Watch Toto the Hero For Free

Load of rubbish!!

By the time the dramatic fireworks start popping off, each one feels earned.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

For a film which goes from here to there and back and forth, it seems odd that it loses its way for a good 15-20 minutes. There is a lot of appeal in a childlike view of the world. That we may be jolted back into "reality", does not diminish the charm. As the story unfolds, we are drawn into the life of a child/man or man/child. That matters not; it is fascinating - the way it is told. Then, the tale seems to lose direction, and as interesting as the telling is, a wandering story line diminishes interest in the tale; and, it begins to drag. The ending brings things back together again; and, but for a few aimless moments, we are brought back to a fascinating world of one person's imagination and reality.

My God! You people actually gave this movie something higher than 3? This was a disgusting and queer piece of work. You can't even find what the storyline for this movie was in the first place! If you see yourself as an idiot, then go to Blockbuster and wow yourself with a film that could be shot in the 60s. Yes, you heard me- the 60s! You have a little perverted brother sleeping and washing his older sister, you have a nut for a dad saying, "Boom, Chick-a-Chick-a-Chick-a-Boom! Blah-dad-de-de-da-de!" Plus, when Toto's all grown up, he starts seeing another woman just because she's a lot like his sister who blew up! The weirdest scene by far was the Conclusion. It had Toto laughing and giggling as a pile of ash, it showed a chicken, a ship and a whole lotta things that are played in the song.I suggest that if you find this description amusing, you should watch the movie and decide for yourself.

Ask me what time it is. Very very very strange and very entertaining bit of European cinema from Wacko Jaco Van Dormael, a former circus clown turned director. This film about fate, love, and childhood fantasies gone awry is very hard to describe. Imagine a kids film directed by Lars Von Trier, add a dash of "Amelie," a scent of "Donnie Darko," a sprinkle of Lynchian strangeness, and a good heaping of Terry Gilliam inspired wackiness, place in a blender, then travel back in time (as this movie came long before and probably inspired "Amelie" and "Donnie Darko") and voilà, you'll have "Toto." Sometimes heartbreaking, sometimes funny (everybody seems to love those dancing tulips), sometimes weird, always captivating, this is a film for people who enjoy non-linear and creative story-telling. Also, that much talked about floating plastic bag stuff from "American Beauty" is taken straight from this film's unforgettable final scenes. Dormael seemed to have so much good stuff going on in this film, it's ashame he's only made one film since this, as any film buff who watches it will no doubt imagine a few more great films being pulled out of Dormael's magician's hat.

Thomas is a bitter old man who feels he has been cheated out of the life that was rightly his because he and another boy were switched at birth during a fire at the hospital. Alfred, the other boy, lives a life of privilege and becomes rich. Thomas is jealous. But in another sense Thomas needs to believe that he was switched because he falls in love with his sister Alice. If he really was switched, they are not related.This is just one of the ironic witticisms spun out by Jaco van Dormael, who wrote and directed this striking and totally original bit of life triumphant. Veteran French actor Michel Bouquet plays Thomas as an old man, sneaking cigarettes in the old folks home, reliving his memories, plotting his revenge. Jo De Backer plays Thomas as a slightly nerdish young man, consumed by the loss of his beloved sister in a fire when she was about eleven or twelve. One day by accident he spots a woman who reminds him of his sister. He follows her, they fall in love, and it turns out she is married to Alfred! Thomas Godet plays the little boy Thomas with charm and a touching vulnerability. He is picked on and bullied by Alfred and his friends who taunt him with, "van Chickensoup!" (I wonder if the French Academie approves of this vulgar Anglais.) Sandrine Blancke plays Thomas's cute and impish older sister. Mireille Perrier plays Evelyne, who is the woman who reminds Thomas of his sister.In a sense this is a romantic comedy, but be warned that in the French cinema a hint of incest is seldom looked on as shocking, rather as something almost akin to nostalgia. And certainly every woman should have a lover and every man a mistress. In another sense this is an art film that plays with time, using both flashbacks and flash forwards to present a story filled with spooky coincidences, punctuated with fantasy and a kind of naturalistic glorification of life epitomized in the catchy tune, "Boom!" that weaves its way in and out of the story, a tune you might have trouble getting out of your head, so be forewarned. ("Boom! When your heart goes boom! It's love, love, love!" written and performed by Charles Trenet.) There is also as aspect of sentimentality, especially in the resolution, that provides a sweet contrast with the naturalistic pathos. When the words that Alice spoke as a child is reprised by Evelyne (although she could not have known what Alice had said) we are delighted, and Thomas is a little rattled.. ("Do you like my hands?" she asks, holding them up. "Which hand do you prefer?")The bitter old man learns that he really had the better of it all along (and so he does somewhat the opposite of what he had intended) and indeed we in the audience realize that how we might feel about life, looking back on it, might really just depend on how we choose to feel about it. Dormael's message seems to be that love makes life worth living. We are left with the sense that there is a time for love, and that time passes, and we have to accept that and celebrate the memory.Best scene: Ten-year-old Thomas sees his perhaps 11-year-old sister rising out of the bath tub. (We see only his widening eyes; this is a discreet movie.) He says, "I...didn't know you had breasts." She replies (deadpanning the pride of a pre-adolescence girl), "I thought you'd read about them in the newspapers."(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)