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Overrated and overhyped

As Good As It Gets

It's entirely possible that sending the audience out feeling lousy was intentional

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a movie with a history that is bound to bring out her fans or call out the hounds.Pia Zadora is very beautiful and sensual in the role of Katy, a young woman in need of a man that loves and cares for her. Having grown up without a father and having been hustled by men who used her for their pleasure, she is seeking a strong male figure. After returning home to her real father, she becomes confused about the different boundaries that society has established for the love between a girl and her father, and the love between a woman and her lover, and thus intertwines the two. Pia Zadora turns in a convincing performance. She's at ease before the camera, is always expressive, and acts and delivers lines as well as most. Stacy Keach is equally convincing in his roll. And Orson Wells? Well, after all, he is Orson Wells.The plot was good and moved along steadily. It has a really interesting ironic twist near the end that is sure to take you by surprise, and leads directly to the odd and convoluted climax of this film.After the claimed shenanigans involving Pia Zadora's winning an award for her part in this film, it seems to me that many reviewers were outraged at the thought of such a dirty deed as buying the award, (if that's even what happened). It looks like to me that buying an award proves to them you're no good as an actress? One couldn't possibly buy an award and deserve it too, could they? Perhaps because they took those accusations as truth, their own sentiments kept some critics from ever giving Pia an honest look. And frankly, it seems to me that the same negativity from critics has followed her all the way to the present as reviewers still love to pile on Ms. Zadora who is a talented and beautiful lady. That's exactly what I suspect after I watch this film and then read what others have to say. I think they are really wrong about this film, and about Pia. It is a film that is surely worth watching and would be much more widely acclaimed were it not for reviewers who either can't or won't be objective. If you're even a little interested in "Butterfly", I say you owe it to yourself to watch this film and make your on decision about the merits of the story, the acting and the whole package. It is well worth your time.Now for the answer to the title question, What's really wrong with "Butterfly"? Of course, nothing is wrong with "Butterfly".

Is it Citizen Kane? No, but it does also feature a wonderful performance from Orson Welles. That and a beautiful song sung by star Pia Zadora over the end credits. Admittedly the film drags a bit, and features a somewhat implausible storyline. It's definitely not for all audiences because of those elements.Nevertheless, Matt Cimber created a thoroughly interesting and entertaining film in 'Butterfly'. It's certainly worth at least one viewing, if anything simply for the credits song "It's Wrong For Me To Love You" and Welles' delightfully over-the-top turn as Judge Rauch. Ennio Morricone's haunting musical score also complements the intrigue of the film's events quite nicely.

Is this film ever going to get a DVD release? Even a cheap, quick release? A film this bad deserves to see the light of day, so aspiring film students can watch this and learn what not to do. Like, say, the creepy "Oh, I'll wash my daughter's back while she's taking a bath" scene. I haven't been able to find this movie at any used VHS store; it's time to put this legendarily bad film to DVD. If for no other reason then to see Welles in the sunset of his career and Ed McMahon actually acting, instead of being Johnny's sidekick or giving people massive checks for Publisher's Clearinghouse. And Pia Zadora, Thespian. Come on Criterion Collection, your public duty to unearth this wretched gem for a whole new generation to explore awaits you!

This is a movie that would have been good as the "B" film at the drive-in. You could tell from the beginning that it was a movie made for television. I worked extra on the set, and Orson Welles had a bottle of wine behind his podium as he did his judge shtick. He drank so much he would forget his lines, and he abused the cue card holders something fierce. After awhile, we ungrateful extras were yelling, "He will drink all wine before its time!" Cruel, but we were frustrated. Stacy Keach was a consummate professional, however. He acted as though the movie was "Citizen Kane." I have had great respect for him ever since.