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For all the hype it got I was expecting a lot more!

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Whilst owning the film on DVD,I found myself drawn to stay up late at night a few weeks ago to watch the ultra-stylish Neo-Noir Cold In July get screened on TV,with Sam Shepard's being utterly chilling. Checking to see if anything interesting was being shown over the last days of the Easter holiday,I was thrilled to spot a Shepard Spanish Western (!) being shown,which led to me pulling out the black thorn.The plot:Leaving the US with a myth of him and Sundance both being killed, Butch Cassidy changes his name to James Blackthorn and goes to live a life of solitary in Bolivia. Waken up from his 20 year slumber by news that his former lover Etta Place has died,Cassidy writers to their son Ryan to give him news that he will be coming home to meet him. As he prepares to set off,Cassidy discovers people who want to make the myth of his death become true.View on the film:Riding across the beautiful hills of Bolivia,director Mateo Gil & cinematographer Juan Ruiz Anchía dip the title in the ghostly myth of Cassidy with isolated crane shots sweeping along the wilderness that Cassidy has left the myths behind for. Tipping his hat towards the Chorizo Western genre, Gil gives the clipped shots of gunfire a dry,earthy colour,that keeps the action grounded with the stark reality of Cassidy.Unearthing Cassidy's "missing years" the screenplay by Miguel Barros superbly grinds into the daily life of Cassidy,with Barros gradually revealing the loves and relaxed daily rituals that Cassidy has come accustomed to. Getting Cassidy to put his cowboy hat back on, Barros struggles to make Cassidy's return thunderous,due to appearing to be like Cassidy,in enjoying the chance to focus on his domestic life,but being much less interested in unleashing Wild West Cassidy action. Joined by a rough and ready Nikolaj Coaster-Waldau as young outlaw James Joven, Sam Shepard gives a fantastic performance as Cassidy,thanks to Shepard making a mere facial expression strip the 20 year myths off Cassidy's face,to unveil a rugged,black thorn outlaw.

(63%) A handsome modern western that twists a legendary character more for personal acclaim than for the sake of good story telling. Sam Shepard has a perfect feel of an ageing old west outlaw and he is more than capable playing such a well known man. While the rest of the cast isn't exactly all that bad either. It's well shot with some fantastic location work, and the makers have created a very convincing setting. My only issue is whether or not the Butch Cassidy connection and everything that comes with it is actually required, because in all honesty this has enough of an interesting plot without the quite frankly unneeded association distracting from the perfectly fine central theme. The simple fact is this would have been even better, cleaner, more focused film if everyone kept well away from Butch and Sundance, or merely just hinted at the idea.

Released in 2011, "Blackthorn" is the unofficial sequel to the 1969 Western hit "Butch Cassidy and the Sundance Kid." It took 42 years, but it was worth it.THE PLOT: Almost 20 years after Butch Cassidy was supposedly shot-down in Bolivia he is shown alive and well, living in a ranch house in the mountains under the name James Blackthorn. He has a "nephew" (or, more likely, a son) in the USA and decides to take his stolen loot, retire there, and live happily ever after. Unfortunately for him, a young outlaw (Eduardo Noriega) puts the kibosh on his plans, but they eventually team-up, perhaps because the dude reminds him of his younger days or of his deceased best friend, the Sundance Kid.Another reviewer pointed out that Butch Cassidy is essentially regarded as a real-life Western Robin Hood. Yes, he was an outlaw, but he stole from the rich (the banks, trains and such) and gave to… well, himself. Okay, so he wasn't exactly Robin Hood, but people give him a pass because he fought the system and won, at least until his reported death at the age of 42 in 1908. But there are theories and support for the idea that he didn't die and this movie explores this possibility.The reason I bring up the whole Robin Hood ethic -- i.e. steal from the rich, etc. -- is that the movie illustrates that, outlaw though he may have been, even Butch Cassidy had an intrinsic moral code that he followed. Those who broke that code were not worthy of his time, respect or compassion. Period.Another reviewer seemed to read too much into this element and interpreted the movie as a Socialist vehicle with didactic politics: The idea that being singularly rich is intrinsically evil and therefore those less fortunate are morally justified in demanding (i.e. stealing) their wealth. But I don't think the filmmakers necessarily support this view any more than the makers of the original movie did in 1969. It's basically just Butch's personal justification for his lifestyle. He's a thug who unsurprisingly made excuses for his foolish way of life and he keeps payin' the price: Everyone around him dies prematurely, he's left alone & weary, and his stolen loot seems to keep falling through his fingers, one way or another. Yeah, Karma's a real biyatch. When my wife or I watch Westerns we always ask each other: "Was it as good as Dances With Wolves"? The inevitable answer is always, "No, but…" Of course, few Westerns are as good as "Dances With Wolves"; it's the "but" that will determine if the movie is worth seeing. In the case of "Blackthorn," this is definitely watchable for a number of reasons, including the intriguing ideas noted above. It's just a solid modern Western with many of the requisite staples that mark the genre, such as excellent landscape cinematography (in this case Bolivia, shot on location), a quality modern Western score, shoot-outs, brooding outlaws, saloons, booze, posses, mines, escapes, beautiful women, Pinkertons, Natives, cowboys, horses and locomotives. Speaking of posses, the posse-pursuit in this film is at least twice as long as the elongated posse sequence in the original movie, and probably longer. "Blackthorn" borrows from Westerns like "Butch Cassidy and the Sundance Kid" (naturally), "The Shootist" (1976), "Unforgiven" (1992) and the more modern "Seraphim Falls" (2006). The association with the first film is obvious. It's reminiscent of "The Shootist" and "Unforgiven" in that the story involves an aged and meditative outlaw who doesn't have much further to go. It brings to mind "Seraphim Falls" (and Jack Nicholson's "The Shooting" from 1966) with its long, surreal chase scenes in the desert. The modern gloss also brings to mind "Seraphim." Lastly, the basic tone is akin to "The Long Riders" (1980). What makes "Blackthorn" unique is its setting in Bolivia; and, to a lesser degree, the time period, 1927.FINAL SAY: I suppose you could say that this is a character study and Sam Shepherd is excellent as Butch Cassidy. Like "Unforgiven," it's a brooding, elegiac Western focusing on less-than-respectable characters with flashes of Western-styled violence. It also has something interesting to say, although it's nothing enlightening or deep.The film runs 98 minutes.GRADE: B+

Awesome lead performance, but we wouldn't suspect or expect anything else. But we also get one of the better known Spanish actors of the past 10 years in (if I'm not mistaken) his first English speaking role. He does a great job and can also be seen in one of the shorts that is on the DVD, also directed by the man responsible for this movie. The story is more than convincing too.One of the things that might not be your thing, is the morality tale in this. Apart from some minor story issues (Stephen Reas character for example, although he has the gravitas to pull it off), this is another showcase of why Western movies are entertaining to watch. There are a few factors playing into that of course and the "Genre" has changed a lot over the years. But like a good cowboy, it won't stay down