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So much average

Good concept, poorly executed.

Absolutely the worst movie.

In truth, there is barely enough story here to make a film.

I had no idea a Broadway version of Victor Victoria existed until I just happened to see it on a shelf at our local video rental store. Having seen the film version in 1982 and being a fan of Julie Andrews, I couldn't wait to get home to view it. Jule Andrews did a remarkable job, tirelessly going through 2 long acts, and at the age of 60! Even her dancing seems improved over the years. I loved her pre-curtain and intermission talks too. I felt I was right there in a front row. At first I thought Tony Roberts would not be as good as Robert Preston in the film version, but he came through with a lovable portrayal of Toddy, the gay drag queen. In the film, Preston did a spoof of Le Jazz Hot near the end that I thought was a bit over the top, in horrible drag and also appeared exhausted. Sadly he died not long after, a great loss. Blake Edwards so improved on this scene by having both Victoria and Toddy appear together in gorgeous gowns. Costumes and scenery were remarkable and the late Henry Mancini music, especially Crazy World, is so memorable and can bring tears to the eyes. All the rest of the cast including some great dancing and choreography have left a marvelous record of this performance. Thanks to them for a wonderful evening of viewing.

When I first heard that Victor/Victoria was going to be made into a B'way musical I was a bit skeptical. Nevertheless, I still had to see this production, and later purchased the DVD (the Play itself is videotaped). In Victor/Victoria Andrews looks and sounds great, this is a role that was made for her. Julie, ever lovely, if a bit long in the tooth, shines, but pretty Rachel York as Norma is AMAZING. I fell in love with her immediately (check her out in Kiss Me Kate) not only can she act, but sings beautifully. Nouri no stranger to the musical stage, himself, does quite well and cuts a dashing figure as King. Although, I was never a fan of Tony Roberts, I was very impressed by him--he was perfect as Toddy, I am now a fan. Although the plot line sticks to the movie, there are many differences, some surprises and updates which is logical given the 13 years since the film. 1982's Victor/Victoria is a nearly perfect film and I think Broadway's Victor/Victoria--the Musical is a great accompaniment. I don't think fans would want to miss this.

What a great movie! I enjoyed the made for the movies version, but this one, a taped Broadway show, is even better. Julie is spectacular - she shows off that incredible voice, dances wonderfully, and becomes her character so you believe what she's feeling. The rest of the cast is wonderful as well, particularly the adorable Tony Roberts as Toddy. Tony is hilarious and owns that character to a tee. I loved Michael Nouri as King Marchand - he's a very handsome man with a very nice singing voice. Finally, Rachel York as Norma Cassidy is delightfully wicked and funny with her "bleached blonde road scholar" grammar mistakes ("Out of my way, pheasant!" "You think, you worry, worry, think... before you know it, you are impudent!")The entire show is put together excellently with beautiful costumes and sets and a terrific display of talent. A must-see!

Devotees of musical theatre history in general and Julie Andrews in particular will appreciate this complete filming of Andrew's "final" vocal role in 1995's "Victor/Victoria."Here is an opportunity to see one of the world's most talented best loved performers in what may well be her last singing performance in a theatrical role. Vocal problems incurred during the run of this Broadway production ended a fabulous career for this legendary musical comedy artist.Recreating a role done thirteen years earlier on film-- both written and directed by Andrew's husband, Blake Edwards--Andrews excels in the part through her sheer "star power." While one may be aware of clever "cover-up techniques" to mask or relieve her vocal instrument, one never tires of the indomitable Andrews spunk and spirit as she sails through this challengingly campy role to great success.Several cameras are employed to provide movement and variety in the filming of this production before a live audience. Still, the limitations are built into the enterprise from the start, and this "Victor/Victoria" becomes more of a connoisseur's than general public's treasure.Andrews fans and other special interest viewers will greatly appreciate this opportunity to see and own this now historic performance and theatre piece perserved on video for library and private collectors' archives.