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The Gun in Betty Lou's Handbag
A Southern librarian puts excitement in her life with a found murder weapon and a false confession.
Release : | 1992 |
Rating : | 5 |
Studio : | Touchstone Pictures, Interscope Communications, Nomura Babcock & Brown, |
Crew : | Art Direction, Leadman, |
Cast : | Penelope Ann Miller Eric Thal Alfre Woodard Julianne Moore Andy Romano |
Genre : | Comedy Thriller Mystery |
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hyped garbage
Although it has its amusing moments, in eneral the plot does not convince.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
In Tettley, Missouri, Amos Lansing (Stanley Tucci) is having an affair with Charleen Barnes (Faye Grant). He's an used car salesman working for her husband Bob Barnes. When he offers to take her to Mexico, she runs off. Someone comes into the motel room and kills him with a shot to the head. The gun is thrown into the river and found by perennial doormat librarian Mrs. Elizabeth Louise 'Betty Lou' Perkins (Penelope Ann Miller). Her husband police detective Alex Perkins (Eric Thal) missed their anniversary dinner and is going to miss her library fundraiser for the murder case. She puts the gun in her handbag and calls Alex but he keeps brushing her off. When Elinor (Julianne Moore) pulls her into the store, Betty Lou has enough of everybody ignoring her and fires the gun in the washroom. With everybody dismissing her, she proclaims her guilt and is arrested. She gains confidence in jail with hooker Reba Bush (Cathy Moriarty) and starts weaving a tall tale about the shooting. She hires rookie lawyer Ann Orkin (Alfre Woodard) who helped her in the grocery line. Things get even more complicated when the FBI shows up claiming Amos is a fake identity and he's actually a mobster witness against ruthless mob boss Billy Beaudeen (William Forsythe). Beaudeen is after Amos' incriminating tape assumed to be now in Betty Lou's possession. She becomes an overnight star.Penelope Ann Miller is fun both as the timid librarian and as the more assertive woman. The movie was almost universally panned. It deserves better. Miller is appealing. It's nothing excessively funny but there are a couple of good laughs. It is an enjoyable farce.
If you're a fan of 80s movies & TV, you'll have a blast watching "The Gun in Betty Lou's Handbag". Released in 1992, I consider this one of the last "80s movies" with an allstar cast (though sadly underrated today).For starters we've got the amazing Faye Grant (remember "V" & "The Greatest American Hero"?) in a role like you've never seen: a frustrated southern belle housewife who's just 1 Gucci away from being trailer park trash. She steals the show in every scene.Then there's William Forsythe (Al Capone in "The Untouchables" TV series, the bad guy in "Out for Justice", etc) who plays such a creepy villain you almost forget you're watching a comedy.It gets better... how about Meatloaf, yes, MEATLOAF in a cameo as "Larry".There's my personal fave, Cathy Moriarty ...or as I like to think of her, the closest thing to Lauren Bacall since Lauren Bacall... as the tough street walker who changes Betty Lou's life. Cathy has played almost every mobster wife in every mobster movie ever made. Absolutely perfect.There's the incomparable Julianne Moore (who's been in everything, but my fave would have to be her recent appearances on 30 Rock) as Betty Lou's nutty slutty sister.How about Alfre Woodard (Betty Applewhite on "Desperate Housewives") as the rookie lawyer who's "defending" Betty Lou against murder charges even though she got her attorney's license through the mail.And that brings us to Betty Lou herself, played by Penelope Ann Miller whom I'll always remember as Winnie, Pee-wee Herman's girlfriend in "Big Top Pee-Wee". She does such a great job as the repressed, oppressed & distressed housewife who decides to go on an adventure for the first time in her mousey life.The director, Allan Moyle, may not be as famous as Spielberg, but he's done some great comedies such as "Pump Up the Volume" and "New Waterford Girl" (two films I highly recommend).There are more actors I didn't recognize until I saw the credits: Catherine Keener (the hot chick in "Being John Malkovich"), Stanley Tucci ("Miami Vice" TV series), and did I mention MEATLOAF? The result of this great lineup is a film which was obviously a lot of fun to make, and it's certainly a lot of fun to watch. Even if you're not familiar with all these people I've mentioned, their colorful characterizations will be very memorable.The story itself is an interesting blend. It's a badass chick flick like "Thelma & Louise" crossed with a small town crime caper like "My Cousin Vinny" and a light thriller like "Get Shorty" wrapped up into one. The presentation, though at times intense, remains breezy throughout, and although there are several murders on screen, it doesn't get too disturbing. They don't make em like this anymore. Like I said earlier, don't miss the chance to see one of the last of the "80s" crime-comedy classics.
A bit too violent to be a comedy, but come on folks, it wasn't that bad. The story is that behind every person is someone to know, and that every person needs to risk and live.OK, granted Beaudeen didn't have to use the knife in such graphic manners, but overall, good dialogue and decent acting.
I just don't understand what was supposed to be funny about this movie, which is a pretty major flaw in a comedy. As opposed to many bad comedies where "thud" can be heard every few seconds due to the pathetic jokes, this movie had no thuds. I couldn't identify what was meant to be funny but simply wasn't. It didn't have jokes...even bad ones. It didn't have anything.