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Tales from the Hood
A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.
Release : | 1995 |
Rating : | 6.5 |
Studio : | 40 Acres and a Mule Filmworks, Savoy Pictures, |
Crew : | Additional Set Dresser, Art Department Coordinator, |
Cast : | Clarence Williams III Joe Torry De'Aundre Bonds Samuel Monroe Jr. Wings Hauser |
Genre : | Horror Thriller Crime |
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I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Brilliant and touching
An Exercise In Nonsense
It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
My introduction to the movie was from some friends of mine who were not really into horror, but owned the soundtrack. After repeated listens to the Tales From The Hood soundtrack from the infamous Studmobile, I was a fan for sure. Later that year, I got a chance to see the film on HBO. I love the movie as well. Tales From The Hood is a very well made anthology horror flick in the same vein as Tales From The Crypt with an urban black touch. The film is a mix of camp, suspense and blends it with contemporary social issues that were(are) important in the black community. Tales From The Hood is a collaborative effort between writer Darin Scott and director Rusty Cundieff, who made a very sharp looking, smart, entertaining and really cool horror classic. The soundtrack is just as strong as the film with an awesome 90's rap soundtrack that includes Spice 1, Face Mob, Wu Tang Clan and more. Clarence Williams kills it as our mortician host (much like the Crypt Keeper). I am pumped that Shout Factory re released this and I am proud to have this as a new addition to my film library.
For all but the last vignette this movie seems to be the occasion for lots and lots of gleeful indulgence in pretty disgusting racist profanity and other really offensive material - eg the violence at home chez monster in the closet which was really really over the top and next to nauseating and all the stuff that comes out of "duke's" mouth as he's chased around by the little dolls. there are lots and lots of roles of the sort that black actors really hate to play and constantly complain of being stuck with the 2 exceptions being those in which CW III and Roger GS are cast, both of them being a little too classy to offer any of the other negative-stereotypical central casting black roles that comprise the rest of the film. The white actors in this film, actually, are subjected to that sort of casting that blacks have to put up with lol so that's kind of funny. Poor Corbin Bernsen not that LA Law was such a great height to fall from but still . . . But it's OK ya dig cause it's directed by a black guy and co written by him with a white guy (let's sing together now, "ebony... and ivory..." etc) Well, it all sort of makes sense when you see the producer is spike lee, and so . . . I mean basically it has the same problem as the other spike lee films I've seen in that it's fundamentally separatist and whites and blacks can both enjoy making boogie men of each other in this movie. lucky audience eh? makes very strange viewing.The last story, though, was pretty cool though and sort of a tour de force all around, even if it was a copy of another film it was certainly freshened up. I would like to see its equivalent in Gay Cinema which is so full of us vs them BS.It was really cute how they made use of CWII's gap tooth smile :)This is a really tough one to rate so I'll give it a 7!
I had to wait more than 10 years to finally see this one. Not one single copy seemed to be available over here in Europe. That was until 2007, when I finally got my hands on a Region 1 DVD copy.If you like anthology movies, then you have no excuse for not seeing this one. One of the best anthology movies of the 90's (it's up there with "Tales From The Dark Side: The Movie" and "Necronomicon", if you ask me). And probably the best horror movie from the hood with a nearly all Afro-American cast ever made (because I can't really say I've ever seen a ghetto-horror flick that was actually any good). Three hood-rats, out to collect some 'shiiit', visit a freaky coroner who tells them 4 terrifying tales of the supernatural.The first tale is about three corrupt white cops who had it coming... Wings Hauser is especially enjoyable in this one. He already evoked my interest at the time after having seen his enjoyable performance in "Night Shadows" (AKA "Mutant"). And by know I simply love the man. Second story is about a boy and his bruises, which are being caused by... a monster supposedly living in his house. Great and fascinating conclusion this one had. The third tale has some killer-puppet action going on in it of which Charles Band could easily be very jealous. Corbin"The Dentist"Bernsen stars in this segment that revolves around voodoo and slavery. The fourth and last segment gives a big nod to Kubrick's "A Clockwork Orange". Enough said about that one. The wrap-around story wraps it all up nicely, and has a very satisfying conclusion. "Tales From The Hood" is actually more than 'just a horror movie'. With Spike Lee being executive producer, you can rightfully expect that this movie will carry important themes & topics like racism, politics, police brutality, guilt, child abuse, brothers killing brothers, etc. The message always comes across, but possible statements & points of view never become too dominant. This film's primary goal is to entertain a horror audience. And it splendidly succeeds in that. The filmmakers also clearly know the rules of the horror-anthology-genre as well as the tricks of the trade, all to great success. Need I even say that the make-up and special effects are darn excellent too? The tales from this hood, are all winners.
It's strange that there have been so many anthology films since TALES FROM THE CRYPT (1972), but never a black one. Come to think of it, there haven't been many black horror films PERIOD. While this certainly ISN'T the best (that would go to the other one, CANDYMAN), it is a lot of fun and not just pure camp. The best stories are the second one and the last, which get points for being the most cohesive and having a message that's Afrocentric. A unique addition to genre films.If you like this film, then definitely rent CANDYMAN. Too bad I can't say there's many other black horror films worth watching, if there even are any at all.