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Blind Fury
A blind Vietnam vet, trained as a swordfighter, comes to America and helps to rescue the son of a fellow soldier.
Release : | 1990 |
Rating : | 6.3 |
Studio : | TriStar Pictures, Interscope Communications, Daniel Grodnik Productions, |
Crew : | Art Direction, Art Direction, |
Cast : | Rutger Hauer Terry O'Quinn Brandon Call Charles Cooper Noble Willingham |
Genre : | Action Thriller |
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Reviews
Simply Perfect
The acting is good, and the firecracker script has some excellent ideas.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
One of the worst ways to make a cult movie is to set out to make a cult movie.
"Blind Fury" is a solidly entertaining film certain to please action fans, as it attempted to do an American version of a Japanese Zatoichi film.Rutger Hauer is fantastic as Nick Parker, an average Joe nice guy blinded during his tour in Vietnam. He comes to Miami to look up his old comrade Frank Deveraux (Terry O'Quinn), only to have to deal with a variety of goons. It seems that Frank, a compulsive gambler, has gotten himself into a lot of trouble, and is now being forced by corrupt casino boss MacCready (Noble Willingham) to create designer drugs. So, in order to ensure Franks' cooperation, MacCready has dispatched a ton of goons to snatch Franks' young son Billy (Brandon Call) and then try to dispatch the blind swordsman in their way. Fortunately, Nick proves up to the challenge.He's not superhuman, but his instincts are good and his skills undeniable. He's also a pretty engaging guy who never takes himself too seriously; the viewer can hardly fail to notice that this film has a real sense of humour about itself.The action scenes are top notch. One is interestingly staged in a cornfield and the finale is great fun as it sees Nick do battle with an assassin played by martial arts legend Sho Kosugi, whose appearance is brief but welcome.The excellent cast also includes Meg Foster as Franks' ex-wife (she'd played enough blind roles herself during her career that it's a nice gag to have her play a sighted person here), Lisa Blount as Franks' new lady friend, the always amusing Randall "Tex" Cobb as a towering heavy whose gruesome demise is a hilarious highlight, and Nick Cassavetes and comedian Rick Overton as the comedy relief henchmen Lyle and Tector.Director Phillip Noyces' direction is efficient, and the pacing is superb, with the running time coming in at a very reasonable 87 minutes. One problem, though, is that the confrontation with the bad guys is just too rushed, and we never actually see what happens to one of them.Still, this is an agreeable diversion that does satisfy, keeping up a steady body count, and coming up with some entertaining violent gags, but never getting particularly bloody. Hauers' presence kicks it up another point.Eight out of 10.
there's lots of great action in this film starring Rutger Hauer.but there's also some great comic bits and some good one liners.some of the acting is over the top,deliberately,i believe.the film is very entertaining from start to finish.Sho Kosugi makes a brief appearance toward the end of the movie(in a small role),which was nice,but i wish he had a bigger role.Phillip Noyce(Salt,Clear and Present Danger,Patriot Games)directed the film.i thoroughly enjoyed every minute of it.this may be one of Rutger Hauer's best films.it's nice to see him playing a non villain role.obviously he's a very versatile actor.for me,Blind Fury is a 7/10
There is something about this movie. Almost magical in a way. There are a lot of things wrong with this movie. The supporting cast shows acting chops like a cord of wood. The premise is somewhat over the top. Except for a few sequences, the cinematography is hardly above 1980's TV Movie of the week level.But somehow, everything is blended together and it works. This movie has a heart and soul and it is extremely touching. Rutger Hauer is at the top of his game as the Blind American Ninja who is shoved into the role of protector of the young son of an Army buddy. In his role as Nick, Hauer wins you over with a mix of the heart and sensitivity he so aptly displayed in "Bladerunner." Even at his most slashing, slicing and dicing vicious moments, Nick is not a cold blooded killer, but a man who reacts instinctively to deadly situations.When you watch this movie and become engrossed in it, you keep asking yourself, "Why do I like it?" It is so much like other movies that basically chase you out of a theater, but then again it isn't.
Nick Parker (splendidly played by Rutger Hauer) gets left behind by his good buddy Frank Devereaux (the always fine Terry O'Quinn) during combat in Vietnam. Nick loses his eyesight in an explosion, but luckily is found by a bunch of nice villagers who teach him how to fight with a sword. Many years later Nick goes in search of Frank. He discovers that Frank has run afoul of evil Las Vegas mobsters led by crusty casino owner MacReady (a marvelously cantankerous Noble Willingham). Nick comes to Frank's rescue. Frank's bratty son Billy (an effectively obnoxious Brandon Call) tags along. Director Phillip Noyce, working from a bright and inspired script by Charles Robert Corner, maintains a brisk pace throughout, stages the stirring action scenes with rip-snorting aplomb, and spices up the proceedings with a wickedly funny line in quirky dark humor (the definite comic highlight occurs with a lengthy car chase in which Nick recklessly drives a van!). Moreover, there's excellent acting from a bang-up cast: Lisa Blount as Frank's sweet girlfriend Annie Winchester, Randall "Tex" Cobb as scruffy, brutish goon Slag, Meg Foster as Frank's estranged ex-wife Lynn, Charles Cooper as MacReady's affable business partner Cobb, and ace martial artist Sho Kosugi as a deadly, formidable hired assassin. Nick Cassavettes and Rick Overton are hilarious as dim-witted redneck flunkies Lyle and Tector Pike. Hauer makes for a very credible and engaging oddball hero. Both Don Burgess' sharp, polished cinematography and J. Peter Robinson's funky, syncopated score are up to snuff. Better still, we've even got a welcome and touching additional human element concerning friendship and forgiveness. A real treat.