Watch Sister Emanuelle For Free

Too much of everything

It's entirely possible that sending the audience out feeling lousy was intentional

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

After playing with our expectations, this turns out to be a very different sort of film.

Quite what has driven once insatiable nympho Emanuelle (Laura Gemser) to renounce her sinful past and don wimple and habit to become a nun is never revealed, but that is how we find her at the start of Sister Emanuelle; together with fellow nun Cecile, she has travelled to Venice to escort Monica (Mónica Zanchi), the teenage daughter of a rich Baron, to the convent for schooling.Monica turns out to be far from the 'sweet little girl' that her father describes her as, however, doing her utmost to subvert both her new room-mate, Anna (Vinja Locatelli) and poor Emanuelle, who finds her resolve weakening when faced with temptation from the sexy, free-spirited, bi-sexual schoolgirl.Sister Emanuelle might not be as nasty or shocking as some of the other titles in the Black Emanuelle series (there's nothing in it as sensational or sleazy as the pseudo snuff, animal action or hardcore coupling of Emanuelle in America, for example), but it still manages to be one of the more enjoyable adventures for the sultry sexpot thanks to its surprisingly well written screenplay by Marino Onorati, competent direction from Giuseppe Vari, and perhaps most importantly, an outstanding performance from Zanchi: whether it be fellating a total stranger on a train, cuddling up naked next to Emanuelle or Anna on a stormy night, or sneaking wanted criminal Rene (Gabriele Tinti) to the convent tower for a spot of rumpy pumpy, gorgeous Zanchi plays her role as deviant minx Monica to perfection.Strangely, the film ends with one of those 'it was all a dream endings' of the type that usually make me livid, but which in this case only serves to make the whole affair a more memorable experience, pushing my already high rating of 7.5 up to a bona fide 8.

Soft-core satire on the Catholic church(..one of the nuns has a bladder problem)with the hilarious premise of Gemser's Emanuelle attempting to bury her sinful past by joining a convent. But, her convent's recent "acquisition" of a girl, sent there by her father for "cleansing of her wicked sexual ways", Monica(Mónica Zanchi, delicious, other than her arm pit hair), has Emanuelle re-evaluating her decision. Soon, a con on the lam, Rene(Gabriele Tinti)induces an affair with Monica(..who stumbles on his hiding place, a barn), raising the ire of Emanuelle, who herself begins a torrid relationship with him. Also established is Monica's tryst with her roommate who was a very bright student working on possible sainthood before being introduced to lesbianism.The movie features a series of steamy encounters between Monica and a number of characters, those that come in contact with her, most often than not she's the catalyst who motivates the sexual acts. Monica's seduction of her roommate during a thunderstorm is particularly sensually satisfying. Monica's flashback to Emanuelle regarding a sexual encounter with her stepmother is another rather stimulating lesbian sequence. I suggest those who rent the DVD to check out the special features for it has a deleted "bondage" scene where Emanuelle ties up Monica and ravages her body. Sister Emanuelle is well shot by director Giuseppe Vari, who captures the sordid shenanigans with visual brio. Gemser heats up the screen, shown disrobing from her nun outfit on several occasions, a very beautiful woman with an incredible body. The film is essentially a naughty comic nunsploitation effort poking fun at the idea of remaining abstinent when it just isn't some's nature. Mónica Zanchi relishes her role as a lustful sex kittenish nymphomaniac who is willing to seduce just about anyone she finds remotely enticing.

Monica (Mónica Zanchi) is a very naughty girl. She gets caught with her young stepmother (Dirce Funari) - "But, dad, you told me to be friends with her!" - and is sent off to boarding school run by nuns. One nun in particular is Sister Emanuelle (Laura Gemser, a veteran of many "Emanuelle" films).Monica proceeds to seduce her roommate(Vinja Locatelli), sets up an escaped criminal (Gabriele Tinti) in the tower, and tricks Sister Emanuelle into breaking her vowels as she lies and schemes.The sex is hot and heavy - schoolgirl on schoolgirl, criminal on schoolgirl, and criminal on nun. There isn't much to distract from the sex as there is little else going on.It's a good story with a really funny twist at the end.

There is a lot of variety in the Emanuelle series, and as such; a lot of strange and rather silly ideas; but having Laura Gemser dressed up as a nun and living in a convent is surely one of the silliest! I'd even go as far as to say that this plot could be considered blasphemous! Clearly, this film is just an attempt by director Giuseppe Vari to cash in on both the Emanuelle series and the nunsploitation wave in one fell swoop, and as is the case with a lot of the Emanuelle flicks; the only thing that really ties this film to the rest of the series is the lovely leading lady, Laura Gemser. Apparently, Emanuelle has decided to renounce her shady past and has taken up residency inside a convent. She is given the task of looking after the young and beautiful Monica; a girl who was dropped off at the convent by her wealthy father. However, it's not long before the young girl's outlook on life begins to rub off on the previously promiscuous "nun" and Emanuelle begins to question whether or not being a woman of God is actually a suitable career path...In the context of the rest of the series, and considering that there is no explanation for Emanuelle's sudden change of attitude, it has to be said that the plot line featured in this film is absurdly ridiculous. However, the film clearly isn't meant to be looked at that way and as a stand alone nunsploitation flick; Sister Emanuelle is excellent, and by far my favourite of the ten or so Emanuelle flicks that I've seen. The film does represent a real change of pace for the series as for most of the film; Emanuelle is retracted to a nun's habit and doesn't feature in as many sex scenes as we're used to. That isn't a big problem, however, as this time Laura Gemser is joined by the beautiful Swiss actress Mónica Zanchi, who pretty much takes up the lead role. Unlike most Emanuelle films also, this one actually has a couple of themes going on; namely, the corruption of innocence, and judging by the ambiguous ending, there also seems to be something in there about how a person like Emanuelle is not going to be able to abandon what it is she stands for. Overall, this is a very good little film and comes highly recommended to both Emanuelle fans and exploitation fans in general!