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if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

The acting in this movie is really good.

YESTERDAY, TODAY AND TOMORROW is a romantic comedy, which consists of three stories set in different parts of Italy. All three stories are framed in a romantic farce, which examines relationships through common life issues, such as poverty, adultery, sex and religion.Stories about three very different women and the men they attract.Adelina sells black-market cigarettes in Naples. Her husband is unemployed. She tries to avoid a jail sentence at any cost.In Milan, Anna drives a Rolls, is bored, and picks up a writer, who is her lover. She talks dreamily of running off with him until he dents her car. After that, she shows her true face.Mara, who works as a prostitute from her apartment in Rome, turns the head of a naive seminarian. After talking with his grandmother, she wants to help a young man, while her nervous client from Bologna impatiently waiting.A male protagonist is exposed to tragicomic sobering, while a female protagonist is in a kind of inner conflicts, in each of the three stories. That's the point. The different characters of people are exposed to very strange situations, through which they question their relationships.The scenery is very impressive, especially in the first story. That Neapolitan atmosphere in explosion of colors in a narrow streets is truly remarkable. The dialogues are, here and there, trivial and empty. Humor is somewhat forced, but it's pretty luscious. Characterization is not bad at all.Sophia Loren (Adelina Sbaratti, Anna Molteni and Mara) is a temperamental and brave housewife, an elegant and selfish rich woman and a sensitive prostitute who would talk about morality. Yes, Ms. Loren looks divine in each of these women.Marcello Mastroianni (Carmine Sbaratti, Renzo and Augusto Rusconi) is a fertile, but useless husband, a cautious lover and an impatient client, who can not accept the fact that he's in love with a beautiful prostitute. Mr. Mastroianni is mostly a muddled and confused character in each of the three stories.I will say that this is another successful commedia all'italiana

at the first sigh, good pretext to admire Loren and Matroianni. the chemistry between themes, the dialogues, the humor, the seductive manner to act together. in fact, it is only one of the charming Mediteranean story, mixing characters and stereotypes, jokes and crazy solutions, a memorable scene and the art of de Sica to explore small aspects of every day reality - the crown of children in Adelina, the grandparents in Mara, the cold and superficial Anna. and this is one of the basic sources of its success. to be the film of ordinaries situation for every day life. for preserve the air of a lost world. for be a simple comedy with two extraordinary actors. and it is enough.

The film consists of 3 vignettes all of them cartoon feel good renditions of Italy. Clichéd syrupy stuff that is supposed to be humorous but the film is not funny. Hollywood (and others) cranked out tons of this s*#t!The first is the worst... Loren keeps out of jail by having more and more kids. The second is interesting only because Loren looks good and has a great car.The third is the longest...Loren is a hooker. All 3 are simple minded fluff...yes the acting is decent--1 extra star.This film is tremendously overrated... it is the sort of film you feel you have to convince yourself to like as it is known and reeks of good nature and comedy?.

YESTERDAY, TODAY AND TOMORROW. Three short films about sex starring the two top Italian stars of the day, Sophia Loren and Marcello Mastroianni, and directed by Vittorio De Sica.  In the first part Sophia plays a pregnant woman who may have to go to prison for selling contraband on the street.  However, after speaking to a friend who is a lawyer, she and her husband find that the government cannot send a pregnant woman to prison.  So, Marcello has his work cut out for him as soon as the new baby is born.  Very soon she is pregnant again, then again, and again, seven times in all, and keeping her out of jail the whole time - that is, until Marcello runs out of "gas."  Very charming and funny episode.  In the second episode Marcello is having an affair with married Sophia, playing a completely self serving, rich snob.  Almost the entire film takes place in her Rolls Royce as they head for another sexual escape while the rich husband is away.  That is, until they have a car accident.  The third episode, the most famous, is the story of a high priced call girl, Loren, who is trying to arrange time for her best john, Mastroianni, who also is in love with her.  In the house next door, however, is a young man who is studying to be a bishop and is questioning his path in life, particularly after he watches Loren, in a skimpy lacy outfit, watering her plants on the outside deck.  The boy and his mother, a very self-righteous woman who abhors Loren's character, keep getting in the way of Marcello's time with Sophia.  When things are finally worked out with the boy and his mom, Sophia does her famous strip for Marcello, who is sitting on her bed, bouncing up and down in delight in response to Sophia's every move.  It's a very funny scene, and the episode isn't bad, but of the three, the first one, the pregnant woman story, is the most entertaining.  All three stories had something interesting to say about sex in Italy of that time, in particularly the second story about the rich woman having the affair, but it was the least entertaining of the three.  The thing that was good about all of them was how different the six characters created by Sophia and Marcello were.  Vittorio De Sica's direction was superb.  The music and cinematography added a lot to the wonderful atmosphere, particularly in the first episode.  If you're unfamiliar with Loren's or Mastroianni's Italian output this is a good one to take out for a first spin, especially if you've never seen Sophia in anything other than her Hollywood films.