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Just what I expected

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Anne Shirley seemed to spend a lot of the thirties in school!! There was "Finishing School" (1934), "School for Girls" (1934), "Girl's School" (1938) until she finally arrived at "Sorority House". Anne was a sensitive actress who often put more into her parts than was there in the first place. Her two big films were "Anne of Green Gables" and "Stella Dallas" but because she had been in movies since the age of four, by her teenage years she was considered a fixture and was passed over for roles she would have been ideal for, in favour of other up and coming actresses (Maureen O'Hara in the remake of "A Bill of Divorcement" and Jane Bryan in "The Old Maid"). So, once again, Anne was back in familiar territory in "Sorority House" as Alice, daughter of a small town grocer who withdraws all his savings so she can attend the prestigious Talbot University.In my opinion this was a much better movie than "Girl's School" and Anne had a chance to add more dimension to her characterization. Once at college dewy eyed Alice falls right in step with the social climbing fever that is gripping the school - although she still retains her country values. Any co-ed who is not a sorority girl is seen as a "dreep" (a combination of dreary and weep). Her two room- mates are Dottie (Barbara Read) who is philosophical about her low chances of being invited to a sorority and Merle, who is frantic to join but whose aunt with her pushy behaviour ruins her chances. Although countrified Alice would ordinarily not have a hope of getting into Gamma, the top sorority house, she makes the acquaintance of Bill (James Ellison) the college hero who takes Alice under his wing and helps her adjust to the hectic social life. To say nothing of spreading a rumor that Alice's father owns a supermarket chain - instead of his one struggling grocery store.Suddenly all the sororities are clamouring for her but with all the invitations come extra expenses, fees etc and Alice's father finds he has to sell his store to pay for all the hidden costs. When Alice's father turns up unannounced at a sorority "Meet the Parents" party, for one brief moment Alice turns into a social snob - ashamed of her own father. He saves the day with oodles of home spun philosophy - telling the story of Abraham Lincoln, preventing a suicide and giving Alice a lecture on freedom of choice when she decides to found a club where sorority members will not be welcolme!!Barbara Read started off as one of the "Three Smart Girls" that made a star out of Deanna Durbin but she really looked too much like Durbin and was replaced in the sequel "Three Smart Girls Grow Up" by Helen Parrish. Veronica Lake and Marge Champion can be glimpsed as co-eds.

Communist and later blacklisted screenwriter Dalton Trumbo gets a script assignment on sorority houses—the possibilities are intriguing and endless. After all, what better hothouse of class elitism is there than making sure your daughter or son meets just the right people and marries only within the proper social circles. Certainly, no Van der Bilt wants their offspring marrying a campus nobody, so why not manage their young lives through something like elitist clubs, otherwise known as sororities and fraternities. The topic seems perfect grist for an avowed enemy of class privilege, such as Trumbo is presumed to be.But then the movie is a programmer, and the early Trumbo is a relative unknown, so conventional values do prevail. Nonetheless, dad Fisher delivers the main message at movie's end. Grief in the world, Dad observes, is caused by "cliques" banding together, whether sororities, clubs or nations, and then coming into conflict. And though Dad doesn't say so, cliques would presumably include the bogeyman of Marxist theory, economic class. Thus, as Trumbo's mouthpiece, Dad manages to come up with a social version of a classless society, which sounds more like choosing your own friends and not letting that go to your head than anything like common ownership of the means of production. It's also in keeping with the general spirit of the times, which exalts the virtues of the common man, especially salt-of- the-earth types like dad Fisher.The movie itself is entertaining enough for a studio programmer, managing some gritty dramatics (the pushy aunt ruining Merle's pledge chances; the suicide attempt) and, of course, the expected sappy romance. But it's really Anne Shirley who shines and holds things together. Her friendliness comes across as so natural and unforced that you can't help but root for her. She's perfect as the unspoiled small town girl. Nonetheless, the movie remains very much a product of Hollywood and its time. In passing—for a more revealing look at college sororities backed by of an A-budget, catch up with TCF's Take Care of My Little Girl (1952). In my little book, it's a real sleeper, despite the gloss.

ANNE SHIRLEY and JAMES ELLISON are the romantic leads in this trifle directed by John Farrow about a nice young girl who learns her lessons at college the hard way--by attempting to fit into the sorority scene when she comes from a humble background and is not a girl of wealth as the other girls are falsely told.Shirley and Ellison make a pleasant twosome but their roles are one-dimensional after they meet in the usual Hollywood "by accident" way. He's the campus hero who helps her learn the ins and outs of campus life. Anne Shirley made this film the same year that she tested for Melanie in GWTW and her sweetness appears natural here. But, as usual, her roles seldom became more demanding than requiring a sweet presence, limiting her opportunities as an actress.Surprisingly, Dalton Trumbo wrote the script and Nicholas Musuraca was behind the camera but it's just an RKO trifle easily forgotten.

Sentimental B-movie about a small town girl named Alice (played by Anne Shirley), daughter of a grocer and devoted daddy's girl, whose father gives her a big surprise - he is sending her to college, her dream of dreams. Moving into a boarding house near campus, she is soon immersed in the most important thing in the world to all the females at her college - rush week for the campus sororities. Alice has two roommates - one, a plain, bookish sophomore, ignored in last's year's freshman rush - the other a girl who longs to be pledged by the all-important "Gamma" sorority. Well even though some of these sorority girls *are* big snobs, more concerned with how much money a girl's family has than her character - our Alice still HOPES she will be invited to join one of these sororities. When she meets and romances, almost the very first day, hunky Bill, "Big Shot On Campus" - he just may be able to give the push she needs to make her dream come true.Okay, this film is fluff, with a very silly plot - and yes, the women at this college look more like starlets strolling around a studio backlot than college students. But - Anne Shirley is such a very lovely young actress with an endearing quality about her and is *such* an expert at playing this sweet girl/perfect daughter type, she just manages to add enough charm to this to make it work. There is a nice relationship shown between Anne Shirley's character and her all-wise father, played by J.M. Kerrigan. The ending is predictable, yet satisfying. A decent film, much better than I was expecting - worth seeing.