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Cheyenne Autumn

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Cheyenne Autumn

A reluctant cavalry Captain must track a defiant tribe of migrating Cheyenne.

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Release : 1964
Rating : 6.7
Studio : Warner Bros. Pictures,  Ford-Smith Productions, 
Crew : Art Direction,  Set Decoration, 
Cast : Richard Widmark Carroll Baker Karl Malden Sal Mineo Dolores del Río
Genre : Western

Cast List

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Reviews

Hellen
2021/05/13

I like the storyline of this show,it attract me so much

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Lawbolisted
2018/08/30

Powerful

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Platicsco
2018/08/30

Good story, Not enough for a whole film

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Merolliv
2018/08/30

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

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tomltd
2018/06/30

This may be John Ford's worse movie. Weak script. Mediocre acting. Miscast.

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utgard14
2017/07/03

A possibly well-meaning examination of a tragic part of US history that is turned into a pretentious bore of a film. This is little more than a lecture disguised as a movie. It goes on way too long with not much to show for it. John Ford, one of the all-time greats, commits the rookie director's mistake of thinking that solemn subject matter and excessive length automatically equal 'epic.' They do not. It's a film with more than a few stars but very few of them (such as Edward G. Robinson) get anything to do. Ultimately it's Richard Widmark's show and he grits his teeth through the whole thing, spitting out every line to further emphasize how disgusted he is with all the injustice. Unfortunately, the result of such a performance is it makes the audience (or me, at least) want to root against him.The most bizarre thing about this is the Jimmy Stewart part. After an interminably long and preachy first hour and half about the plight of the Cheyenne and the conflict with the white man, the movie abruptly shifts direction and turns into a comedy with Wyatt Earp and Doc Holliday, played by Stewart and Arthur Kennedy. This lasts fifteen or twenty minutes before the film returns to the main story. What the hell was that even about?!? It's really not an enjoyable experience. White guilt movies aren't among my favorites but there have been some intelligent, thought-provoking ones that didn't put me to sleep or have me rolling my eyes. This is just an overlong sententious bore with a wasted cast, made by a director past his prime. Avoid unless you're a Ford completist or you're young and still in that "I just heard about all this bad stuff that happened a really long time ago and I'm angry about it" phase.

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ma-cortes
2012/07/08

Historical and overlong movie recounting the legendary Cheyenne trek led by the Indian chiefs , Little Wolf and Dull Knife . The picture is an epic portrait of the historic story about celebrated Cheyenne (they are actually Navajo, telling dirty jokes in their native tongue) and their legendary feat leading the tribe on a journey to freedom , uprooting them from the Yellowstone and resettling them in distant Oklahoma . This majestic flick illustrates the callous disregard with which the government treated the Cheyenne in the 1880s as the US agency fails to deliver even the meager provisions due by peace treaty to the stubborn tribe in their stark desert reserve without proper supplies for survival ; then the starving Indians have taken more abuse than it's worth and break it too by embarking on a 1,500 miles trek back to their ancestral hunting grounds , being led by Little Wolf and Dull Knife (Ford was urged to cast Richard Boone and Anthony Quinn , as both had Native American blood ; Ricardo Montalban and Gilbert Roland, who were of Mexican descent, were cast instead) . Meanwhile , proud Cheyenne tribe square off US cavalry commanded by Thomas Archer (Richard Widmark) who leads his army on a wild chase across the barren plains in this saga of the old west . Red Shirt (Sal Mineo , John Ford would not allow Sal to speak any English dialog in the movie due to the actor's Bronx accent) , a rebel Indian does the first shot against cavalry . Captain Thomas Archer goes to deal with Secretary of Interior Schulz about the unfortunate Indians (Spencer Tracy was first cast as the secretary of interior Karl Shultz, but had a heart attack and was replaced by Edward G. Robinson, whose scenes were entirely photographed in studios, including the climatic meeting scene between Shultz and the Cheyenne chiefs, in which the background had to be done with screen process). The tribe refuses to surrender in this chronicle of a bitter fight between the tribe and the US cavalry in the struggle for the west.This sprawling epic film displays action Western , shootouts , drama and spectacular battles . It's a thoughtful piece for its time that had an original tragic ending and imbued with moments of sensitive poetry . This nice Western contains interesting characters , full of wide open space and dramatic moments . This classic , sturdy picture ranks as one of the most sentimental of John Ford's work .Thought-provoking , enjoyable screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface and suggested by Mari Sandoz in "Cheyenne Autumn¨ with screenplay by James R. Webb and based on a novel titled Last Frontier by Howard Fast who also wrote Spartacus . This excellent film featuring a magnificent performance by whole casting , including a top-notch support cast . Awesome Richard Widmark in a larger-than-life character along with a gorgeous Carrol Baker and a magnificent Karl Malden as deranged captain Wessels . In the film appears , as usual , Ford's favourite actors as Ben Johnson , Harry Carey Jr , Mike Mazurki , George O'Brien , Mae Marsh , Patrick Wayne , Dolores Del Rio , Ken Curtis , Elizabeh Allen , Willis Bouchey , and of course James Stewart as obstinate sheriff Earp . Ford added the segment with Stewart in place of an intermission , he didn't want people leaving the auditorium to go the bathroom or concessions counter, even though the film was long, and so he came up with the Wyatt Earp segment ; Ford later quipped to Stewart that the actor was the "best intermission" in the movies . Outdoors are pretty good and well photographed in Super Panavision 70mm by William H Clothier and filmed on location in Moab, Utah,Fort Laramie, Wyoming, Monument Valley, Utah , Gunnison Canyon, Colorado . Rousing and an impressive musical score by Alex North who composed other masterpieces as Spartacus and Cleopatra.This may not be Ford's best Western , as many would claim , but it's still head ad shoulders above most big-scale movies .You'll find the ending over-dramatic according to your tastes , though it's lovingly composed by John Ford who really picks up battle , drama and sensibility towards the ending . Rating : Better than average , worthwhile watching . The motion picture well produced by Bernard Smith was brilliantly directed by John Ford at his last film . This powerful movie will appeal to Indian Western fans

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NewEnglandPat
2012/06/14

Mari Sandoz' sympathetic account of the flight of the Northern Cheyennes from Oklahoma's Indian Territory to their historical homeland in Wyoming is the basis of John Ford's final western adventure. The usual emotional mistreatment of the Indians, with broken promises, lies, the disrespect shown to their chiefs, indifference to the tribe's well-being, lack of proper nourishment and education by their white custodians sets in motion their northward trek. The Cheyenne migration comes to the attention of the War Department in Washington with orders to stop the Indians and return them to their reservation. The film has several hit-and-run skirmishes, with the fighting prowess of the Cheyennes keeping the pursuing soldiers at bay. Richard Widmark, a cavalry officer and Carroll Baker, a Quaker who wants to educate the Cheyenne children, are sympathetic towards the Indians' plight, in stark contrast to Karl Malden's Russian martinet who imprisons the Indians at Fort Robinson and vows to send them back to the arid Oklahoma territory. The film's measured and deliberate pace is in keeping with the plodding progress of the tribe's move north. The Dodge City sequence, which features a comical poker game, is a pointless twenty minute detour from the film's narrative and adds nothing to the plot. The wide-screen cameras of William Clothier capture the beautiful scenery of Monument Valley, director Ford's favorite shooting location. Gilbert Roland, Ricardo Montalban and Dolores del Rio are excellent in various Cheyenne roles.

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