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People are voting emotionally.

Excellent, Without a doubt!!

Although it has its amusing moments, in eneral the plot does not convince.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Where do i start.. this is like the Expendables of gangster actors and a true gem. there's not many mob films that i do not own, after seeing Getting Gotti and Gotti this beats them both mainly because of the great cast and Tom Sizemores performance. from Frank Vincent to Frankie Vally this movie has them all. Sopranos, Goodfellas, Casino, Gotti, Godfather, Once upon a time in America yes this epic has them all, this is one of my favourite mob movies with good reason..It never gets tiresome its strictly gangster all the way, some great dialogue and visual shots. you just know they had lots of fun making this. Tuturro as Sammy Gravano is the best ever, very convincing and and a tough guy who means business. best line in the movie is "the next time you break a rule you go"....Big Paul Costallano

Boss of Bosses told us the story of Paul Castalano, Gotti profiled the Dapper Don, and finally Witness To The Mob is the story of mob enforcer, Sammy "The Bull" Gravano. Unlike the other two films, for some inexplicable reason, Witness To The Mob was made for network television. While the film turned out to be very accurate, it was also twice as long as the other two and lacked the typical violence associated with a mafia movie. Sammy Gravano was John Gotti's second in charge, an enforcer, who eventually turned states evidence and testified against the Mob. He was an interesting guy, but should his bio film really be longer and more in depth than that of John Gotti's? NYPD Blue's Nicholas Turturro stars and while his performance didn't blow me away, he wasn't nearly as bad as I thought he would be. The story is further given credibility by it's supporting cast, which is the same people you've seen in every mafia movie since the late 80s. There were actually seven members of the Sopranos cast, who had some type of part in this film. It's not surprising, as some guys just have the right look and do mafia type films almost exclusively. Witness To The Mob is very accurate and has the typical large cast associated with these films, but being over three hours long and made for TV, really hurts a film like this. You can make the case that the language and violence aren't really necessary to the story, but I really felt like it took a lot of credibility away from the film. How believable is a gangster that constantly says "freaking?" It was interesting to see things from The Bull's point of view, but the producers of this film really should have held out for a cable or direct to video deal, in order to make this type of film what it should be, raw and emotional.

This movie is tragically miscasted. And though many reviewers claim that this movie is closer to the truth than HBO's Gotti was, it is inferior in every way.It all starts with Turturro. Someone here claims he looks the part of Gravano, but that just ain't true. He's far too dark skinned, and though he has Italian ancestors he has always looked more Mexican to me. It also has to do with his role in NYPD Blue. Turturro doesn't play the part of a made mafia man. He always looks timid, shy and a bit anxious (same for his role in NYPD Blue). The supporting cast is full with the usual suspects you see in mafia films, and most have got their known roles in the Sopranos. But that also makes it a problem, a supporting cast that clearly overshadows the lead role just doesn't work. I don't know about Tom Sizemore, I love the actor, and he does a decent job. But Assante was better, he really embodied Gotti.It all doesn't work. And the story may be closer to the truth. But remember that 'truth' is a strange concept in this context. The truth is based on a single testimony and some investigative work. In my opinion movie makers have some freedom in interpreting such truths for their work. HBO's Gotti just works much better.

All in all Witness to the Mob is superior to the HBO fairy tale called Gotti - but the former fails at what the latter did right: the portrayal of Sammy Gravano. Strangely, it seems that most filmmakers think they need a hero or at least a resemblance thereof. In HBO's Gotti it was Gotti, a charismatic, smart leader with comprehensible morals, whose downfall was the egoism of his underlings. In WttM, Sammy the Bull is portrayed as a misunderstood, dutiful voice of reason and overall goody two-shoes. Both portrayals are as far from the truth as it gets.WttM shows Gotti the way he was: an egomaniacal braggart with delusions of grandeur. (I am at a loss as to how some folks can criticize Sizemore's take on Gotti which unlike Assante's is very close to the original.) A blend of these two movies would yield *the* authoritative adaptation of the subject. In direct comparison, though, WttM takes less liberties with the story, which is why I vastly prefer it over HBO's version.On its own WttM is a very enjoyable LCN movie - even more so for those who are interested in the subject, provided they can generously overlook the factual inaccuracies.