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Three

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Three

Hanna and Simon are in a 20 year marriage with an unexciting relationship. By chance, they both meet and start separate affairs with Adam. Adam has no idea that his two lovers are married, until they are all found out when Hanna becomes pregnant, with the natural doubts stemming from their situation.

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Release : 2010
Rating : 6.7
Studio : WDR,  X Filme Creative Pool,  ARTE, 
Crew : Director of Photography,  Director, 
Cast : Sophie Rois Sebastian Schipper Devid Striesow Annedore Kleist Alexander Hörbe
Genre : Drama Comedy Romance

Cast List

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Reviews

MusicChat
2018/08/30

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

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BelSports
2018/08/30

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Fatma Suarez
2018/08/30

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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Logan
2018/08/30

By the time the dramatic fireworks start popping off, each one feels earned.

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pascaloetterli
2015/08/17

Hanna with Simon, Simon with Adam, Adam with Hanna. A movie about polyamourous relationships made by one of the best German directors.Tom Tykwer (Lola Rennt) made a movie, which at first started like the typical pretentious artsy festival prize contestants. It felt like a mixture of "Goodbye Lenin" and "Das merkwürdige Verhalten geschlechtsreifer Paare...". But then at some point the plot got intense and had some smoking intimate scenes not suitable for the faint hearted. In the end it's about adults exploring their borders in face of illness, death and birth. Berlin shines as cultural background, although I am not that big a fan of such cultural happenings. The actors are great and do their job with great dignity, which is not that easy given the difficult to approach topic.

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djuannonly0924
2012/04/03

Simon and Hanna have been together for twenty years, they've established the easy peace-that-follows-passion so common in relationships of a certain age. Simon and Hanna are happy. Not the fake-going-through-the- motions happy, but pretty content if not a little rut induced angsty. One day, while participating in a medical ethics symposium, Hanna meets genetic engineer, Adam, with whom she openly spars. She meets him again that night after she is stood-up by Simon at the theater. Meanwhile, Simon is distracted by those of his mother and his own health issues. For a third time, Hanna bumps into Adam, this time on a soccer pitch. They spend the day together drinking, seeing a soccer game, getting to know each other while Simon is being told by his doctor that he must be admitted to the hospital for immediate surgery. He is worried because he can't reach Hanna. While he is having surgery, she is beginning an affair. Hanna is there when he wakes-up and there while he is recovering. Simon is affected a lot by the surgery. I won't say what sort of surgery he had, but it can be quite affecting. Oh, the scene depicting the surgery is brief but pretty graphic. You've been warned. Simon is out one night at the local covered pool where he has an intimate, very intimate encounter with... Wait for it... Adam! Simon is confused, a bit startled and probably mostly curious. The three of them begin these affairs, cultivating new ideas about their sexual selves. Hanna and Simon also rediscover their sexual selves together. And that's just the first half of the film. You know from the set-up that there will come a reckoning, that the party won't last. When that moment comes, the three leads play it beautifully: the sudden sparks of recognition and piecing it all together are priceless. Where the film fails is in the editing. Shakespeare said it best, "brevity is the soul of wit." Some of the exposition could have been left on the cutting room floor. Surely any audience going to see this film could suss out the narrative. The use of the number 3 as part of the narrative falls a bit flat. Given the apparent love triangle, 3 would seem sufficient to reference just that. Where Tykwer works real magic is in his ability to make his actors go all-in. There is no trepidation or fear of laying it all bare before the camera. If you are a fan of the work of Whit Stillman, Wes Anderson or Noah Baumbach, you'll like "3." It's quite good.

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arizona-philm-phan
2012/02/14

.....strangely philosophical and sometimes wondrous take on the Lives & Loves of men and women in today's world. BUT, hold on a sec...hasn't the behavior being shown to us likely EVER been so....even in humankind's earliest days, in the dark protectiveness of caves? ....Well, whether that is the case or not--right now--today, a most perceptive Director of Film (Tom Tykwer) is giving us a stripped bare view into the lives of 2 Men and 1 Woman....the "3" making up this proverbial TRIANGLE. So, Dear Viewer, you need only sit back...relax...then watch and see: ....Their discovery, first, of love with one another---then, finally, their reaching a loving-union of the "3".I cannot tell you that the Male-Female Hook-up (can we call it "illicit") being shown us is any differently played out than in 100s of movie stories which have come before. BUT...on the other hand, and strikingly so...it is in the Male / Male "Connection" where you will find the Difference in this film. For in a mainstream production such as this, rarely will you ever see shown Physically Realistic (and Tender) lovemaking between 2 men....presented in such a forthright manner. Devid Striesow ("Adam") and Sebastian Schipper ("Simon") absolutely "ZING" in their scenes together. The word, Hot, does not describe it; though if written as HOT, perhaps it begins to do so. (WORD OF ADVICE: Director Tykwer's use of "split screen" techniques throughout, sometimes showing 4 to 6 activities occurring in one scene/shot, makes some of the "HOT actions" a bit difficult to follow and fully enjoy. Better you watch on video....rather than in the theater.)As to this movie's performers and their abilities, these "3" actors are highly competent and experienced (extensive film histories)....though perhaps not at the level of paparazzi-pursued, top tier German celebs. YET, what they truly give to us is BELIEVABILITY....bringing viewers to the point of SUDDENLY realizing their characters' origin: ....Perhaps from Earth's First Garden---but here, in our world today, we are being given a "Hanna"....a "Simon"....and, most especially, "The Enticer". So, this Enticer; what can be said about him? Well, maybe just this, Reader Mine: ....When your self-image is at its lowest...and your need to be desired is at its highest.....just stop and look around you. HE's out there, close by....waiting, waiting to enfold you in Tenderness and Excitement. Waiting to make the rest of your life its Happiest.I'll say Goodbye to you now...upon leaving this Garden of "3". And concede that this story may contain instances of over-dramatized familial and midlife crises---not to mention startling images of a male medical procedure. Nevertheless, this is a work which I will be re-watching on a somewhat regular basis---concentrating on the Male / Male action, of course. (Uh..oh).PS: For those interested, see the excellent Devid Striesow in the very good and "gay-tinged" 2004 film production: "BEFORE THE FALL". That is, IF you can find it available as a rental; used DVD copies are going for a high price. Oh, and for something very "different"...but very well done (in a "straight" love story mode), try Tykwer's 2002 "HEAVEN" (Cate Blanchett). You, likely, will not be sorry.****

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Christopher Kriese
2011/01/08

An extremely playful and sensitive, a very funny and very political movie. The story of a couple falling in love with the same man serves as a surface to discuss fundamental themes of our time: the biological and the ethical side of human life, the determinist way we still see our sexuality and gender, the ways in which we define our selves in a time with shifting foundations, the chance of love in a society with almost no boundaries. The extraordinary performance of the three main characters meet a style of directing that is not afraid of unconventional ideas, like for example a metaphorical dance scene in a white space by Sasha Walz in the beginning or a short scene of a sundown with funny music, which seams completely out of context, but is instantly commented with a laughter in the audience. But aside from being entertaining and intelligent, it also invokes a kind of sexual utopia: it encourages us, to see our sexuality, our love, our gender and ourselves in a more tolerant, open and free way.This is, without a doubt, the best German movie i have seen in years.

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