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Run, Simon, Run
A Papago Indian returns to his reservation after a prison term and searches for his brother's killer.
Release : | 1970 |
Rating : | 6.3 |
Studio : | Aaron Spelling Productions, |
Crew : | Director of Photography, Director, |
Cast : | Burt Reynolds Inger Stevens Royal Dano James Best Rodolfo Acosta |
Genre : | Action Thriller Crime TV Movie |
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Don't listen to the negative reviews
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
It's easily one of the freshest, sharpest and most enjoyable films of this year.
One of the worst ways to make a cult movie is to set out to make a cult movie.
Burt Reynolds restrained performance as an Indian framed for murdering his own Brother, is the only surprise in this tedious time waster. The uneasy culture clash between the upper crust and the poor Indians is played for all it's worth. The problem is this comparison does not elicit sympathy, but instead comes across as nothing more than padding for an over simplified revenge story. The Arizona scenery is fine, including several surprisingly effective wide, wide angle zoom shots. Creative camera work cannot save "Run Simon Run" however, because the romance seems unrealistic, the eventual confrontation between Reynolds and his Brother's killer is poorly staged, and the credits roll, leaving the viewer rather dissatisfied. - MERK
I also saw it only the one time when it was broadcast and have remembered ever since, especially whenever I hear Buffy St. Marie sing "Until It's Time For You To Go". The Reynolds and Stevens characters each have strong principles, that initially bring them into conflict, then eventually allow them to learn from each other. In fact, I think it is strength of character that pervades the film, and makes it so memorable.It would be great to find that someone has a print available. I'd like to get a more detailed understanding of the Reynolds character. It's hard to analyze at this distance, since on first viewing I was watching for story and performances. Does Simon qualify as a tragic hero - that is, does a flaw in his character bring him to his fate?Stevens has one of my all-time favorite final lines - and as I recall, it's not even spoken, just an action.
I think Leonard Cohen said it best: "I've seen the nations rise and fall, I've heard their stories, heard them all, but love's the only engine of survival"A movie that has a love story for a baseline, along with a side story (revenge in this case, same in John Woo's "The killer"), is the best representation of movie making.While looking like what it is, a 70's movie (without a cheesy soundtrack), "Run, Simon, Run" is driven by great script, subtle acting, and on-the-money editing.Still, by far, my most favorite film of all times.(Closely followed by "The Killer" :D)
On its own terms, in its context, Run Simon Run is meant to tell the story of an unrepentently angry loner seeking dignity for himself and his tribe. But, he has so alienated is fellow tribesmen, the white authorities, and well-meaning social workers, small victories exact terribly high consequences. The dialogue is rather Spartan, so Reynolds's performance must carry the film for it to work. he stretches his acting muscles to deliver a brooding portrait of a committed, volatile, and tortured soul. Inger Stevens, on the other hand, for the most part, is just brooding -- a rather one-note performance that doesn't qualify high in her gallery -- a more hopeful counterpoint to Reynolds' virtuoso angst would have served this TV movie better. I'm not saying her performance is bad, but it leaves Run Simon Run as a very good made-for-TV movie in lieu of a great one. This is also slow at spots, but the overall running time is so short, it's not that problematic. Certainly worth seeing once.