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The Discreet Charm of the Bourgeoisie
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
Release : | 2022 |
Rating : | 7.8 |
Studio : | Greenwich Film Production, |
Crew : | Assistant Art Director, Assistant Production Design, |
Cast : | Fernando Rey Delphine Seyrig Paul Frankeur Stéphane Audran Bulle Ogier |
Genre : | Comedy |
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Rating: 8.4
Reviews
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
While it doesn't offer any answers, it both thrills and makes you think.
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Blistering performances.
Not only are the lives of the bourgeoisie characters in the film pointless and irrelevant, but the film itself is pointless and irrelevant. To have people astounded by the "brilliance" of the film and the "genius" of Bunuel is to me astounding in itself. While someone like Fellini can entrance, Bunuel might have well produced a film based on alcoholic, drug-addicted ne'er-do-wells that said nothing worthwhile or did nothing worthwhile. A disjointed, badly acted, phony presentation of a group of individuals that are worth nothing yet somehow cunning enough (in the film) to elevate themselves to positions of importance. I found myself asking "What is the point of this film?" and the answer kept coming up "There is no point and the whole production is absurd." Contrived and unrelated dream sequences that go nowhere. Actions by the actors that mean nothing and make no sense in any context. Perhaps because the majority of viewers are in the same category as the actors in the film, they can relate to it. I cannot. There is nothing worthwhile to be taken from this film. If one derives intellectual meaning from such as this, I feel sorry for them.My inner self insisted on adding the following: A knock came on the door of my subconscious. I opened it, and it was a vacuum cleaner salesman who pushed past me and sat down on my couch."Did you have an unhappy childhood?" he asked, and continued without pause: "I did. I used to have a recurring dream where I was walking down a road. Did you eat lunch? It is curious that it is not raining out, is it not?" He then proceeded to begin a one-sided conversation of mechanical engineering from a feminist perspective. Without stopping after he had finished his discourse, he began to relate the mystical aspects of flatulence. Midway through this conversation, he stopped to say "I'm sorry, I have to leave now. I have another appointment. Thank you for your order." And left, leaving the door open.
BEGIN RANT I'm writing this as the movie nears its end. Nothing is happening. Obviously nothing will happen. There have been 2-3 laughs and 1-2 scenes resembling a plot. And the 3 dull bourgeois chicks are bangable. I have literally nothing else to write after seeing this. Maybe this could be a precursor to Monty Python... but Python existed for a few years before this! Jesus the film still hasn't finished. I will soooo forget it, that in 10 years I will probably try to see it again, remembering half way that I already did. It could have been called "Dull people are dull", or "When do we eat?". Or "Boring people try to eat together". But it could be turned into a decent porn movie... END RANT Thank God, the end credits started rolling. I guess that watching any other film by Bunuel (haven't seen any other yet) could have been more interesting. Sorry for the rant :)
Another entry from Luis Bunuel, Discreet Charm is an overlapping story of a group of rich people trying to get together for dinner. The first attempt is made at a house where the owners explain that the party was scheduled for the next night, and so they travel to a restaurant, and are told by the staff that the manager has died, and they are waiting for the coroner, while they hold a vigil over the corpse; not to worry it gets stranger, as two days later one of the couples takes off to have sex in a garden. Next up, some of the women check out a tea house which has run out of all beverages, except for water. A bishop shows up wearing gardeners clothes and is thrown out. When he returns in his vestments, they kiss his ass, revealing their hypocrisy. The good man of the cloth tells his flock that his parents were poisoned, and the murderer never caught. He later visits a dying man, administering the Last Rites. Before shuffling off this mortal coil, the near dead guy reveals a terrible secret to the bishop, which leads to a shocking conclusion, unlike anything you have ever seen. Bunuel was a visionary filmmaker.
I'm just experiencing Bunuel for the first time. I am captivated. Having seen the darker Exterminating Angel first, I had a sense of what he is about. This is another surreal effort that puts upper class people in a situation where they seem to have free will, yet are at the whim of some outside force. Of course, there is always the possibility that the problems lie in their minds. Is it Freudian or Jungian or what? In this a group of wealthy people attempt to eat several meals and are cut off at the pass by several forces, not allowing a conclusion. They are also interesting characters. The women are snobbish and sensual, cold and calculating; one is a drunk. The men are involved in illegal activities and seem to pay a great price. Or do they? That's the issue. They seem to be saddled with guilt. Every so often, a non-sequitir comes along, stops whatever plot has developed, and another dinner is served. A young lieutenant tells the tale of a double murder of his parents and his vengeance. Soldiers appear at dinner. Police arrest them. They are unscathed. I can not tell you any more about what this means because I'm not even sure Bunuel can. It is a striking piece of work, full of humor, disease, and class warfare. Interesting.