that insightful, realistic, and compelling. In sum, clearly an earnest effort, tho emotionally blunted overall.
That was my question. Characters were introduced and used throughout the film, but then they randomly disappear, never to be seen or heard from again.And the ending made absolutely no sense. It just ended.Jonathan Brandis should have given up after his childhood movies or at least taken some acting classes because he is by far one of the worse actors in this film. Of course the worse actress would be Kierra Chaplin. She is a model and that is what she should continue to do. Ms. Chaplin is French and this film is set in northeast Ohio. It seemed extremely out of place for her to have a French accent in this film.Besides the shallow and disapearing characters, the story istself is not that great. Everyone and everything seems to be about THE WAR. Everything is about THE WAR. I know that the Vietnam War was a huge issue back in the 70's, but I also know that it wasn't the only issue.Overall, this movie was terrible and a waste of my time. I give it a 3/10. It only earns it's 3 because of the interesting and beautiful (what looked like) archive footage from the 70's.
This is one of those things you marvel at: why did Martin Mull, Henry Gibson and Fred Willard do this? They couldn't have done it for the money. This film is so cheap that they have Fred carrying a kid to Canada on his moped (top speed 20 mph) from the Cleveland area. You know this because there's a sign by the side of the road that says" Border Crossing." He gives his daughter a present wrapped in crudely chopped up construction paper (they couldn't have sent someone to the local CVS for 50 cents worth of wrapping paper?) The make up seems to have been done by the local undertaker - Henry Gibson's face looks downright cooked.And these are minor concerns. The continuity, the dialogue, the plot! Oy! For those of you who have no idea of what happened at Kent State 30 some years ago - this ain't gonna help!