Watch Auntie Mame For Free

Yawn. Poorly Filmed Snooze Fest.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

While it doesn't offer any answers, it both thrills and makes you think.

Auntie MameEccentric family members are usually less so once they've taken their meds.However, no pill could quell the verve of the outlandish aunt in this comedy.Sent to live with his free-spirited Auntie Mame (Rosalind Russell) in Manhattan when his father dies, Patrick (Jan Handzlik, Roger Smith) is exposed to her lavish parties and eclectic friends.But the trustee to Patrick's inheritance (Fred Clark) insists he go to boarding school, only visiting on holidays.One Christmas Mame meets a millionaire at Macy's and is whisked off around the world, when she returns she's troubled to find a fully-grown Patrick is engaged to a vapid debutante.The 1958 film adaptation of the book that also inspired the musical Mame, this somewhat seasonal gem forgoes the Broadway ditties in lieu of a life-affirming performance from the voguish Russell. Incidentally, boarding school will turn you gay faster than any flamboyant aunt ever could.Green Lightvidiotreviews.blogspot.ca

Auntie Mame (1958) is a triumph of American cinema and a personal favorite. With its wit and charm, it will no doubt win your favor and succeed in touching your heart. At its core, it is a story about family and love. It tells us that family – despite the traditional conception – is not so much about blood as it is about unconditional love.Rosalind Russell is absolutely marvelous in her portrayal of this legendary literary, Broadway and Hollywood heroine! She brings such passion to the screen, capturing that joie de vivre that is so characteristically Mame. She is positively hysterical, and as Diana Vreeland would have put it, she really brings "pizazz!"Russell is without a doubt the star of this film, as she carries the whole thing, however, the performances of Coral Browne, as Vera Charles and Peggy Cass, as Agnes Gooch are priceless. A true comedian is fabulous on his or her own, but there's just something about a comedy duo that is incomparable. The chemistry between Russell and Browne and consequently, Mame and Vera is phenomenal, a true gem in the history comedic achievements! The bedroom scene is, to me, one of the funniest moments in cinematic history; I've seen the film countless times, yet I still laugh as hardily as I did the first time I saw it.Though some may write off Auntie Mame as another campy 50's comedy, it is most certainly not that. It is a special film of many dimensions, and it is as touching as it is funny. I can think of few films that have made me cry in all the three ways, from overwhelming laughter, joy and empathetic sorrow. Perhaps Auntie Mame will not provoke such a response from all its viewers, but I guarantee that it will unexpectedly warm the hearts of everyone who sees it. It is a delight that everyone should experience at least once, perhaps more. It's a largely forgotten treasure that uplifts and still stands the test of time. It belongs to that glorious breed of film that has no targeted, niche audience and that is appealing to all. P.S. For anyone considering becoming a parent, you must watch this film; it will surely inspire you!

"Ten-year old orphan Patrick Dennis has come to live with his nearest relative, and in the high times ahead, he's not going to believe his luck. Nor will you, because Patrick's relation is played by one of Hollywood's greatest dames. Reprising her Broadway triumph, Rosalind Russell won her fourth 'Oscar' nomination and third 'Golden Globe' award as the marvelous madcap who lives life to the hilt. 'Auntie Mame' brings to bubbly life the mayhem Mame and her cronies create while guiding Patrick's fortunes. 'Life is a banquet,' Mame says, 'and most poor suckers are starving to death!' With wit, style and a seasoned cast to dish humor and heart with gusto, 'Auntie Mame' is a full course meal of entertainment magic," according to the DVD sleeve description...It's difficult to believe the play was this long... but, an intermission and the change to see Ms. Russell perform the role live world have more than made up for the duration. Energetically recreating her stage hit, Russell is the best thing about this film. This ended up being her most critically acclaimed role, with the award notices above bolstered by "Film Daily" (where Russell placed second) and the "New York Film Critics" (she was ninth). The former organization's "Supporting Actress" winner Peggy Cass (as Agnes Gooch) enlivens the film's second half considerably. In what may be perhaps her best role, Ms. Cass is hilarious. She lived, with her noisy dog, next to a friend of mine on the east side of Manhattan, and did not like us blasting loud rock music... ******** Auntie Mame (12/27/58) Morton DaCosta ~ Rosalind Russell, Coral Browne, Peggy Cass, Forrest Tucker

Auntie Mame (1958)Rosalind Russell is a marvel, and she rules the ship here, thankfully. As a movie, overall, it hasn't worn well. The humor (and it is a comedy above all) is a product of some uptight 1950s Hollywood stuffiness, and the filming (the photography and editing both) are stiff. The movie is filled with rich color, and is sharp as a tack (it uses the superior Technirama lens and camera equipment, as well as newer one-part Technicolor color), but this is hardly compensation for a really dull product.Worst of all, I think, is the story. It attempts to spice up things (mainly, at first, by exposing a child to adult humor, which doesn't totally slip past him) before the Hays Code fell away. It has a kind of "How to Marry a Millionaire" or "Pillow Talk" kind of obvious, forced story line, and if you love those movies, you might truly enjoy this one. But even if you do, you might find that many of the jokes are old, even for 1958. There really are portions, in small spurts, that are touching, or even (I do admit) funny, and some of the music is so period and scintillating, it works. Above and beyond all complaints, I find, popping back and forth through it again (and avoiding the "story" per se), the set designs are really about as good as it gets. Scenes are color coordinated with exquisite perfection, like the department store scene (the one with the Tinker Toys) where it's all grey and red. Great stuff. And the modern apartment with the rising and falling benches (you'll see) is amazing 1950s stuff, pure Moderne. Love it.But that doesn't mean you'll love the movie. Go prepared.