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Cyborg 2087
In the future world of the year 2087, freedom of thought is illegal and the thoughts of the world's populations are controlled by the government. A small band of "free thinkers" send a cyborg back in time to the year 1966 to prevent a scientist from making the breakthrough that will eventually lead to the mass thought control of the future. Our time traveler soon discovers he is not alone when government agents from the future try to prevent him from carrying out his mission.
Release : | 1966 |
Rating : | 5.3 |
Studio : | United Pictures, Harold Goldman Associates, Television Enterprises Corporation, |
Crew : | Art Direction, Set Decoration, |
Cast : | Michael Rennie Karen Steele Wendell Corey Warren Stevens Eduard Franz |
Genre : | Science Fiction Mystery |
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That was an excellent one.
hyped garbage
This movie was so-so. It had it's moments, but wasn't the greatest.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
The Terminator had less in common with Harlan's two Outer Limits episodes and more with this Michael Rennie movie Cyborg 2087. This is a fun movie that's technically crude so young audiences would never sit through it.
*Spoiler/plot- Cyborg 2087, 1966. In th distant future of 2087, two scientists develop a time traveling device with a cyborg. The cyborg is supposed to go back in time and prevent a scientist from perfecting his new 'telepathy'. In the future time, a dictatorship government uses this telepathy to control it's citizenry and abuse their rights.*Special Stars- Michael Rennie, Karen Steele, Wendell Cory, Warren, Stevens, Eduard Franz, Harry Carey Jr.*Theme- Justice in any time is important enough to preserve.*Trivia/location/goofs- One of the last film appearance of Michael Rennie. Supposedly the idea for many later sci-fi films: Terminator, Outer Limits, Twilight Zone, Time Cop, and etc.*Emotion- I wanted to like this film for it's premise. Even though it's a time travel and cyborg film, this one is very crudely done with little production values. It suffers from total unbelievability and bad screen elements. The necessary sci-fi 'suspension of believability' never occurs and screen things are unintentionally laughable. The plot is essentially a 'chase' film' between the future bad guys police robots chasing the good guy cyborg in 1966. This film had high hopes but is essentially a waste of good film plot ideas and your time. And you can't go back in a time machine to get it again...A waste of your time & attention.
The term, cyborg, meaning cybernetic organism, relates to a human enhanced with mechanical parts, often robotic in nature.Thus gave us the first glimpse into this genre. Albeit low budget (I mean, instrumentation from the future labeled with Dymo Label Maker Tapes?) and featuring actors who were at their peak not just a few short years before, including Michael Rennie, Klaatu from "The Day The Earth Stood Still" or "The Keeper" from "Lost In Space", or Warren Stevens, Doc Ostrow from "Forbidden Planet ("Monsters! Monsters from the ID!") and throwing the tem-oral twist of alternative time lines, this cyborg pre-dated "The Six Million Dollar Man" (and Martin Cadin's novel it was based on, "Cyborg"), the Jean Claude Van Damme dystopic future wasteland adventure, even Star Trek: The Next Generation's most relentless enemies, the Borg (sounds Swedish!...sorry. I couldn't resist).Add to that the obvious Terminator references (and people still forget about Harlan Ellison's own legal action against Cameron due to similarities in his Outer Limits scripts "Demon With the Glass Hand" and "Soldier") and you have a low-budget oddity that hasn't made the rounds in the post-midnight TV info-mercial circuit in years, being swept aside by other B-Movie kings like the Band Brothers' Full Moon Productions or Bert I. Gordon's & Brian Yuzna's Lovecraft micro-epics.
Often dismissed as a "quickie" movie using a great deal of television elements, "Cyborg 2087" is a prime example of what Hollywood was trying to do between the late fifties and mid-sixties: get people (especially the kids) away from the television set and back into the movie theaters. This film tried (sometimes successfully) to combine two popular genres of t.v. at the time; westerns and science fiction. Half-human robots, having a "shoot out" in a western town using ray guns to rescue the girl (played by a former "Mouseketeer", no less). Listen for the Paul Dunlap soundtrack, which should be familiar -- it was used for several t.v. shows, movies, and even Hanna Barbara cartoons! Also, check out the "hip lingo" used by the teens.The sad part is to see classically-trained actor Michael Rennie trying to make a living wearing a silver spacesuit after being typecast as a "sci-fi guy" in "The Day The Earth Stood Still".