Watch Sweet Sweetback's Baadasssss Song For Free

Just what I expected

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

This is a dark and sometimes deeply uncomfortable drama

The film never slows down or bores, plunging from one harrowing sequence to the next.

Any film that features in the book 1001 Movies You Must See Before You Die has got to be worth trying in my opinion, I have been both surprised and occasionally questioning the titles, and this is one I'm somewhere in between. Basically Sweet Sweetback (Melvin Van Peebles), named after his love for sex and large penis, grew up in a Los Angeles brothel after being orphaned, where he worked as a towel boy and lost his virginity to a prostitute, and now as an adult he is a sex show performer, i.e. male prostitute. A black man has been murdered, and the LAPD speak to Sweetback's boss Beetle (Simon Chuckster), and they get his permission to arrest Sweetback, blame him for the crime and then quickly release him to make peace in the black community. When they do arrest him they also bring in young Black Panther named Mu-Mu (Hubert Scales), who insults the police, and eventually the officers remove his cuffs to beat him up very badly, and Sweetback, still cuffed, beats them until unconscious. Next we see Sweetback travelling from South Central Los Angeles towards the United States–Mexico border, where he is arrested again for the earlier assault, only to escape again during a riot. After getting his cuffs removed with the offer of sex, he carries on his journey, getting captured by the biker gang Hells Angels, and the female leader lets him and Mu-Mu go as long as she gets sex, being impressed by his large penis. The police almost catch them, and while Mu-Mu goes with the gang, and he and another Biker (John Amos) are killed, Sweetback continues to run, and a sympathetic white man agrees to swap clothes so he can blend in with society. The police find out Sweetback's real name is Leroy from his foster mother, and the film ends with Sweetback forced to walk across the desert, escaping the hunting dogs, going into the Tijuana River and making it to Mexico, swearing to return. Also starring John Dullaghan as Commissioner and Rhetta Hughes as Old Girl Friend. Van Peebles acts, produces, composes and directs well enough, despite the fact the film is rather weird, with all the sexual behaviour, violence and prostitution element but it is I suppose important in the history of filmmaking, as it does not (completely) stereotype black people, and it is a different non-mainstream film, a strange but kind of fascinating blaxploitation. Good!

This is a landmark film for many reasons, and although it is rough around the edges, I urge everyone to at least watch it once, and then watch the story of the making of this film, Baadasssss! (A.K.A. How to Get the Man's Foot Outta Your Ass), made by the directors son, Mario Van Peebles.It is very easy for a modern audience to perhaps overlook this film as one of the slew of 'Blaxpliotation' films produced in the 70s, however this stands out firstly as virtually the originator of that mode of films, and as a crusade for a young, talented black artist and director to make a film that is both honest and challenging about the representation of black people in cinema.If nothing else you must respect Melvin Van Peebles for the Guerrilla film making techniques that created this movie.This film is a great argument for the importance to minority groups within any society to gain access to and control of media production in order to challenge dominant ideologies and representations put forward in mainstream media.It is also virtually impossible to view Baadasssss! without a tear coming to your eyes, so difficult and harrowing was Melvin Van Peebles journey to get this film made.

Sweet sweetback's baadasssss song IMO should get an award as worst film ever made ,so Bad asssss it will make you physically sick, maybe the idea was to get stoned and then view it. Such films like ' "manos the hands of fate" in comparison seem classic.The films sound score contains a single song played monotonously throughout that doesn't make a soundtrack as for great camera work all vomit,the main character seems to always end up in meaningless orgies because of his sexual prowess but the scenes lack any imagination strictly missionary and aren't erotic, there's a meaningless chase scene which you cant really tell who he's running from.The film ends abruptly, the producer must have run out of money ,give a monkey a film camera and you'd end up with a better movie.I disliked this film because it seems devoid of developed characters and plot it felt as if the story was conceived as the filmed rolled.IF you want to watch a true blaxploitation classic I recommend "hitman."

While it's camp value is worthy of a viewing, this movie is a mess from a technical standpoint. The editing and sound engineering make it so that you spend half the movie trying to figure out what the hell is going on. I didn't even know Sweetback was supposed to be a prostitute until I read it here. It seems to be more soft-core porn with a tacked on plot rather than a serious movie. While it's a great time capsule of 60's attitudes towards sex, it comes across as more of a reason for Melvin to get it on with actresses.But apparently it didn't matter--the movie made money. Perhaps it's the total cheesiness that is the film's allure. Or maybe it's the excellent soundtrack (I really thought someone famous had done it) that gave it street cred. But it's probably all that silly sex going on throughout the film that made the film its money.