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Simply A Masterpiece

It really made me laugh, but for some moments I was tearing up because I could relate so much.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

After that midcore movie X-men origins this was a huge step up from it all.The plot was good.The fight scenes are great.The acting was good.The CGI is Terrible.But the rest of it was good.My favourite bit is the opening scene and the fight scene but I did like that we never got to see Silver Samurai but his armor only.

Though the final confrontation does get a little silly (no doubt caused by studio interference), this small-scale story features some of the best action in the series, by using less wire-work and keeping it mostly practical, as well as a more realistic tone. Jackman also turns in what was perhaps his best work as the character up until this point. The story is appropriately tragic and was, at the time of its release, arguably the closest the character came to being 'comic accurate' on the big-screen, sans yellow suit (aside from its deleted scene, of course.) You can really see what they were going for here and when it works, it really works. The 'Unleashed Extended Edition' on Blu-Ray adds a lot to the experience, with additional blood and violence bringing the violence closer to the original intent. It does feel like a lite version of 'Logan (2017)', but in no way reaches the quality of that, while still being tethered to the studio's idea of what a commercially viable 'X-men' film 'should' be. It's an entertaining and interesting film, all the way until it's rather clunky and disappointing finale, but it still remains leagues better than the eponymous hero's first solo outing and is, I think, a little underrated. 8/10

While this movie had a good idea and was lined up well as a stage for the third insert of the trilogy, this movie was a tough long 2 hours of filler and slow plot development with irrelevant characters and little to no consistent action. There are many bad things about this movie, but I believe the worst was all of the Japanese spoken did not have subtitles on the version I watched. Maybe I would have enjoyed the movie if there were subtitles, however, I did not have them. All in all, I would try and watch this movie again, with a different version of the movie . It is important to see for the whole trilogy, and does have some meaning developments for Logan.

With her son having the same first name,I decided that I would get Logan on disc the day it came out for a friend. Talking to another pal a few days earlier,I got told that the previous Wolverine title was actually very good,which led to me joining Wolverine in Japan.The plot:Living a secluded life after the death of Jean Grey,Logan/Wolverine is pulled out of the wilderness by fellow mutant Yukio. Told by Ichirō (a major CEO) about how Logan saved in during the Nagasaki,Yukio gets Logan to come to Japan,in order for the dying Ichirō to give his regards. Expecting to be thanked,Logan is instead asked by Ichirō to give him his mutant powers,so that Ichirō can live forever. Turning it down,Wolverine discovers Ichirō's claws in the Yakuza.View on the film:Taking over after Gavin Hood's X-Men Origins: Wolverine, director James Mangold & cinematographer Ross Emery give Wolverine a new mutated shot of energy. Filming on the streets of Japan "gorilla" style, Mangold and Rmery give the fight scenes a frantic grit,as slick CGI is smoothly blended with criss-crossing gun battles and lively Kung-Fu. Clawing away at the Japanese underworld, Mangold paints the burning red comic book panels with fresh watercolour blues and neon yellows making Logan's bloody claw attacks pop.Inspired by Chris Claremont and Frank Miller's "Ronin" run of Logan comics,the screenplay by Mark Bomback and Scott Frank (with uncredited Christopher McQuarrie) wonderfully slice wandering anthology elements for a lean samurai tale that goes into what makes superhero Logan a tormented loner. Whilst ending with the traditional "big boss" comic-book final battle,the writers do take a different path to the fight with a corporate Thriller focus,which thrillingly unleashes Wolverine into the Yakuza underworld and Ichirō's complicated family life. Working with Mangold for the second of three times, Hugh Jackman gives an excellent performance as Wolverine,who is given a gravitas of a lone warrior by Jackman,which burns as the claws of the Wolverine appear.