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Good story, Not enough for a whole film

Simple and well acted, it has tension enough to knot the stomach.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

"The Crusades" was Cecil B. DeMille's attempt to depict the crusades of the late 12th century. The first three quarters of the film kind of drag along before the battle scenes emerge in the final quarter.The story opens with a Moses type Hermit (C. Aubrey Smith) vowing that he will raise an army of Christians to re-capture the holy city of Jerusalem from the Sarasins led by Saladin, Sultan of Islam (Ian Keith). King Philip of France (C. Henry Gordon) agrees to join the crusade. Since his daughter Alice (Katherine DeMille) was promised to the English King Richard the Lion Heart (Henry Wilcoxen) by Richard's father, Philip journeys to England to convince Richard to join the crusade and to marry his daughter. Richard relents but discovers an out when he learns that those joining the crusades cannot marry during that time.Along the way with his men in need of food, he meets with King Sancho, King of Navarre (George Barbier) who offers his comely young daughter Berengaria (Loretta Young) in marriage in exchange for the much needed supplies. Richard doesn't take the marriage seriously and sends his minstrel Blondel (Alan Hale) as his proxy. Of course Richard ultimately discovers his new bride and falls in love with her.Then the Christian armies attack the gates of Jerusalem with tragic results. DeMille, as only he could, stages realistic battle scenes for the siege utilizing authentic looking siege towers, catapults and other weaponry. It is the highlight of an otherwise over long film. The film apparently didn't do well at the box office and DeMille did not return to the biblical epics again until 1949 with "Samson and Delilah".Others in Demille's "cast of thousands" are Joseph Schildkraut as Conrad, Marquis of Navarre and Ramsay Hill as Prince John who scheme to take power during their respective leaders absences, Montague Love as the Blacksmith (watch for his touching death scene), and William Farnum, Misha Auer, John Carradine, J. Carroll Naish and Ann Sheridan in smaller roles.Richard needn't have worried about Prince John taking over his throne as Errol Flynn as Robin Hood had every thing under control back home.

Now, the Crusades are not only historically an exercise in grandeur, bigotry, and hubris, but often are portrayed as such in films, even in modern ones that lay claims to "anti-war" justification for the carnage that they show. Seeing a movie from the 30s, by a man who uses Christian topics often, wouldn't you expect more of the same? I did, and was sorely mistaken. Cecil B. DeMille's "The Crusades" is actually a romance movie about a man who learns humility and grace through love.That man is Richard the Lionheart (Henry Wilcoxon), who joins the Third Crusade to show off his brawn and evade a political marriage. Ironically, in order to even make it to the battle, he is forced into another political marriage, and even more ironic than that, upon meeting his new wife he falls helplessly in love. Of course, that doesn't mean the way is paved for a happily-ever-after unless he learns to do something with that pesky arrogance and militancy he has. This, surprisingly enough, leads him to rediscover Christianity and learn a humble grace that seems a contradiction to the usual (and also, ehrm, historical) image of the Crusades.The actual battle scenes are kept to minimum, but they're surprisingly harsh and visceral. I expected, due to the era, for DeMille's battle scenes to be poetic justification for large levels of carnage, but perhaps because I'm unfamiliar with a large part of DeMille's work, perhaps because of my own immersion into the primary sources of the Crusades, I ended up completely mesmerized by a much starker anti-war message than any contemporary film has fully justified for me. Add to this a very crafty script that quietly and gracefully clears up all promises, ties up loose ends, and creates a completely believable mix of unique characterizations, and DeMille's "Crusades" ends up being a very delicious and powerful romantic story.I've not previously been very interested in DeMille's career beyond his importance to Hollywood and film history, but this movie made it clear that he is an expert craftsman and artist.--PolarisDiB

THE CRUSADES is a film of awesome power with some of the finest costumes, epic battles and all the pagentry expected of the legendary Cecil B. DeMille. Henry Wilcoxon's Richard the Lionheart gives (along with his star turn as Marc Anthony in DeMille's CLEOPATRA the previous year) the greatest performance of his entire career. Mesmerizing in its power, just as effective today as when it was filmed in 1935. A must-see for all who esteem the epic/spectacle genre. Fine performances given by an all-star cast right down to DeMille regulars in supporting roles. They don't get much better than this!

A playboy king & a beautiful princess. A holy hermit & a sacred mission. Intrigue & romance & sin & spectacle. In fact, another Cecil B. DeMille history lesson.This time, DeMille takes on THE CRUSADES, a highly complex military & political enterprise that actually played out over 200 years. He focuses on one episode: The Third Crusade & England's King Richard the Lionheart's thrust to claim Jerusalem & the Holy Land from the Seljuk Turks in 1188-1192. Interestingly enough, DeMille gets a lot of his historical facts correct, but he does spend quite a bit of time detailing Richard's lustful, wanton ways.Literature & film have tended to wildly romanticize Richard. In historical fact, he was a bad king interested primarily in his own glory. He spent only 6 months of his reign in Britain, he bankrupted the Treasury with his Crusading schemes and he abandoned his young wife. But such is the power of Romance that he is generally seen as the beau ideal of kingliness.Henry Wilcoxon is a good, sturdy, if unspectacular, Richard. Loretta Young is beautiful, as always, as the Princess he marries. Sir C. Aubrey Smith is magnificent as the Holy Hermit who is the spiritual leader of the Crusade. Others in the fine cast are Alan Hale, Joseph Schildkraut, Mischa Auer & John Carradine (pay close attention to find him).As a master of spectacle, DeMille really comes through towards the end of the film with the siege & capture of Acre (north of present day Haifa in Israel).All the stops are pulled out to show the full panoply & horror of mediaeval battle.