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The Fabulous Baron Munchausen
The 20th century's first man lands on the moon and discovers - that Baron Munchausen has already beaten him to it, along with Cyrano and characters from Jules Verne's lunar-landing novel. The Baron spirits the young cosmonaut by horse-drawn ship back to an ancient "Earth", where they insult a sultan, rescue a princess, fall in love with the princess, and then as a trio have further experiences in a world of pastel colors, ornate dreamlike settings, and the inevitable angry disrupters of peacefulness and love.
Release : | 1962 |
Rating : | 7.7 |
Studio : | Krátký film Praha – Filmové studio Gottwaldov, |
Crew : | Art Designer, Assistant Production Design, |
Cast : | Miloš Kopecký Jana Brejchová Rudolf Jelínek Karel Höger Jan Werich |
Genre : | Adventure Fantasy Animation Comedy |
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That was an excellent one.
Simply Perfect
Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
I agree: Get this Stateside, somehow. I was lucky to view a German-marketed Region 2 DVD, opting to hear the Czech dialogue with English subtitles, some of which were embarrassingly fleeting. I may next opt to listen to it in German...I learned of Zeman as a youth with the occasional broadcast of "The Fabulous World of Jules Verne" (in a word, fabulous). This retelling of select tales of Baron Munchausen appeared with the next highest recommendation from fellow users.It's a retelling with great style and no small amount of innovation. It had to have influenced the animation of Terry Gilliam among many others. Principally stop-motion, occasionally mixed with cel animation and live action, and an at-times monochrome background likely changed by hand. Of course the style is dated but well suited for a dated story, and therein lies the film's timeless charm.Familiarity with the tales may slow the viewer's perception of the film's pace. The sandwiched sequence is also familiar: The visit to the Sultan's palace; escape to the sea, getting swallowed by a whale and keeping company in its cavernous gut; and the comical resolution of a battle between warring European powers.What's unfamiliar is an opening and ending with a cosmonaut who meets other fabled travelers to the Moon and eventually wins the hand of a lovely princess on whom the Baron also has designs. But I frankly need re-view and determine just how the princess dismounts from "Tony's" swimming horse while he goes straight to another island...Genuine wit, some of it very dry and some mixed with slapstick, helps bridge if not punctuate the FX. ("Jules Verne" doesn't have as much.) An imaginative musical score that verges on the wacky. And acting that is refreshingly relaxed and subdued. This Baron is no blow-hard but so innately gallant that he just can't help but rely upon his most powerful weapon...his imagination...to repeatedly save the day.The film is perhaps not for the children unless one or both parents are around to help explain the historical context, the action, and its decidedly off-the-track pace. But it's a durable treat nonetheless.
"Baron Munchausen" ("Baron Prasil" in Czech) is one of the most charming and poetic movies among those thousands which I saw ...It is that very rare kind of movie I love to see for dozen and dozen of times, in virtually any mood and time ...Old illustrations by Gustave Dore brought to life by an unforgettable visual imagination of Karel Zeman ...Everything dressed in a soft melancholy of an enchanting music by great Zdenek Liska, so simple and sophisticated at the same time...Though Zeman is mostly painting his magic world by his unique visual creativity, those able to understand the Czech dialogues get another lovely dimension, inhabited by fine jokes and never-tiring games with words...And of course, Milos Kopecky as the Baron is the very symbol and soul of Munchausen ...An essential classic movie for every true film fan (not recommended for nervous consumers and victims of Hollywood moneymakers, however).How much those modern versions of Munchausen (and whatever are their modifications and names) miss the point of this magic Zeman's version: its fundamental visual craftsmanship, soft melancholy of a fable, an inspired music, and everything in a perfect union ...How poor and tedious is 99.99% of that Hollywood stuff in comparison with this Zeman's masterpiece ...No, they cannot do such a movie any more with all those naturalistic computer tricks, but a total lack of Karel Zeman's insight and visual poetry...
Zeman created a hugely imaginative version of the Munchausen story; he is a visualist along the lines of Georges Melies ("A Trip To the Moon") who, through his elaborate matte and composite shots, points the way to the boundless digital worlds of Lucas's "The Phantom Menace." Despite Zeman's trippy whimsy and resourcefulness with special effects, the film is mostly unengaging, due to slack direction and detached performances. The strongest elements are an exciting horseback chase sequence carried by a rousing score, and the Baron's perpetually pathological optimism, which is central to the story and acts as a hilarious counterpoint to the fantastic events in which he finds himself. Despite the film's faults, it has to be appreciated for Zeman's distinctive overall style, and how it must reflect the artistic sensibility of its day in Eastern Europe. (Interesting observation: the eerie Theremin chords which permeate the scene by the steamboat recall the same device used a few years later on the extraterrestrial sets on "Star Trek.") Zeman's style is said to be an influence on the work of Terry Gilliam (seen most sharply in his "Monty Python" cut-out animation). As far as comparing Gilliam's 1989 version of "Munchausen" to Zeman's, Gilliam's is definitely superior: more hedonistically fantastic, entertaining, and fun. For all of Zeman's craftsmanlike wonders, his version is indeed rickety in comparison, but must be admired for the heights of fantasy it reached with the considerably more limited resources available to him.
Unfortunately, I was only able to see the Czech version one time. But it made a lasting impression on me and I've been looking for it ever since but just can't seem to get my hands on it. It's elusive, but well worth searching out. I thought I had it once at a rental store, only to find out it was the 1943 Nazi version and it just didn't capture the surrealism that the 1961 Czech version did. When Terry Gilliam's version came out in 1988, it disappointed in comparison as well.So, if you liked the 1988 remake, you owe it to yourself to see the Czech version - if you can get your hands on it!