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Sadly Over-hyped

A Major Disappointment

Pretty good movie overall. First half was nothing special but it got better as it went along.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

'Oechul' takes a premise that may seem forced and elevates it to a heartfelt yet very sober movie. One of the strongest points is precisely the subtle treatment of highly dramatic events so that they feel closer to reality. Feelings are captured in a natural way that allows for their complexity to shine through.All this goes into exploring the psychology of multi-layered characters. Torn between loyalties and wounded by betrayal, the main couple is placed in a highly stressful situation. Restrain and painful outbursts are tensely balanced. The budding relationship evolves with the natural flow of the cinematography, with increasingly intimate moments assisted by smart camera work.There are also scenic shots of great beauty and an interesting play on outside scenes and inside ones. It all invokes an atmosphere charged with human emotion in which love is believable as a struggle for happiness. With a brilliant conclusion that ties in the title of 'April Snow' to the story, 'Oechul' is not to be missed and especially recommended to fans of romance that is true to life.

April Snow is the third film by Corean melodrama auteur Hur Jin Ho and features none other than Bae Young Jun, whose turn in the popular Corean drama series "Winter Sonata" made him an icon of the Corean Wave exported all over Asia and sometimes further. However, since I couldn't bear watching the series, my only context for the Bespectacled One was his rather capable performance in the Corean adaptation of Les Liaisons Dangereuses, Untold Scandal.The story is related to both the stories for In the Mood for Love and Random Hearts, in which two people come to realize that their spouses are having affairs with each other and in this shared knowledge, develop a relationship with each other. While I haven't seen Random Hearts, I can say that the same tensions that run through In the Mood for Love also run through April Snow, but they are different movies. April Snow is definitely a Hur movie, as it's primarily composed of moments of silence and watching the protagonists do what they do and seeing the subtle messages implied by how they do it.One thing that struck me while watching the relationship form between the pair was just how aware they were of the irony of their situation and how their relationship was a sort of escape for them. A strong empathy pours out between the two characters as they deal with their grief and their betrayal. But all things are not even. While the Bespectacled One's character, In Ju, should be the primary protagonist, his performance was a little underplayed which allowed Son Ye Jin's Seo Young to capture more emotion and depth, and consequently steal the focus.But, the pictures were gorgeous, the acting still good (again, Son Ye Jin really pulls it off), and the way that director Hur captures it all managed to remind me just how much I like his approach to storytelling. This is a quiet melodrama that, while reserved in expression, can't help but leak out the grief, pain, and longing in the two characters. I kind of the wish that the end of the movie cut back more like In the Mood for Love does, but I imagine that audiences more adapted to mainstream Hollywood fare will appreciate the degree of closure provided. While this isn't a masterwork like Hur's previous two films, it is still, I believe, a solid entry into his filmography. Great for lovers of art films. 8/10.

Take IN THE MOOD FOR LOVE but have the protagonists meet when their spouses are in a serious car crash, don't be so bloody obtuse about the whole thing, and you're on way to making APRIL SNOW. Writer/director Hur Jin-Ho is certainly not a cheerful chap, with his trilogy of seasonally-named films each taking a depressing scenario and quietly exploring the characters' pain... yet somehow his films don't end up actually being depressing. The situation could easily lend itself to melodrama (and the soundtrack seems like it wants to go there), but the characters and emotions feel too real and natural.Although the plot of the film is essentially very predictable, it's all about the details... the unassuming direction places the actors in the spotlight - a light that pierces right into the characters, and requires superb performances from the cast. Luckily Bae Yong-Joon and the gorgeous Son Ye-Jin are capable of delivering exactly that.Very well crafted and enjoyable, though not so innovative as ONE FINE SPRING DAY.

"Oechu", or "Wae Chu" according to the Toronto IFF, means "going out". The English title for both Toronto and Hong Kong is "April Snow". It seems that director Hur Jin-ho has a high awareness of the seasons as the titles of his two previous movies were "Christmas in August" (1998) and "One fine spring day" (2001).To many regular viewers of Korean movies (a few movies each year), "Christmas" was their first introduction and is still considered among the best (while the tombstones of those who died of boredom watching it would already be showing signs of weather erosion). "Spring" has mixed reviews, with many considering it a setback from "Christmas". "April snow" is sort of a comeback, although it does not have the depth of "Christmas" in which death is the subject matter rather than a plot device.The plot of Oechu is simple. His wife and her husband, who are having an affair, got in an accident during their escapade and are both in a coma. Encountering at the hospital, they gradually find out that their respective spouses, who where college classmates, have been cheating on them. Starting with understandable animosity, they wind up falling in love.The key to the success of the movie is the development of the relationship between these two people, which takes time and patience to render believable. With this director Hur has done a splendid job. For the critical turning point, he cleverly utilizes a situation where the two attend together the funeral of a third victim of the accident, a young chap. As the spouses of the careless drivers (it could not be established which one was driving), they obviously are met with extreme hostility from the family of the deceased. This incident creates the necessary empathy which breaks the ice between them.There are some lovemaking scenes, which are more sensual than erotic. Very palpable together with the pleasure is also a sense of agony and pain. And those who think that these scenes are daring for a Korean movie have obviously not seen "Happy End" (1999).One scene that left me with the deepest impression was when his father-in-law knocks on his hotel room door while they are in the room, not making love but simply enjoying being with each other. Millions of similar scenes must have been seen in movies and yet I've never seen one that moves me so deeply. There's light tension, but no panic, as he asks the father-in-law to wait a second, gathers her telltale belongings and leads her gently into the bathroom and closes the door, gently. He then meets the father-in-law at the door and suggests that they go out to lunch together. On the stairs, he asks the father-in-law to wait downstairs, saying that he has forgotten something. Back in the hotel room, he opens the washroom door. She is still standing there, coat in hand, looking very stoic. She then turns and faces him and very mildly, but reassuringly, says, "I'm OK". The scene ends in a light, affectionate embrace.This scene says so much. There is nothing that they are ashamed of or need to hide, but tradition dictates that they should not be found together in his room. They face the situation together, with sensible and sensitive consideration for each other.Since Lover's Concerto, Son Ye-jin has been the most sought after young Korean actresses. Personally, I think her most popular "Classic" (2003) is over-rated. "April snow" is where Son has attained a breakthrough in her performance.Bae Yong-jun is a victim of his own popularity as I've seen more than one criticism of his acting that reflect the writers' "hate-celebrity" syndrome, from which I'm happily immune as I can't tell him apart from the guy next doors. The only other movie I've seen him in is "Untold Scandal" (2003), in which he wears a mustache and beard. In that picture he comes short, not having enough maturity and charisma to play a character brought to life by John Malkovich in "Dangerous Liaisons" (1998). He is much better cast here in "April snow" as a melancholy sort-of artist (stage light designer, particularly for concerts).One thing I must say is that you'll be hard-pressed to find a better looking (in a very literal sense) Asian couple than this pair.