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A brilliant film that helped define a genre

It really made me laugh, but for some moments I was tearing up because I could relate so much.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Exactly the movie you think it is, but not the movie you want it to be.

This film was shown on British television yesterday and aware of the controversial initial screenings some sixty years ago I decided to give it a whirl. I found a delightful sophisticated romantic comedy with elements of other works - Holden himself would vie with an older man (Bogie) in Billy Wilder's Sabrina Fair the very next year - a film that was also based on a Broadway play - for the affections of a delightful ingenue (in that case, Audrey Hepburn, who several people on this very site have mentioned in the same breath as McNamara, and in a later Wilder film, The Apartment there's a scene where a relative - in that case a brother, here, a father - walks into a room and sees something he misconstrues and socks the innocent protagonist. Light as a soufflé, reeking of sophistication, this is a definite charmer.

THE MOON IS BLUE is a comedy based on a stage play about the kooky happenings one evening when a playboy bachelor brings an innocent young woman back to his apartment for dinner.This racy comedy never earned a Production Code certification. It was very controversial in the 1950s for its frankness about sex and its use of taboo words like "virgin", "mistress", and "pregnant". It's nothing outrageous by modern-day standards, but it is noticeably up-front for '50s Hollywood.The hijinks involves four characters: an architect bachelor (William Holden), a frank young woman (Maggie McNamara), the witty upstairs neighbor (David Niven), and his daughter, the architect's jilted ex (Dawn Addams). Both men find themselves strangely attracted to the girl, who bewilders them with her bluntness and honesty. The night is filled with misunderstandings and screwy surprises. It's a fun film, though stagey.William Holden and David Niven bring A-list talent to the production, and neither disappoints. It's actually pretty cool to see their different styles on display in the same scene. The ever-smooth Holden, with his rain coat and masculine virility, and the delightfully witty Niven, with his proper grammar and trimmed mustache.David Niven is by far my favorite thing about this movie. He is hilarious in his role as the ineffectual father of Holden's quasi-psychotic ex-girlfriend. He comes downstairs to Holden's apartment because his daughter has told him that Holden had "done her wrong". Holden defends himself, explaining that she'd spent the night in his bedroom while he slept on the couch. Niven ponders the situation and decides that maybe that *was* how Holden had "wronged" her. ("A very humiliating experience. I probably should beat you up anyway.") His comedic reactions throughout the film are great. Never far from a cocktail and never at a loss for an eloquent witticism, Niven's at the top of his game here.I saw this rare film on TCM and the print was pretty poor. Aside from the dirty image quality, there were several abrupt cuts (missing frames/footage?) and even inconsistent audio levels. I guess this film wasn't taken very good care of over the decades. Still, the print is certainly watchable and the movie is an interesting piece of Hollywood history. And there are some real laughs, too.

"The Moon is Blue" was denied a Production Code seal and the refusal was upheld upon appeal to the board of the Motion Picture Association, primarily because the character played by Maggie McNamara announced that she was a Virgin and intended to remain one until she was married. The words virgin and seduction were used frequently in this film that was mainly a comedy about being occupied or pre-occupied with sex and,for those reasons it was denied approval, and it was released and shown minus approval. It wasn't the first film to be denied a Production Code seal, but it was the one that led to the ultimate demise of the power of the Hays Office, the Legion of Decency and various local blue-nose censor boards to determine what could not be said or done on screen.

I've only seen the English version of "The Moon is Blue". I usually don't like Otto Preminger's films, but this one I simply adore. It's one of my favorite comedies. The performances are very good. All the actors have a great sense of timing. I believe it is a film one shouldn't miss. In the beginning it may seem like a silly, strange story, but it's really very funny.