Watch Wolfhound of the Grey Dog Clan For Free

Save your money for something good and enjoyable

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Pretty good movie overall. First half was nothing special but it got better as it went along.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

I saw this in the 2008 Fantasia Festival and have just found it on DVD (yah!) I wouldn't call this high art by any stretch of the imagination but I really enjoyed myself. There was a lot of effort put into the making of this movie, and it shows. Among other things, the world seems lived in, which is a nice touch, even if many of the establishing CG visuals were over-amped à la Peter Jackson.Unfortunately, the editing seemed a bit slipshod as there seems to be a scene or two missing. Just before the scene near the swamp a warrior-maiden(?) is suddenly part of the caravan with no explanation. I suspect that the scene introducing her was cut for time or some such reason.However, this movie is ultimately about the titular hero being a bad-ass warrior rather than clever plotting, or careful film work. High art, it ain't but if you want a hacking good time, kick your boots off and enjoy this.Also, the landscape is fantastic. Part of me wants to go visit the area it was filmed in.

Russian made fantasy film concerning Wolfhound who seeks to get revenge on the people who killed his family and his tribe and threw him into slavery. He ends up meeting a princess and...well thats the story.I don't know if this is a great film, I really don't care, Frankly the film grabbed on an emotional level and took me back to the place I go when I read good swords and sorcery novels. From the point where we see Wolfhound and his bat, I was hooked. More so once he started his solo assault on the castle that is the first great (yes great) set piece of the film. No one is making films like this any more...or maybe ever. This film has the high adventure of old Hollywood fantasy films but mixes it with a sense of reality and gravitas that is missing in pretty much every sword and sorcery fantasy movie. As much fun as the earlier films were they always had a sense of dress up. In most cases we were not in these mythical kingdoms, we were on sets. Lord of the Rings came along and blew that all to hell. Now everything feels unreal...or did until this film came along.Set in a time when "the gods still walked among men" the film has the feel of a rural Russia. We are in these places, the towns, the forests, the castles and the temples. These are real places. The characters seem real as well. To be certain they are not real people but the fantasy equivalent, but they still feel as though they belong in the world they inhabit. This is a world where magic works and for most of the film its kept to a minimum so that the magic we see is special (indeed the film is reasonably free of CGI which only really shows up for the final show down between the various factions, and while the CGI at the end isn't LOTR perfect, it gets the job done).The story, based in some form on a novel or novels, is nicely dense. The film doesn't breeze along mindlessly, it is heading in a certain direction and it takes its time going where its going so that layers and characters are built up. Many minor characters are given enough of a presence so that when you meet them later in the film, or see them in the background you have a sense that the character is some one other than soldier number 2. If there is a flaw it is perhaps an odd side trip to a river community. While it allows for some information to be brought in to the plot it isn't wholly necessary (perhaps what happens there will have effects in the promised sequels).Also helping things is a dynamite score which is often hauntingly beautiful. I may have to try and track down a cd if one exists. The music is often married to some very beautiful sequences to stunning effect, I'm particularly thinking of the song of the prisoner who changed his fate and the sequence when the princess heads off to meet her bridegroom the latter is a beautiful sequence that is cross cut with the bad guys getting ready to attack.I love the film. I can't speak rationally about it since even though its flawed (the opening sequence where the villains attack and kill Wolfhound's family is clichéd and has some really bad wigs) I fell under its spell. Its a grand adventure film of the highest order. Its the sort of film they don't make any more- or never really did.You'll forgive me I want to go into great detail about the film but I think it would be better if you just saw it for yourself. Its wonderful.

I was amazed by the quality of his film. Acting is better than regular, CGI is right in your face. But the big difference with US pictures is that the narration here clearly has elements of Russian Folk Traditions, something that really adds to the usual fantasy/action films. Many subplots fuel the story and help establishing a singular environment that has an identity of its own. Costumes and sets also display a 1st class quality know-how. The Film was made for 20M US$ and earned more than that at the domestic Box Office in just 3 weeks of exploitation. Something that shows that Russian Audiences are clearly eager to see local productions. Definitely a must see, at least for curiosity!

