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From my favorite movies..

Admirable film.

To all those who have watched it: I hope you enjoyed it as much as I do.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

John Wayne (John Trent), Marceline Day (Alice Ellis), Frank McHugh (Sergeant Tippy), Otis Harlan (Zeke Keller), Albert J. Smith (Gus Lynch), Yakima Canutt (High Wolf), Lafe McKee (Lafe, old-timer), Clarence Geldert (Cavalry commander), Slim Whitaker, Frank Ellis, and "Duke".Director: TENNY WRIGHT. Screenplay: Kurt Kempler. Suggested by the 1927 scenario The Red Raiders by Marion Jackson. Photography: Ted McCord. Film editor: William Clemens. Music director: Leo F. Forbstein. Western Electric Sound System. Associate producer: Sid Rogell. Producer: Leon Schlesinger.Copyright 25 March 1933 by The Vitagraph Pictures, Inc. A Warner Bros-First National Picture. No New York showcasing. U.S. release: 18 March 1933. U.K. release: 17 April 1933. 59 minutes.SYNOPSIS: For reasons that are never made clear, a white trader stirs up the Indians to attack the telegraph linesmen and construction workers. NOTES: As far as I know, this is the only film directed by Tenny Wright, one-time silent film actor and assistant director who rose to become production manager at Warner Bros where he made important contributions to just about all the famous Warner features of the 30s and 40s. COMMENT: Instead of re-making the 1927 Ken Maynard western, "The Red Raiders", this time producer Schlesinger (of later Merrie Melodies and Looney Tunes fame) decided to have a new story fashioned around the original film's truly spectacular action footage. This was a bad mistake. Not only is the new plot weak, but it's full of holes, inconsistencies and downright stupidities. The whole business with the box — what did they need a big empty box for, in the first place? — is a good example of the writer's haphazard approach. At first it seems the box is fairly solid, but later on it's revealed there's a hole in the side big enough for the girl to put her hand through. The heroine's actions throughout are almost totally unbelievable, but the hero's are only marginally more convincing, mostly because he is called upon to react to, rather than initiate events. His reaction times are stupendously slow. From the very first scene with the telegraph message from Jonesy, it takes a considerable time for the import of the message to sink into his thick skull. It seems to go against the whole canon of "B"-western lore to infer the hero is slow-witted, but this suggestion of brawn with no brains is confirmed in his very first encounter with the heroine in which he displays a similar, singular lack of even basic mental acuity. His immaturity is then further demonstrated by his complete change of attitude towards the girl. No wonder John Wayne constantly looks uncomfortable, hesitant, even confused! The support players are of even less help. McHugh and Harlan are both over-zealous bores whose comic cut-ups provide little genuine amusement. Albert J. Smith does what he can with the heavy but is stymied by a script that provides him with virtually no motivation. Canutt plays the Indian in a totally clichéd manner.Wright's slack, slow direction is compounded by the cutting in of obviously silent-speed material. Along with McCord's deliberately flat photography (to tone in with the copious Red Raiders action directed by Albert Rogell), these technical credits lend the movie the air of a musty if awesomely spectacular museum piece. Wayne's efforts to regain his "A" standing certainly took a backward jolt with this entry.

