Watch Gloria For Free

You won't be disappointed!

Good concept, poorly executed.

A Surprisingly Unforgettable Movie!

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I looked this movie up on IMDb, because it had only 1-1/2 star rating on our UVerse movie guide, and I thought this must have been a mistake. (After all, they didn't even have Sharon Stone listed in the cast. But the IMDb reviews are low as well.I'm flummoxed! It's far from the miserable film described in some of the other reviews. If you listen to them, you might miss an enjoyable film experience. Sharon Stone is excellent, the child actor is excellent. The other characters are incidental and don't matter much, but they are generally good as well. The story is engaging enough... .and even if slightly contrived, in places, who cares? I recommend you give it a try.

The original "Gloria", a 1980 John Cassavettes film starring his wife Gena Rowlands, was an instant classic; be it his direction, the acting (particularly that of Rowlands, who so deserved her Oscar nomination for her performance as the titular character), the gritty look of the film, the authentic New York City locations in all their pre-Guiliani glory, or the screenplay, the film worked on just about every level. This remake, however, stands in pale (VERY pale) contrast in virtually any aspect one can think of. When the film opens, Gloria (Sharon Stone), a gangster's moll, is released from prison and returns to the home/hangout of her lover, Kevin (Jeremy Northam). By the time she arrives, she meets a young Latin boy, Nicky (Jean-Luke Figueroa), whose family Gloria's lover has had killed. Seems the young boy's father worked for this gangster and not only "knew too much" but was about to tell all. Having believed her lover's story that there would be money set aside for her while she cooled her heels in prison, Gloria soon finds out there is nothing, so, enraged and knowing the boy's worth, she kidnaps him at gun point and off they go, on the run from the mob. Poor Sharon Stone: trying SO HARD to match Gena Rowlands but constantly tripped up by a "Noo Yawk" accent that's often downright funny. Still, it's so apparent she's trying so hard that, throughout, you can't help but feel for her, a feat helped by the fact that she is obviously the only cast member who tries to create a character, though as written it's still the "hooker with a heart of gold" type, which is NOT the case with the 1980 film. In the original, Gloria is indeed a former gun moll, kind of ballsy but classy, never really hard-edged; here, as written, she's little more than a cheap, hard floozy. Jeremy Northam, a talented British actor, is slumming here, complete with laughable accent that rivals Sharon Stone's. As the boy Stone goes on the run with, and with whom she is supposed to bond with, Jean-Luke Figueroa isn't necessarily untalented, and in a better-made movie he might even be good; however, be it the dialogue or direction, he makes very little impact, a fact not helped by the lack of ANY chemistry between he and Stone. Bonnie Bedelia (as Stone's sister) and George C Scott (looking very ill, as a Mafioso head) are featured in small supporting roles but are essentially wasted. Sharp-eyed movie lovers will also notice the ubiquitous Mike Starr as a 'heavy' (he's the one who hangs on to the car Stone is driving); like character actor Dan Hedaya, Starr seemed to inhabit just about every film Hollywood made in the 90's, though here, Starr's part is strictly dramatic and not his usual comedic one. Behind it all is Sidney Lumet, a once-talented director who has helmed a few masterpieces in his time; however, whatever muses guided him towards those masterpieces has, in the last decade or two, abandoned him, for here he is again, delivering yet another celluloid stillborn. Not since 1982's "The Verdict", with Paul Newman, has he given the world a solid success. He isn't helped any by a screenplay that manages to ape the original while making absurd "updates" and taking liberties that cleanly toss out such things as believability and common sense. For instance, at the end, Gloria meets with the Mafioso head and asks that she be absolved of any wrongdoing AND to have the kid. He agrees. And off they go, into the wild blue yonder. In the original, Gloria has to shoot her way out to keep this young boy alive. One doesn't have to be particularly wise to mob life to understand that a Mafia capo isn't exactly going to let someone with that much knowledge just walk away. I absolutely adore the original film; I think it's exciting, moving, thrilling storytelling. If you feel the same way, avoid this picture at all costs. I happen to like Sharon Stone; I think in some ways she IS underrated as an actress, though one wishes she'd choose pictures that didn't suck. If you like her, you may enjoy her performance, if not the film. She tries, perhaps too hard. But like so many remakes, this one's a bust in every respect. Stick with John Cassevettes' original and understand why they shouldn't have even bothered with this new one.

This movie has no business connecting itself with the great movie made in 1980 called "Gloria" and starring Gena Rowlands and directed by her husband John Cassevettes. That movie's opening credits sequence is better than the entire thing here - the paintings and the beautiful music set the mood for the movie.

Even though I was a kid when I saw the original, I can remember it being much more endearing and convincing than this Sharon Stone remake. It's not great, it's not bad, but Sharon does not ever convince me that she is a "mother-figure" to the orphaned boy she wants to help. She's always just a little too abrasive, too tough, and trying too hard to be sexy in this role.The boy who plays one of the lead characters comes off better than Sharon. I'm wondering what kind of recruiting they needed to get George C. Scott and Jeremy Northam in this movie. My advice is to stick to watching Sharon Stone in her usual glamorous, sex-pot type roles. They are much more suited to her style.