Russia's first proper foray into Tolkeinesque fantasy cinema, WOLFHOUND, based on the first novel of a tetralogy by Maria Semyonova about a last-of-his-tribe mighty warrior, is a mixed bag – on the one hand, it is formulaic, derivative and uneven in terms of acting and pacing; on the other, there is enough novelty in the film's distinctly Slavic demeanor, philosophical subtext and production design to make it play well internationally as a crossover curio.WOLFHOUND opens with the back-story of the main character, a mighty warrior from the Grey Hound tribe named Wolfhound (Bukharov). While still only a child, Wolfhound's family is killed by marauders led by the evil priest Zhadoba and his henchman the Man-Eater (Domogarov). Zhadoba steals a sword forged by Wolfhound's father and has Wolfhound enslaved. The boy grows up dreaming of revenge.Zhadoba is priest of Morana, a malevolent goddess that has been imprisoned by spell cast by the rulers of Galirad, one of whom, Princess Helen (Akinshina) is betrothed to the Man-Eater's son Vinitar (Bely) in an effort to keep the peace. Zhadoba is trying to free Morana to wreak havoc upon the world and subsequently dominate. He hopes to accomplish this by spilling the blood of Helen at the ancient shrine where Morana is imprisoned. Standing between him and his goal is Wolfhound, who, after saving Helen from an assassination attempt in Galirad, becomes her bodyguard.Contrary to many Russians' fatalistic attitudes towards life, the film presents a new and intriguing philosophical slant in terms of the free will versus determinism debate, which comes out in favor of free will. Wolfhound frees himself from slavery by killing one of his captors, thereby changing his fate. As a free man, he pursues revenge, but throughout the film, his conscience, in the form of visions of a female spirit, comes to question whether the seemingly fated cycle of killing is worth continuing when he encounters Vinitar, the last of his enemies, in battle.If the plot sounds formulaic and derivative, it is. Intentionally or not, the opening sequence is virtually a remake of John Milius's CONAN THE BARBARIAN. Masked in a sharp-toothed skull helmet, Zhadoba is vaguely reminiscent of Tolkein's dark lord Sauron. The predictability of the storyline and the pace, which lags in places, sometimes makes you wish they'd just get on with it. In terms of editing, the film could have been better served with a classic, chronological progression of the main character's life rather than its more trendy, non-linear, flashback tack, which dampens its philosophical message.The performances are uneven, with the supporting cast generally better than the leads. TV heartthrob Bukharov (Russian TV series MAROSEIKA 12) and internationally known Oksana Akinshina (LILJA4EVER, THE BOURNE SUPREMACY) look appropriately wide-eyed in the right places, neither of them leaves much of an impression. The purported love story between them feels pat due to being underdeveloped plot-wise. Since this is Russia's first LOTR-style fantasy and the genre is very alien to Russian cinema, some sequences feel downright awkward in terms of acting. Also a bit gawky is the very noticeable use of facial close-ups, presumably in order for the film to subsequently play well on the small screen.One of the more memorable performances was that of the matronly Nina Usatova as the leader of the savage Kharyuk people, whose lands Helen's entourage has to cross to reach her betrothed. Usatova steals every scene in that sequence, which is somewhat obviously played for comic relief.Nevertheless, the film acquits itself well by stretching its comparatively shoestring budget to the limit. It looks similar to a $40 – $50 million Hollywood film. The cinematography is atmospheric, well lit and generally melds well with the computer-generated effects. CGI use is rather sparing compared with something like LOTR, but then this is not only because of budgetary constraints. The filmmakers didn't cut corners on things like extras and sets. The film features around 1800 costumed extras, and nine different "large" sets were built, the most spectacular of these being Galirad, which covered 5 kilometers square on a Mosfilm studio backlot. The film also makes use of numerous on-location forest sequences shot in Slovakia. CGI is used mostly in the background in establishing shots and the level of CGI use builds up slowly, until going full-bore in the closing magical battle sequence. The battle scenes of are varying quality – some are quite clear and easy to follow, while others are pretty sloppy and a blur of swords and grunts. The fighting is not very gory and would probably earn the film a PG-13 rating in the U.S.The film's unique and exotic look, which draws on an amalgam of some never-before-seen elements from Slavic archeology, makes it a novelty item. Wolfhound looks positively Scythian with his long hair, beard, scars and animal-hide costume. Helen's red beaded wedding dress was painstakingly created from 3000 individual parts. The bat sidekick is a first, and its CGI is very accomplished – nearly impossible to tell that the bat was not real. A healing process used by a white wizard to remedy some near-fatal wounds is also thus far one-of-kind. It uses heat provided from the campfires and the three healing sequences (one of them repairing the bat's wing) elicit a sense of wonder.Outside of Russia, the film should benefit from the post-Lord-of-the-Rings renewed interest in the fantasy genre and the general curiosity about Russians' take on the genre.