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Good movie, but best of all time? Hardly . . .

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

After seeing "Paradise Now", I was interested to see another depiction of the life and motivation of a suicide bomber. "The War Within" was certainly a great dramatization of such a person. Hassan is "renditioned" and tortured, providing him with a target for his hate. He is fueled by religious fanaticism that surprises his friends and fellow Muslims. Firdous Bamji plays, in my opinion, the best role in the film, that of Sayeed. He is surprised at how his best friend could become such a "pious" and fanatic character, and tries and fails to convince Hassan that America has done some good for him and that he has integrated well into the West.The love story could have been expanded, but only for the purpose of showing how Hassan has repressed every emotion except hate. I also thought Sayeed's fate did not ring true, as it seems to me the screenwriters decided to have what happens to him happen only to further their point that the cycle of detention and terror will continue. I do not believe that, in reality, what happened to Sayeed would happen.Overall, an interesting dramatization of what motivates a suicide bomber, and also of Muslim-American life.

"The War Within" (2005) is "The Battle of Algiers" (1965) for our time. Like that earlier masterwork of political film making, this movie is surely being viewed in the classrooms of our military's war colleges... for all the wrong reasons.In this low budget movie, the neophyte film makers have presented a story that has no wasted moves. It is at once as exquisitely well crafted - and as accessible - as a Robert Frost poem.Aside from those who harbor their own fundamentalist racist ideology - that might think the only good Muslim is a dead one - those who have criticized this movie generally fall into two categories: people who can't appreciate anything shorter in exposition than a 24 hour miniseries; and people without imagination, who require - or desire - lengthy, explicit depictions of torture, like that of "The Passion of Christ" (2004), in order for them to grasp how years of such abuse might affect a person's psyche.Buy this movie! Show it to those you know, who are yet unable to understand that torture is immoral, and an unacceptable policy. Perhaps, in viewing this, they may at least come to a realization that the disappearing of people, and the torture of "suspects" is an ignorant, stupid and counterproductive policy - that is, assuming your government's intent is to reduce terrorism, rather than cultivate it.

Despite copious data that would indicate otherwise, suicide terrorism and fundamentalist Islam are inextricably linked in the public mind. It's more comfortable to imagine villains to be driven to such an act by an extremist ideology, perhaps compounded by personal or psychological problems, than to imagine them as having tangible goals one could possibly relate to. If suicide terrorists are not religious extremists then one would have to start looking for what else could prompt such behavior. In states that are victims of suicide terrorism, the answers to those questions are quite often troubling as it is normally the case that it was some act, or acts, perpetrated by the victim state that triggered the bombing or bombings (Explanation being different from justification, etc.). In Joseph Castelo's new The War Within, the would-be bomber is a combination of the two narratives.A recipe of equal parts fundamentalist indoctrination and victimization by American foreign policy have created Hassan (an excellent Ayad Akhtar, who shares screenplay credits as well). The film opens with Hassan in Paris' Latin Quarter. He's abducted by American agents and taken to Pakistan for "questioning". There he's subjected to continuing sessions of torture that break the man he was before. His sole source of strength in prison is the support and care of fellow prisoner Khalid (Charles Daniel Sandoval), a member of "The Brotherhood", a group Hassan initially rejected. The story of Hassan's conversion from a secular, drinking, smoking, dancing mechanical engineer to a fanatically devout militant bombmaker is not fleshed out. It is more or less abandoned for the sake of catching up with Hassan a few years later though sufficient key details are parceled out in the occasional flashback.Three years later a free Hassan is smuggled into the United States where he unites with a clandestine terrorist cell headed by Khalid. Assuring Khalid that there is no likelihood of his being detected, Hassan goes to stay with Sayeed (Firdous Bamji), a friend from his youth. Sayeed, Farida (Sarita Choudhury) their son Ali (Varun Sriram) are well adjusted to American life. They're are a liberal, and largely secular bunch that do well to combine Pakistani and Muslim traditions with American pastimes as when having an Eid barbecue. Being lifelong friends Sayeed welcomes Hassan, who tells him that he's interviewing for jobs, back into his life.After initial plans for multiple, simultaneous bombings are thwarted by the FBI, Khalid and Hassan try to salvage something from their original plans. Adjusting their objectives means for a longer stay than Hassan originally intended. He returns to Sayeed and with his help finds a job as a taxi driver while waiting for an opportunity to carry out his mission. Hassan has some difficulty with Sayeed's lifestyle but his personal struggle grows with his reintroduction to Sayeed's sister Duri (Nandana Sen). Though finding some Western tendencies of hers to be dissuading, Hassan and Duri start to rekindle a mutual attraction that is hinted as having existed in their shared past in Pakistan. This new twist in his life, along with his lifetime friendship with Sayeed make Hassan begin to struggle with his mission. Hassan sees different aspects of American life that give him pause and challenge his beliefs, and his willingness to carry out what he sees as his duty.In what is probably intended to be a portrayal of a different side of Islam, Sayeed and Hassan are witness to a sermon at a mosque by an Imam who talks about jihad as "the struggle of everyday life." This is one of the few but important missteps the film takes. Though likely well-intentioned, portraying the real conflict between moderate and fundamentalist Islam sheds no light on one of the films primary subjects, terrorism. "What I do, I do for Allah," Hassan states, in one of many lines that obfuscate the causes of terrorism. Terrorism is a political tool, not a religious one. No matter how horrific, illegal and unjustifiable, each campaign of suicide terrorism has an explicit and stated political goal that needs to be addressed in one way or another. Castelo does a good job in showing that actions of the intended victim state were a causative factor but a great deal more time is spent on Hassan's religious conversion.When Sayeed, Hassan and a group of Sayeed's friends are discussing the United States their conversation reveals the disconnect often present in the parlay over American policy. Sayeed's thinks America is a pretty decent place though "things are not perfect here." This is not at all related to a friend's claim that, "This country is a greedy tyrant." They seem to be disagreeing but it's easy for them to both be correct because they are not talking about the same thing. Sayeed, in a somewhat contradictory position for his character, represents the self-centered point of view shared by many Americans. This is contrasted nicely with the strong condemnation the films gives of the policy of extraordinary rendition, where suspects are taken to third-party nations for interrogation by means not allowable under American law.Through sure handed-direction, solid pacing and a slew of solid performances, The War Within is a conspicuously imperfect, but still quite good film. Hopefully some of the ideas the film has might creep in to the public mind such as the message on a billboard in the background of a scene in Times Square, "Democracy is best taught by example, not by war."

It's too bad that more movies this intelligent and compelling are not made in the U.S. It's fantastic that this one was though, even though probably not nearly enough people will ever get to see it. I feel very fortunate to have had the privilege. Some excellent performances make the characters seem very real. The perspective of this film was really interesting, looking at what Hassan goes through inside along his path to extremism. You glimpse some of what it was changed him and it helps to understand his ideology, twisted as it is. It's frightening how it seems even given all the apparent tension in his mind, he is still totally committed to his plan, and you see how his religion fits into that. There's a lot to think about after watching this film. All in all, a superb movie about a very relevant topic to most everyone today.