The opening credits proclaim this film a Four Star Western, but in actuality it was a Warner Brothers unit that John Wayne made six movies for in 1932/1933 before moving on to B Studio Lone Star Productions. These pictures aren't easy to come by so it was a pleasant surprise to catch it the other day on the Encore Western Channel, just recently revamped with new logos and screen graphics.The biggest kick I got out of this picture had to do with the captioning, and I have the feeling that someone at the service might have had some larceny in their heart when they worked the scene when bad guy Gus Lynch (Albert J. Smith) confronts John Trent (John Wayne) and his sidekick Tippy (Frank McHugh) for the first time at Zeke Keller's Trading Post. Lynch pinches Tippy's nose hard and puts him down to the ground before going after Trent. When Tippy gets up, he says what sounded to me like, "He got my nose". However the captioning had "This f...in' nose" and it caught me off guard so completely that I replayed the scene four times to see if I had it right (I had the picture DVR'd). My immediate thought was that the captioner might have been inspired by a scene in both versions of "The Longest Yard". Anyway, chances are this goof, if it was a goof, will be corrected soon enough, but folks, believe me when I tell you, it was there! Well with that out of the way, let's get to the story. I was somewhat surprised to see Frank McHugh in the picture as John Wayne's sidekick. Generally he'll show up in more than a handful of Jimmy Cagney flicks, which brings up an interesting trivia note. In Cagney's "Footlight Parade", also released in 1933, his character watches this film as a theater marquee announces "Silent Pictures are Finished". As one would expect, McHugh's Corporal Tippy provides the picture's comic relief, a running gag of his having to do with the gals he left behind stretching all the way from Topeka to Nogales and several points in between.As in most of John Wayne's early Westerns there's a pretty gal on hand. In this case it's Marceline Day as Alice Keller, who concocts a story about being engaged to Wayne's character based on a picture she sees of him, in order to thwart a marriage proposal from bad guy Lynch. The story line has some fun with the misunderstanding, particularly with Corporal Tippy's grievance over his buddy having a secret girlfriend. This all plays out to a conclusion that would happen again and again with Wayne's early Westerns, in as much he closes out the picture giving his gal a kiss.The action scenes in the film consist mostly of an Indian attack instigated by Lynch who's in cahoots with Indian White Wolf (Yakima Canutt). With Trent attempting to complete a telegraph line in the territory, Lynch incites White Wolf with the idea that a completed line will bring in more settlers who will kill off the Indians. In reality, Lynch means to preserve his strangle hold on commerce in the area by disrupting any competing supply sources while gouging settlers with his prices.Before closing I really need to mention Wayne's horse. In this, as in all six of his Warner pictures, Wayne rode a light colored horse listed in the opening credits as 'Duke'. Duke was quite resourceful during the Indian attack, lining himself up to dispatch a couple of renegades through a tent while protecting Miss Alice. Earlier he had some comical scenes with Tippy as well. I'd really like to catch a few more of these Warner Westerns starring Wayne, because in the only other one I've seen, "Haunted Gold", Duke had even more screen time going to bat for the film's hero. Catch that one if you can along with "The Telegraph Trail".

At this point in his career John Wayne was doing B films for Warner Brothers and it was decided to give him a smart horse like Roy Rogers's Trigger. And what do they name the horse? Duke. That's something Wayne must have had a hand in.Here John Wayne is an army scout and he gets Frank McHugh as an army corporal/telegrapher as sidekick. When a good friend of their's is killed while sending a message for help by wire during an Indian attack, these two are sent to take personal charge of the construction of the last leg of the telegraph.There's a nasty villain played by Frank Hagney who runs a shipping outfit and with his Indian friends wants to keep the telegraph out. How the telegraph would affect his business is never quite made clear, but this is a B western so plot holes back then were a pretty common occurrence.Wayne and McHugh are very effective together, too bad they never got to work together again. For those who've never seen the entire film, the last minute of The Telegraph Trail are seen in Footlight Parade in a scene where James Cagney is in a movie theater observing his competition as he's a director of stage musicals. Ironically enough Frank McHugh is also in the cast of Footlight Parade which makes one wonder how the Warner Brothers slipped up there.By the way, for the only time I can recall in any of his films, John Wayne sports a two gun holster. Butts reversed in the manner of Wild Bill Elliott. If anyone can recall another film he did like that, I'll correct this review. I would recommend The Telegraph Trail for Wayne fans to see how well he and Frank McHugh connect. Another twist in his career and Frank McHugh could have had a grand career as western sidekicks.

This early John Wayne western has the frequently used plot of some baddies convincing indians that the white men are up to no good, in this case by building a telegraph line to connect the east and west. But I still had some fun watching it, mostly because of the comedy by both Frank McHugh and Otis Harlan. In their funniest scene, they get drunk while the indians are attacking and they are bleary-eyed enough to think one bullet fells as many as 8 indians. The scene itself, in the middle of a battle in which many are killed, indicates director Tenny Wright did not direct with a heavy hand; I sensed a light-hearted touch throughout, which was a welcome change from most of these westerns. I also laughed whenever some clichéd event occurred, such as the love interest, Marceline Day, overhearing the the baddies talking about the upcoming ambush and getting the information to Wayne. And Wayne's horse, Duke, enters the fight by kicking indians when he was in a tent and observes their silhouettes against the tent wall. No wonder he was billed second in the opening credits, but I still wondered how the other actors felt about being outbilled by a horse.