Watch Godzilla Against MechaGodzilla For Free

Very very predictable, including the post credit scene !!!

Must See Movie...

Fresh and Exciting

The film's masterful storytelling did its job. The message was clear. No need to overdo.

As a Godzilla movie, this film has pretty much everything. It has your classic Godzilla rampaging through buildings destroying everything around him, a human story that takes up a good two-thirds of the movie, and an AWESOME fight in the last third between Godzilla and another kaiju. What makes this film different from the other films is that it's probably the most visually entertaining film in the franchise. Godzilla films are known for just how ridiculously cheap and cheesy the special effects are, whether it be in the monster fights, the suits, or the explosions. In this film, not only have the effects been given an upgrade, but it still contains that cheesiness of Godzilla that makes these movies what they are. A perfect example of this is during the final fight with Godzilla and Mechagodzilla 3 (or Kiryu in Japan). The fight shows effects that I haven't seen before in these films, especially in a sequence where Kiryu boosts towards Godzilla and knocks him through the air. Though everything looks better, the creators knew what franchise they were dealing with, and decided to add in that extra fun. There was a sequence where Kiryu picked up Godzilla from his tail, spun him around, and threw him. It was a rather amusing, yet pretty cool scene, and reminded me of why I watch these films to begin with. The human story is actually rather interesting as well. The characters are all charming and have their own personalities. I won't go any deeper with the story, because I think it's something that one should enjoy without knowing anything about it. The soundtrack in this film also really stuck out, especially Kiryu's theme. It enhanced the story as well as the monster fights, making the movie as a whole a much better experience. If you're a Godzilla fan and still haven't watched this movie, please do. It's an entertaining, awesome time from beginning to end.

Of all the films that fall under the most recent string of Godzilla movies, this one ranks up there right next to Godzilla 2000. While the plot may seem a bit confusing at first, you'll find yourself not really caring once the action starts up.MechaGodzilla (named "Kiryu" in this movie) is a great hybrid cross between the MechaGodzilla's from the earlier Godzilla eras. The Big-G is great with his new attitude in the series, making the clash between the two monsters very impactive and dramatic. My only complaint is that the film comes off feeling rather short; as if there was to be more that somehow got cut from the film.Human actors are their usual up-to-snuff quality expected in a Godzilla movie. But, if you're anything like me, you could care less about the pesky humans and their melodrama; it's not called "Human Drama and a Monster" after all.On the grand scale of all Godzilla movies, I rank this one right up at the top. It was great to see MechaGodzilla's new look, and when the rumble starts it is definitely no holds barred. I whole-heartedly recommend this movie for any Godzilla fan, or a fan of kaiju films in general.

First, I would like to point out Im not a die hard Godzilla fan, and I was only watching this movie with the hope that it would be utterly insane/hilarious...and it instead provided feminist propaganda. Now, I understand that most movies today try to make some deeper and/or political statement hidden (or blatantly obvious, which is the case with this masterpiece) within the film. However, this is GODZILLA. This movie should consist of nothing more than Godzilla rampaging through Tokyo, while crazed Japanese flee for their lives. Not today my friends...not today. We instead are met with a tough, "I can do anything" girl who is permenantly stuck on her menstrual cycle, and she some how ends up piloting MechaGodzilla. Hooray for women! They can do anything! Im not a misogynist, but I hate when a movie portrays men as bumbling idiots compared to the magical gender known as female. Now, we come to the issue of acting. Firstly, I do not expect top notch acting from "Godzilla Vs. MechaGodzilla"; however, I would prefer not to be bashed in the face with a 2 by 4 of the most horrible performance the world has ever seen. Im not even going to provide examples because I could say "Godzilla Vs. MechaGodzilla" and I have covered everything. Basically, skip to the battle scenes, and you might have a little hope left in the world...As for me, its too late.

GODZILLA AGAINST MECHAGODZILLA (2002) Like others in the Godzilla series, this new entry establishes itself as a direct sequel to the 1954 original, even using digitally altered footage from that film, as well as clips from MOTHRA and WAR OF THE GARGANTUAS to once again illustrate Japan's troubled history with unruly giant creatures. When Godzilla once again threatens her shores, Japan's female prime minister (Kumi Mizuno) calls together her greatest scientific minds, including cyber-biologist Tokimitsu Yuhara (Shin Takuma), whose inclusion in this group gives his precocious daughter Sara (Kana Onodera) a backstage pass to witness the creation of a new bioweapon developed using the recently-uncovered original Godzilla bones. The elite JSDF team assembled to pilot the machine is augmented by the lone survivor, Akane Yashiro (Yumiko Shaku), of an eight minute opening Maser-gun battle with Godzilla, her presence made all the more uncomfortable by the vindictive suspicions of a teammate whose brother perished in that disaster. Christened Mechagodzilla, this robo-beast amounts to the re-arming of Japan, something the rest of the world finds rather dismaying, and when the unit's memories of its demise in 1954 are stirred by Godzilla's roar, the battle's a draw, the combatants stand down, and the Prime Minister's out of a job. When Godzilla returns, there's no choice but to reprogram MechaGodzilla and send it back into battle, during which, not surprisingly, Akane herself must take the helm to not only save her country and discourage the naysayers, but to prove to herself - and, of course, to young, conveniently motherless Sara - that no life is worthless. Both of the 'final' shots in the movie - take your pick; there's a sequence after the closing credits - are fitting.GODZILLA VS. MEGAGUIRUS director Nasaki Tezuka returns to the series with a highly worthy effort, finding a pitch-perfect blend of suits and CGI in his impressive battle sequences, while allowing for reflection (as always) on Japan's nuclear-tainted history, nodding to the ever- increasing empowerment of women in Japanese society (though neatly reminding us that they, too can fail on a large scale before earning redemption) and, as in GODZILLA 2000 and many others in the series, cleverly constructing a modern family dynamic between the pilot, the scientist and his daughter. People groused that Shinsuke Kaneko's GODZILLA, MOTHRA, KING GHIDORA: ALL OUT GIANT MONSTERS ATTACK, while simultaneously jump starting a moribund franchise with still-vastly-improved visual flare, lacked the dynamism and realism of his 90's GAMERA trilogy, but they were missing the point. Save the first film, GODZILLA has always been for kids, maybe not as young as the original GAMERA series of the 60's, but kids nonetheless. And, I suppose, kids-at-heart. The stories can be pure formula, the character dynamics refried from earlier entries (in fact, many of the most subtle FX in this movie, simple dialogue scenes on catwalks around the Mechagodzilla hangar with the behemoth in the background, are simply more convincing updates of scenes we saw in the 70's), but as long as there's enough razzle-dazzle and a vicarious point-of-entry for the kids, the movie's probably a done deal in the eyes of Toho executives. Here, the Sara character is our vicarious tour guide to the inner workings of the JSDF and all its stoic patriotism (even her friends, walking home with her from school, are slack-jawed at her privileged access to headquarters). Where the GAMERA updates were intended to make full use of the character's added features (mainly flight) and the advances in modern special effects and high-concept screenplay writing to draw in more savvy audiences, the Millennium Godzilla series, like those that came before, have always retained a comparatively simple modus operandi: appeal to the kids, and make the adults wish they were still kids. On this level, GODZILLA VS. MECHAGODZILLA probably surpasses the previous three entries and at a lean, nicely paced 96 minutes (88 in its American incarnation I'm told; WHY DO THEY BOTHER!), it's certainly the easiest on the behind and quietly sets up the sequel, GODZILLA, MOTHRA, MECHAGODZILLA: TOKYO S.O.S. (2003). I give it an 8.