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Simply Perfect

Powerful

Absolutely Fantastic

By the time the dramatic fireworks start popping off, each one feels earned.

Wheeler and Woolsey are an acquired taste, for sure, but I've liked all their films so far. Their jokey, hokey vaudeville style somehow makes me laugh even (or maybe especially?) when the jokes are lame. The groaning is part of the enjoyment. As always, the happenings are extremely silly- this time with Wheeler and Woolsey competing to be king of a small nation that is not so desirable to lead, and the hilarity takes no prompting to ensue. Many old jokes that have been re-used mercilessly and no doubt pre-date Edwardian times; many dumb jokes that no one dared to use again; and sometimes even a good one, (my fave, "He's the most absent-minded man in the kingdom. Last week he put a cigarette to bed and threw himself out the window.") Dorothy Lee, who was especially good in Half Shot at Sunrise, is also good in this one, to a lesser extent. She and Wheeler form the ultimate sticky-and-sweet-as-molasses couple. Edna May Oliver is the perfect comic foil to, well, just about everyone. It is especially enjoyable when things turn violent vaudeville style.And if you find yourself thinking that this reminds you of Duck Soup, remember this film came two years before that one. Recommended if you have worked up a taste for Wheeler and Woolsey or think you might be able to do so.

Cracked Nuts (1931) * (out of 4) This was my second Wheeler and Woosley flick and it'll probably be my last for a while. This film has pretty much been forgotten except it does feature Boris Karloff is one of his non-monster 1931 roles. In the film, Woosley wins the throne of a small country in a dice game but gives it to Wheeler who wants it to impress the aunt of his girlfriend. I somewhat enjoyed the duo's Mummy's Boys but this film here was just dreadful. There were a few funny lines but the rest of the film was rather hard to get through. Karloff is wasted as is Dorothy Lee. One interesting aspect is Lee who does some voice effects, which would later be used by Curly of The Three Stooges.

Getting there first, exploring grounds that the Marx Brothers covered so thoroughly in Duck Soup are the RKO team of Wheeler&Woolsey who get themselves mixed up in the politics of some backwater country in South America in Cracked Nuts. Bob Woolsey wins the throne of El Dorania in a crap game and spends the rest of the film trying to avoid assassination plots cooked up by disgruntled general Stanley Fields.Woolsey's partner Bert Wheeler has his own problems in the romance area. He's in love with Dorothy Lee, but he's got to deal with her formidable aunt, Edna May Oliver. Wheeler is the schnook of the team, playing parts that Eddie Cantor and later Danny Kaye would do with far more acclaim.Cracked Nuts might not be all its cracked up to be. I'd certainly rate Duck Soup over it. Yet it does have its moments, particularly the last attempt at Woolsey's life by Ben Turpin, dropping bombs during a ceremony.It's a film that can stand on its own merits. But I wish Edna May Oliver had more screen time. She's a favorite of mine and I've never been disappointed with her in any performance. She's reason enough to see Cracked Nuts.

Wheeler and Woolsey made this romp about revolutions, assassinations, and romantic shenanigans, with a supporting cast including Dorothy Lee (who doesn't have much to do), Edna May Oliver (funny in fits and starts but not on screen enough), Boris Karloff (unmemorable), and Ben Turpin (cross-eyed as ever).There are some cute and funny bits - the opening sequence with Wheeler and the elevator; the 'What' and 'Which' sequence with the map; the flying bombs; the aunt and the shower; and so on.The one musical number for Wheeler and Lee is awful, nowhere near their usual standard, and actually becomes tedious and irritating very quickly.'Cracked Nuts' is mildly diverting but not particularly good as a whole; it is one of the team's weaker efforts. Although W&W are always good value and entertaining, their co-stars have a poor script to work with and not much of a plot.